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120 x 100 cmmai20p 120 x 100 cmhttps://abcrit.org/wp-content/uploads/2020/06/mai20h-60-x-60-cm.jpgmai20h 60 x 60 cmmai20h 60 x 60 cmhttps://abcrit.org/wp-content/uploads/2020/06/mai20dkl.jpgmai20dklmai20a 80 x 70 cmhttps://abcrit.org/wp-content/uploads/2020/06/mai20a-80-x-70-cm.jpgmai20a 80 x 70 cmmai20a 80 x 70 cmhttps://abcrit.org/wp-content/uploads/2020/06/juni20n-90-x-70-cm.jpgjuni20n 90 x 70 cmjuni20n 90 x 70 cmhttps://abcrit.org/wp-content/uploads/2020/06/juni20i-90-x-70-cm.jpgjuni20i 90 x 70 cmjuni20i 90 x 70 cmhttps://abcrit.org/wp-content/uploads/2020/06/juni20g-40-x-40-cm.jpgjuni20g 40 x 40 cmjuni20g 40 x 40 cmhttps://abcrit.org/wp-content/uploads/2020/06/juni20c-80-x-70-cm.jpgjuni20c 80 x 70 cmjuni20c 80 x 70 cm2020-07-22T05:12:41+00:00monthlyhttps://abcrit.org/2020/06/07/127-patrick-jones-writes-about-his-own-recent-paintings/https://abcrit.org/wp-content/uploads/2020/06/wheatfield-in-the-wind-2020-98x192-.jpgWheatfield in the Wind 2020 98x192Wheatfield in the Wind, 2020, 98x192cm https://abcrit.org/wp-content/uploads/2020/06/the-weight-2020-120x185-.jpgThe weight 2020 120x185The Weight, 2020, 120x185cmhttps://abcrit.org/wp-content/uploads/2020/06/isis-2019-110x178-.jpgIsis, 2019, 110x178Isis, 2019, 110x178cm https://abcrit.org/wp-content/uploads/2020/06/render-2020-120x220-.jpgrender 2020 120x220Render, 2020, 120x220cmhttps://abcrit.org/wp-content/uploads/2020/06/watercolour-mirage-2020-2020-108x176-.jpgwatercolour (mirage) 2020 , 2020, 108x176Watercolour (Mirage), 2020, 108x176cmhttps://abcrit.org/wp-content/uploads/2020/06/the-engine-2019-20-117x188-.jpgThe Engine, 2019-20, 117x188The Engine, 2019-20, 117x188cmhttps://abcrit.org/wp-content/uploads/2020/06/positivity-2020-120-x185-.jpgpositivity, 2020, 120 x185Positivity, 2020, 120x185cmhttps://abcrit.org/wp-content/uploads/2020/06/chaos-theory-turquoise-2019-98x205-.jpgChaos Theory (urquoise) 2019 98x205Chaos Theory (Turquoise), 2019 98x2052020-07-08T10:07:04+00:00monthlyhttps://abcrit.org/2020/05/19/126-robin-greenwood-writes-on-the-possibilities-of-abstract-sculpture/2020-05-28T02:47:57+00:00monthlyhttps://abcrit.org/2020/04/18/125-tim-scott-writes-on-why-abstract-sculpture-part-3/2020-06-16T04:05:22+00:00monthlyhttps://abcrit.org/2020/04/04/124-robin-greenwood-writes-on-making-painting-abstract/https://abcrit.org/wp-content/uploads/2020/04/steven-walker-funky-jam-fizz-120x100cm-2018-img_2884.jpgSteven Walker, Funky Jam Fizz, 120x100cm, 2018 IMG_2884Steven Walker, 'Funky Jam Fizz', 2018, acrylic on canvas, 120x100cm.https://abcrit.org/wp-content/uploads/2020/04/steven-walker-untitled-2019-100x140cm-.jpgSteven Walker, untitled, 2019, 100x140cmhttps://abcrit.org/wp-content/uploads/2020/04/lava-lake-img_2857.jpglava lake IMG_2857Hilde Skilton, 'Lava Lake', 2018, oil on canvas, 100x150cm.https://abcrit.org/wp-content/uploads/2020/04/img_2903.jpgIMG_2903John Pollard, 'Singing the Evil Bungler', 2017, acrylic on canvas, 150x120cm.https://abcrit.org/wp-content/uploads/2020/04/img_2871.jpgIMG_2871Dean Piacentini, 'Murmur', 2019, mixed media on canvas, 80x80cm.https://abcrit.org/wp-content/uploads/2020/04/patrick-jones-moonpull-2018-213x119cm-.jpgPatrick Jones, Moonpull, 2018, 213x119cmPatrick Jones, 'Moonpull', 2018, oil on canvas, 90x162cm.https://abcrit.org/wp-content/uploads/2020/04/img_2861.jpgIMG_2861Harry Hay, 'Word Go', oil on board, 70x69cmhttps://abcrit.org/wp-content/uploads/2020/04/robin-greenwood-untitled-2019-124x102cm-.jpgRobin Greenwood, untitled, 2019, 124x102cmRobin Greenwood, untitled, 2019, oil on canvas, 124x102cm.https://abcrit.org/wp-content/uploads/2020/04/img_2866.jpgIMG_2866EC, 'Pleasure Trip', 2018, mixed media on canvas, 40x40cm.https://abcrit.org/wp-content/uploads/2020/04/john-bunker-njola-2019-68x73cm-img_2879.jpgJohn Bunker, Njola, 2019, 68x73cm IMG_2879John Bunker, Njola, 2019, mixed media, 68x73cm.2020-06-18T12:21:36+00:00monthlyhttps://abcrit.org/2020/03/29/123-tim-scott-writes-on-why-abstract-sculpture-part-2/2020-04-06T15:30:56+00:00monthlyhttps://abcrit.org/2020/02/25/122-geoff-hands-writes-on-hardpaintingx2/https://abcrit.org/wp-content/uploads/2020/02/024-hpx2pt2-mali-morris-touch-2016-trio-2017-1.jpg024 - HPX2Pt2 - Mali Morris - Touch 2016 - Trio 2017Mali Morris - ‘Touch’ (2016) 40x50cm and ‘Trio’ (2017) 30x40cmhttps://abcrit.org/wp-content/uploads/2020/02/024-hpx2pt2-mali-morris-touch-2016-trio-2017.jpg024 - HPX2Pt2 - Mali Morris - Touch 2016 - Trio 2017https://abcrit.org/wp-content/uploads/2020/02/023-hpx2pt1-mh-tpiar.jpg023 - HPX2Pt1 - M&H TPIARMorrissey & Hancock - ‘TPIAR’ (2019) 3 panels each 182x91cmhttps://abcrit.org/wp-content/uploads/2020/02/022-hpx2pt1-john-carter-chapitau-1.jpg022 - HPX2Pt1 - John Carter - Chapitauhttps://abcrit.org/wp-content/uploads/2020/02/022-hpx2pt1-john-carter-chapitau.jpg022 - HPX2Pt1 - John Carter - ChapitauJohn Carter - ‘Chapitau Three Identical Shapes’ (2017) H51xW40xD4.5cmhttps://abcrit.org/wp-content/uploads/2020/02/021-hpx2pt1-jessie-yates-untitled-1-2018.jpg021 - HPX2Pt1 - Jessie Yates - Untitled 1 (2018)Jessie Yates - ‘Untitled 1’ (2018) 90x120cmhttps://abcrit.org/wp-content/uploads/2020/02/020-hpx2pt1-richard-graville-blushing-phantom-red-banded-2019.jpg020 - HPX2Pt1 - Richard Graville - Blushing Phantom - Red Banded 2019Richard Graville - ‘Blushing Phantom’ (120x80cm) - ‘Red Banded’ (80x50cm) (both 2019)https://abcrit.org/wp-content/uploads/2020/02/019-hpx2pt2-ian-boutell-slipslideshift-ii-2019-semper-2020-slipslideshift-2019.jpg019 - HPX2Pt2 - Ian Boutell - Slipslideshift II (2019) - Semper (2020) - Slipslideshift (2019)Ian Boutell - ‘Slipslideshift II’ 2019 (49x49cm) - ‘Semper’ 2020 (100x100cm) - ‘Slipslideshift’ (2019) 49x49cmhttps://abcrit.org/wp-content/uploads/2020/02/018-hpx2pt2-patrick-odonnell-the-grey-passion-2020.jpg018 - HPX2Pt2 - Patrick O'Donnell - The Grey Passion - 2020Patrick O’Donnell - ‘The Grey Passion’ (2020) H21xW40xD23cmhttps://abcrit.org/wp-content/uploads/2020/02/017-hpx2pt2-philip-cole-shift-3-2020-slider-5-2019-shift-4-2020.jpg017 - HPX2Pt2 - Philip Cole - Shift 3 2020 - Slider 5 2019 - Shift 4 2020Philip Cole - ‘Shift 3’ (2020) - ‘Slider 5’ (2019) - ‘Shift 4’ (2020) H60xW60xD3.5cm2020-03-02T00:13:55+00:00monthlyhttps://abcrit.org/2020/02/07/121-tim-scott-writes-on-abstract-sculpture/2020-03-29T18:41:53+00:00monthlyhttps://abcrit.org/2019/12/08/120-tributes-to-the-painter-john-mclean/https://abcrit.org/wp-content/uploads/2019/12/koto-1997-2004-acrylic-on-canvas-76-x-220-cm.jpgKoto, 1997-2004, acrylic on canvas, 76 x 220 cmKoto, 1997-2004, acrylic on canvas, 76 x 220 cmhttps://abcrit.org/wp-content/uploads/2019/12/11-untitled-2019-acrylic-on-canvas-40.2-x-50.7-cm.-courtesy-of-art-space-gallery.jpg11 Untitled, 2019, acrylic on canvas, 40.2 x 50.7 cm. Courtesy of Art Space GalleryUntitled, 2019, acrylic on canvas, 40.2 x 50.7 cm. Courtesy of Art Space Galleryhttps://abcrit.org/wp-content/uploads/2019/12/10-black-bear-2003-acrylic-on-canvas-164.5-x-101-cm.-photo-peter-inskip.jpg10 Black Bear, 2003, acrylic on canvas, 164.5 x 101 cm. Photo Peter InskipBlack Bear, 2003, acrylic on canvas, 164.5 x 101 cm. Photo Peter Inskiphttps://abcrit.org/wp-content/uploads/2019/12/9-untitled-2017-130-x-100-cm-acrylic-on-canvas.-courtesy-of-art-space-gallery.jpg9 Untitled, 2017, 130 x 100 cm, acrylic on canvas. Courtesy of Art Space GalleryUntitled, 2017, 130 x 100 cm, acrylic on canvas. Courtesy of Art Space Galleryhttps://abcrit.org/wp-content/uploads/2019/12/8-carousel-1987-acrylic-on-canvas-103-x-65-cm.-courtesy-of-art-space-gallery.jpg8 Carousel, 1987, acrylic on canvas, 103 x 65 cm. Courtesy of Art Space GalleryCarousel, 1987, acrylic on canvas, 103 x 65 cm. Courtesy of Art Space Galleryhttps://abcrit.org/wp-content/uploads/2019/12/7-john-mclean-pitcundrum-2003-acrylic-on-canvas-43-x-109-cm-.jpg7 John McLean Pitcundrum, 2003 acrylic on canvas, 43 x 109 cmPitcundrum, 2003 acrylic on canvas, 43 x 109 cmhttps://abcrit.org/wp-content/uploads/2019/12/6-tournesol.jpg6 TournesolTournesol, 2011 acrylic on canvas, 92 x 152 cmhttps://abcrit.org/wp-content/uploads/2019/12/5-untitled-2018-acrylic-on-canvas-50.5-x-170.5-cm.-courtesy-of-art-space-gallery.jpg5 Untitled 2018 Acrylic on canvas 50.5 x 170.5 cm. Courtesy of Art Space GalleryUntitled 2018 Acrylic on canvas 50.5 x 170.5 cm. Courtesy of Art Space Galleryhttps://abcrit.org/wp-content/uploads/2019/12/4-architect-peter-inskips-flat-barbican-london-with-peasiehil-1971.jpg4 Architect Peter Inskip's flat, Barbican, London with Peasiehil, 1971Architect Peter Inskip's flat, Barbican, London with Peasiehil, 1971https://abcrit.org/wp-content/uploads/2019/12/3-opening-1987-acrylic-on-canvas-75-x-229-cm.-tate-gallery.jpgOpening 1987 by John McLean born 1939Opening, 1987, acrylic on canvas, 75 x 229 cm. Tate Galler2020-07-10T15:20:07+00:00monthlyhttps://abcrit.org/2019/11/24/119-tim-scott-quotes-from-werner-haftmann-painting-in-the-twentieth-century-1966/2019-12-17T13:02:02+00:00monthlyhttps://abcrit.org/2019/11/09/118-robin-greenwood-writes-on-john-bunker-faint-young-suns/https://abcrit.org/wp-content/uploads/2019/11/7.jpg7"Jotunn", 2019, 115x108cmhttps://abcrit.org/wp-content/uploads/2019/11/9.jpg9https://abcrit.org/wp-content/uploads/2019/11/10.jpg10Installation of "Faint Young Sun II", 2019, 110x65cm, and ""Zugzwang"https://abcrit.org/wp-content/uploads/2019/11/11.jpg11Installation view with "Faint Young Sun 1", 2019, 120x110cm on the right.https://abcrit.org/wp-content/uploads/2019/11/8.jpg8"Njola", 2019, 68x73cmhttps://abcrit.org/wp-content/uploads/2019/11/6.jpg6""Zugzwang" 2019 61x74cmhttps://abcrit.org/wp-content/uploads/2019/11/4.jpg4"Chandrasekhar", 2019, 64x92cmhttps://abcrit.org/wp-content/uploads/2019/11/3.jpg3"Coriolis", 2019, 77x78cmhttps://abcrit.org/wp-content/uploads/2019/11/2.jpg2"Rocheradius" 2019, 82x70cmhttps://abcrit.org/wp-content/uploads/2019/11/1.jpg1"Scheherazade", 2018-19, 120x180cm, mixed media2019-11-11T15:16:15+00:00monthlyhttps://abcrit.org/2019/07/06/116-chris-stephens-writes-on-new-paintings-by-pete-hoida/https://abcrit.org/wp-content/uploads/2019/07/favorite_dish.jpgfavorite_dish"Favourite Dish", Aug 1984, 84 x 79 cmhttps://abcrit.org/wp-content/uploads/2019/07/duke_of_earl.jpgDuke_of_earl"Duke of Earl", 2018, 71 x 173 cmhttps://abcrit.org/wp-content/uploads/2019/07/crucible.jpgcrucible"Crucible", 2011-2018, 97 x 219 cmhttps://abcrit.org/wp-content/uploads/2019/07/dance_of_the_cuttlefish.jpgdance_of_the_cuttlefish"Dance of the Cuttlefish", 2019, 93 x 130 cmhttps://abcrit.org/wp-content/uploads/2019/07/stykkisholmur.jpgStykkisholmurStykkisholmur, 2018, 54 x 173 cm2019-07-28T17:26:28+00:00monthlyhttps://abcrit.org/2019/07/27/117-david-sweet-writes-on-clyde-hopkins/https://abcrit.org/wp-content/uploads/2019/07/clyde-hopkins-pv.jpegClyde Hopkins PVhttps://abcrit.org/wp-content/uploads/2019/07/14about-the-orinoco.jpg14about the Orinoco"About the Orinoco", https://abcrit.org/wp-content/uploads/2019/07/2010-waltswood.jpg2010 Waltswood"Waltswood", https://abcrit.org/wp-content/uploads/2019/07/12plankhead.jpg12plankhead"Plankhead",https://abcrit.org/wp-content/uploads/2019/07/11thoindigo-painting.jpg11Thoindigo Painting"Thoindigohttps://abcrit.org/wp-content/uploads/2019/07/10breadin-pocket.jpeg10Breadin Pocket"Bread in Pocket",https://abcrit.org/wp-content/uploads/2019/07/9night-crossing.jpeg9Night Crossing"Night Crossing" 1996https://abcrit.org/wp-content/uploads/2019/07/8capstan-fullstrength.jpeg8Capstan fullstrength"Capstan Full Strength", 1994https://abcrit.org/wp-content/uploads/2019/07/7capdennis.jpeg7Capd'ennis"Cap Dennis", 1984https://abcrit.org/wp-content/uploads/2019/07/6the-collar.jpeg6The Collar"The Collar (George Herbert)", 1989-902019-07-29T20:17:58+00:00monthlyhttps://abcrit.org/2019/06/20/115-robin-greenwood-writes-on-past-and-future-abstract/https://abcrit.org/wp-content/uploads/2019/06/1280px-pieter_bruegel_d._c384._007.jpg1280px-Pieter_Bruegel_d._Ä._007Pieter Bruegel, "Christ carrying the Cross", 1564https://abcrit.org/wp-content/uploads/2019/06/jacopo-robusti-tintoretto-the-baptism-of-christ-meisterdrucke-303375.jpgJacopo Robusti Tintoretto - The Baptism of Christ - (MeisterDrucke-303375)Tintoretto, "The Baptism of Christ", 1579-81https://abcrit.org/wp-content/uploads/2019/06/dean-piacentini.jpgDean PiacentiniDean Piacentini, 2018https://abcrit.org/wp-content/uploads/2019/06/only-pack-the-essentials-animal-2019.jpgOnly pack the essentials (ANIMAL) 2019EC, "Only Pack the Essentials, (ANIMAL)", 2019https://abcrit.org/wp-content/uploads/2019/06/scheherazade-2018-1.jpgScheherazade 2018https://abcrit.org/wp-content/uploads/2019/06/scheherazade-2018.jpgScheherazade 2018John Bunker, "Scheherazade" 2018https://abcrit.org/wp-content/uploads/2019/06/hb_1998.412.1.jpghb_1998.412.1Pierre Bonnard, "Chequered Tablecloth", 1916https://abcrit.org/wp-content/uploads/2019/06/the-apotheosis-of-st-roch-.jpgThe Apotheosis of St RochTintoretto, "The Apotheosis of St Roch", 1564https://abcrit.org/wp-content/uploads/2019/06/the-hermitage-at-pontoise1867.jpgthe hermitage at pontoise1867Camille Pissarro, "The Hermitage at Pontoise", 1867https://abcrit.org/wp-content/uploads/2019/06/plate-of-apples-1874.jpgplate of apples 1874Paul Cézanne, "Plate of Apples", 18742019-07-04T15:13:53+00:00monthlyhttps://abcrit.org/2019/06/05/114-tim-scott-quotes-from-and-comments-on-but-is-it-art-oup-2001-by-cynthia-freeland/2019-06-20T13:36:46+00:00monthlyhttps://abcrit.org/2019/03/03/113-tim-scott-writes-on-new-sculpture-and-direction-movement-space-and-physicality-robin-greenwood-writes-on-three-dimensionality/2019-04-09T08:06:23+00:00monthlyhttps://abcrit.org/2018/12/29/112-emyr-williams-writes-on-patrick-heron-at-margate/https://abcrit.org/wp-content/uploads/2018/12/Tall-Purple-1.jpgTall PurplePatrick Heron, "Tall Purple: September 1962". © estate of Patrich Heron. DACS 2018 One of the few paintings where he painted off a ground colour. This painting looks great in the flesh, quite luxurious in its use of purple. It exposes some of the over use of that colour (especially when it looks so abrupt against white) in the late garden paintings. Here the purple has a real heat which positively cuddles the other hues. https://abcrit.org/wp-content/uploads/2018/12/Tall-Purple.jpgTall PurplePatrick Heron, "Tall Purple: September 1962". © estate of Patrich Heron. DACS 2018 One of the few paintings where he painted off a ground colour. This painting looks great in the flesh, quite luxurious in its use of purple. It exposes some of the over use of that colour (especially when it looks so abrupt against white) in the late garden paintings. Here the purple has a real heat which posi-tively cuddles the other hues. https://abcrit.org/wp-content/uploads/2018/12/5-6-September.jpg5-6 SeptemberPatrick Heron, "5-6 September: 1996", © estate of Patrick Heron, DACS 2018. This work hit a tactile sweet spot getting the brushwork to connect with the size in a satisfying way. The use of yellow woven throughout recalls Matisse’s under drawing in colour and tempers the white, as do the other soft washes of greys.https://abcrit.org/wp-content/uploads/2018/12/rcqEzq8g.jpegrcqEzq8gPatrick Heron, "Cadmium with Violet, Scarlet, Emerald Lemon and Venetian: 1969. Tate, London 2018 and estate of Patrick Heron. DACS 20182019-04-30T06:53:32+00:00monthlyhttps://abcrit.org/2018/12/09/110-robin-greenwood-writes-about-the-art-of-the-real-then-and-now/https://abcrit.org/wp-content/uploads/2018/12/jacksonpollock1958-e1535639148954-1170x655.jpgJacksonPollock1958-e1535639148954-1170x655Jackson Pollock at the Whitechapel, 1958https://abcrit.org/wp-content/uploads/2018/12/pollock-1958.jpgpollock 1958Jackson Pollock at the Whitechapel, 1958https://abcrit.org/wp-content/uploads/2018/12/dnevgd7wwaabjy_.jpgDneVgd7WwAAbJy_Lee Krasner, "Shattered Light", 1954https://abcrit.org/wp-content/uploads/2018/12/drtzgnnwoaahfq1.jpgDrtzGnNWoAAhFQ1https://abcrit.org/wp-content/uploads/2018/12/new-painting-3.jpgnew Painting 3https://abcrit.org/wp-content/uploads/2018/12/img_3035.jpgIMG_3035https://abcrit.org/wp-content/uploads/2018/12/new-painting-8.jpgnew Painting 8https://abcrit.org/wp-content/uploads/2018/12/through-the-years-1999.jpgthrough the years 1999Alan Gouk, "Thro the Years", 1999https://abcrit.org/wp-content/uploads/2018/12/dog_pb0uuaauddg.jpgDoG_pb0UUAAudDgAlan Gouk, "Gaucin Night II", 1992https://abcrit.org/wp-content/uploads/2018/12/7asgvzsa.jpeg7aSgVzSAPatrick Heron, "Interior with Garden Window: 1955", © estate of Patrick Heron, all rights reserved, DACS 20182019-01-30T22:24:40+00:00monthlyhttps://abcrit.org/2018/12/15/111-ms-ellen-knee-chooses-ten-great-figurative-paintings/https://abcrit.org/wp-content/uploads/2018/12/The-Piano-Lesson-1923.jpghttp://art-matisse.comHenri Matisse, "The Piano Lesson", 1923https://abcrit.org/wp-content/uploads/2018/12/still-life-with-teapot-1902-06.jpgCezanne, Paul, 1839-1906; Still Life with a TeapotPaul Cezanne, "Still Life with a Teapot", 1902-06https://abcrit.org/wp-content/uploads/2018/12/after-dinner-at-ornans-1848.jpgafter-dinner-at-ornans 1848Gustave Courbet, "After Dinner at Ornans", 1848https://abcrit.org/wp-content/uploads/2018/12/Majas_en_un_balcón_por_Goya1808-18-.jpgMajas_en_un_balcón_por_Goya1808-18Francisco Goya, "Majas on a Balcony, 1808-18https://abcrit.org/wp-content/uploads/2018/12/Nicolas_Poussin_-_Echo_and_Narcissus-1630.jpgNicolas_Poussin_-_Echo_and_Narcissus 1630Nicolas Poussin, "Echo and Narcissus", 1630https://abcrit.org/wp-content/uploads/2018/12/1280px-Peter_Paul_Rubens_1577-1640_-_Venus_frigida_1611-1.jpg1280px-Peter_Paul_Rubens_(1577-1640)_-_Venus_frigida_(1611)https://abcrit.org/wp-content/uploads/2018/12/1280px-Peter_Paul_Rubens_1577-1640_-_Venus_frigida_1611.jpg1280px-Peter_Paul_Rubens_(1577-1640)_-_Venus_frigida_(1611)Peter Paul Rubens, "Venus Frigida", 1611https://abcrit.org/wp-content/uploads/2018/12/last-supper-1594.jpglast supper 1594Jacopo Tintoretto, "The Last Supper", 1594https://abcrit.org/wp-content/uploads/2018/12/durer-Feast_of_the_Rose_Garlands-1506.jpgdurer Feast_of_the_Rose_Garlands 1506Albrecht Durer, "Feast of the Rose Gardens", 1506https://abcrit.org/wp-content/uploads/2018/12/breugel1-the-harvesters-c.1565.jpgbreugel1 the harvesters c.1565Pieter Breugel the Elder, "The Harvesters", c. 1565 2018-12-22T08:27:04+00:00monthlyhttps://abcrit.org/2018/11/10/109-tim-scott-writes-towards-a-new-sculpture/https://abcrit.org/wp-content/uploads/2018/11/1-a-pic.jpg1 a pichttps://abcrit.org/wp-content/uploads/2018/11/23-liquefaction-v.jpg23 liquefaction Vhttps://abcrit.org/wp-content/uploads/2018/11/22-liquefaction-v.jpg22 liquefaction Vhttps://abcrit.org/wp-content/uploads/2018/11/21-liquefaction-v.jpg21 liquefaction Vhttps://abcrit.org/wp-content/uploads/2018/11/20-liquefaction-v.jpg20 liquefaction Vhttps://abcrit.org/wp-content/uploads/2018/11/19-liquefaction-v-2018.jpg19 liquefaction V 2018https://abcrit.org/wp-content/uploads/2018/11/18-liquefaction-v-2018-plywood-laminated-64x62x70cm.jpg18 liquefaction V 2018 plywood laminated 64x62x70cmhttps://abcrit.org/wp-content/uploads/2018/11/17-liquefaction-iv-2018.jpg17 liquefaction IV 2018https://abcrit.org/wp-content/uploads/2018/11/16-liquefaction-iv-2018.jpg16 liquefaction IV 2018https://abcrit.org/wp-content/uploads/2018/11/15-liquefaction-iv-2018.jpg15 liquefaction IV 20182018-11-27T19:14:53+00:00monthlyhttps://abcrit.org/2018/10/15/108-robin-greenwood-writes-on-anni-albers-at-tate-modern-a-short-speculation-on-greatness-in-perspective/https://abcrit.org/wp-content/uploads/2018/10/anni_albers_ancient_writing_1936_cotton_and_rayon_150-5_x_111-8_cm_-_princeton_university_art_museum.jpganni_albers_ancient_writing_1936_cotton_and_rayon_150.5_x_111.8_cm_-_princeton_university_art_museumAnni Albers, "Ancient Writing", 1936, cotton and rayon, 150 x 116 cmhttps://abcrit.org/wp-content/uploads/2018/10/african1.jpgafricanA "Kente" cloth from Ghana, probably quite recent in origin and woven in rayon.https://abcrit.org/wp-content/uploads/2018/10/african.jpgafricanhttps://abcrit.org/wp-content/uploads/2018/10/the-drop-1989.jpgthe drop 1989Berber woollen textile, Algeria, undated.https://abcrit.org/wp-content/uploads/2018/10/huave.jpghuaveHuari, c. 700-1000 A.D.https://abcrit.org/wp-content/uploads/2018/10/early-colonial-neo-inca-culpture-c-1550.jpgEarly colonial Neo-Inca Culpture c.1550Inca weaving from c. 1550, 119 x 171 cmhttps://abcrit.org/wp-content/uploads/2018/10/weave-1989.jpgweave 1989Some generic examples of weaving such as those might be used as Albershttps://abcrit.org/wp-content/uploads/2018/10/weavings_09.jpg2003-12-1Anni Albers, "City", 1949, linen and cotton, 44 x 67 cmhttps://abcrit.org/wp-content/uploads/2018/10/variation-on-a-theme-1958.jpgvariation-on-a-theme-1958Anni Albers, "Variations on a Theme", 1958, cotton, linen, plastic, 87 x 77 cmhttps://abcrit.org/wp-content/uploads/2018/10/thickly-settled-19571.jpgthickly settled 1957Anni Albers, "Thickly Settled", 1959, cotton and jute, 78 x 61 cm2018-10-19T15:37:08+00:00monthlyhttps://abcrit.org/2018/09/30/107-robin-greenwood-writes-on-ribera-art-of-violence-at-dulwich-picture-gallery-and-mantegna-bellini-at-the-national-gallery/https://abcrit.org/wp-content/uploads/2018/09/800px-andrea_mantegna_-_the_adoration_of_the_shepherds_-_wga13945.jpg800px-Andrea_Mantegna_-_The_Adoration_of_the_Shepherds_-_WGA13945Andrea Mantegna, "The adoration of the Shepherds", c. 1450-52https://abcrit.org/wp-content/uploads/2018/09/three-studies-elongated-figures-1455large-1.jpgthree-studies-elongated-figures-1455.jpg!Large (1)Andrea Mantegna, "Three Studies of the Dead Christ", c.1455-65https://abcrit.org/wp-content/uploads/2018/09/ribera-martyrdom-of-st-ba-1.jpgRibera-Martyrdom-of-St-Ba-1Jusepe de Ribera, "Martyrdom of Saint Bartholomew", 1644https://abcrit.org/wp-content/uploads/2018/09/2959.jpg2959Jusepi de Ribera, "Inquisition Scene", late 1630's2018-10-09T18:38:04+00:00monthlyhttps://abcrit.org/2018/09/22/106-robin-greenwood-writes-on-albert-frey-the-seductions-of-mid-century-desert-modernism-and-the-disambiguation-of-sculptural-spaces/https://abcrit.org/wp-content/uploads/2018/09/babybath-1-_2152.jpgbabybath 1 _2152One of my own recent attempts to keep the baby and the bathwater and have it all in sculpture. "Babybath I" 2018, steelhttps://abcrit.org/wp-content/uploads/2018/09/tim-scott-bird-in-arras-vi-1969-acrylic-sheet-steel-270-x-291-x-218-cm.jpgTim Scott, Bird in Arras VI, 1969, acrylic sheet, steel, 270 x 291 x 218 cmTim Scott, "Bird in Arras VI", 1969, acrylic sheet, steelhttps://abcrit.org/wp-content/uploads/2018/09/roof-trusses.jpgroof trussesPoolside roof trusses, F"rey House I"https://abcrit.org/wp-content/uploads/2018/09/frey-house-2.jpgFrey house 2"Frey House I" remodelled, 1953https://abcrit.org/wp-content/uploads/2018/09/frey-house-1.jpgFrey house 1"Frey House I", 1940, west side with car port.https://abcrit.org/wp-content/uploads/2018/09/frey-outside-house-1.jpgFrey outside house 1Albert Frey on the terrace of "Frey House I"https://abcrit.org/wp-content/uploads/2018/09/weekend-living-room.jpgweekend living roomLiving room of the "Kocher Canvas Weekend House"https://abcrit.org/wp-content/uploads/2018/09/15.jpg15"Kocher Canvas Weekend House", Albert Frey,1934https://abcrit.org/wp-content/uploads/2018/09/weekend-house.jpgweekend house"Kocher Canvas Weekend House", Albert Fray,1934https://abcrit.org/wp-content/uploads/2018/09/alum-terrace.jpgalum terraceView of the terrace at "Aluminaire".2018-11-13T11:37:27+00:00monthlyhttps://abcrit.org/2018/06/28/104-geoff-hands-writes-on-a-road-not-taken-at-the-crypt-london/https://abcrit.org/wp-content/uploads/2018/06/020-david-webb-reservoir-gold-2014.jpg020 - David Webb - Reservoir (Gold) - 2014David Webb, 'Reservoir (Gold)', 2014https://abcrit.org/wp-content/uploads/2018/06/019-david-webb-vermont-landscape-for-cm-2012.jpg019 - David Webb - Vermont Landscape for CM - 2012David Webb, 'Vermont Landscape for CM', 2012https://abcrit.org/wp-content/uploads/2018/06/017-katrin-maurich-lark-returned-2016.jpg017 - Katrin Maurich - Lark Returned - 2016Katrin Maurich, 'Lark Returned', 2016https://abcrit.org/wp-content/uploads/2018/06/016-katrin-maurich-lark-2015.jpg016 - Katrin Maurich - Lark - 2015Katrin Maurich, 'Lark', 2015https://abcrit.org/wp-content/uploads/2018/06/012-ashley-west-piece-with-a-big-loop-2005_2016.jpg012 - Ashley West - Piece With A Big Loop - 2005_2016Ashley West, 'Piece With A Big Loop', 2005-16https://abcrit.org/wp-content/uploads/2018/06/015-stephen-buckeridge-this-stroke-drove-our-present-apart-like-a-wedge-2017.jpg015 - Stephen Buckeridge - This Stroke drove our present apart like a wedge - 2017 Stephen Buckeridge, 'This Stroke drove our present apart like a wedge', 2017https://abcrit.org/wp-content/uploads/2018/06/006-stephen-buckeridge-one-belongs-here-or-there-there-is-no-middle-20171.jpg006 - Stephen Buckeridge - One belongs here or there - there is no middle 2017Stephen Buckeridge, 'One belongs here or there - there is no middle', 2017https://abcrit.org/wp-content/uploads/2018/06/013-catherine-ferguson-moments-together-2015.jpg013 - Catherine Ferguson - Moments Together - 2015Catherine Ferguson, 'Moments Together', 2015https://abcrit.org/wp-content/uploads/2018/06/005-catherine-ferguson-blah-blah-blah.jpg005 - Catherine Ferguson - Blah Blah BlahCatherine Ferguson, 'Blah Blah Blah'https://abcrit.org/wp-content/uploads/2018/06/010-tony-antrobus-blue-one-2017.jpg010 - Tony Antrobus - Blue One - 2017Tony Antrobus, 'Blue One', 20172018-07-20T16:51:38+00:00monthlyhttps://abcrit.org/2018/07/13/105-geoff-hands-writes-on-patrick-heron-at-tate-st-ives/https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-green-and-mauve-horizontals-january-1958-private-collection-c-estate.jpgnew Patrick Heron - Green and mauve Horizontals January 1958 Private collection - (C) EstateGreen and Mauve Horizontals : January 1958 1958 Oil paint on canvas © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-interior-with-garden-window-1955-private-collection-c-estate.jpgnew Patrick Heron - Interior with Garden Window 1955 - Private collection - (C) EstateInterior with Garden Window : 1955 1955 Oil paint on canvas 1219.2 x 1524 mm Private collection © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-big-complex-diagonal-with-emerald-and-reds-march-1972-private-collection-c-estate.jpgNew Patrick Heron - Big Complex Diagonal with Emerald and Reds March 1972 Private collection - (C) EstateBig Complex Diagonal with Emerald and Reds : March 1972 - September 1974 1974 Oil paint on canvas © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-the-piano-1943-private-collection-c-estate.jpgnew Patrick Heron - The Piano 1943 - Private collection - (C) estate"The Piano", 1943' oil paint on paper © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-sydney-garden-painting-december-1989-ii-private-collecton-c-estate.jpgnew Patrick Heron - Sydney Garden Painting December 1989 II - Private collecton - (C) Estate"Sydney Garden Painting", December 1989, oil paint on canvas Private collection, © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-red-garden-painting-june-3-june-5-1985-c-estate.jpgnew Patrick Heron - Red Garden Painting June 3 -June 5 1985 - (C) Estate"Red Garden Painting, June 3 - June 5, 1985", oil paint on canvas, © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/new-patrick-heron-five-discs-1963-private-collection-c-estate.jpgnew Patrick Heron - Five Discs 1963 - Private Collection - (C) Estate"Five Discs", 1963 1963, oil paint on canvas, private collection, © Estate of Patrick Heron. All Rights Reserved, DACS 2018 https://abcrit.org/wp-content/uploads/2018/07/heron-tweet.jpegHeron tweetTweet by Geoff Hands2018-08-07T17:27:15+00:00monthlyhttps://abcrit.org/2018/06/14/103-emyr-williams-writes-on-space-in-painting-part-2/https://abcrit.org/wp-content/uploads/2018/06/matisse-deux-fillettes-ew-space.jpgMatisse deux fillettes, EW spaceHenri Matisse, "Two Girls in a Coral Interior, Blue Garden", 19472018-07-21T16:40:08+00:00monthlyhttps://abcrit.org/2018/06/09/102-robin-greenwood-writes-on-critical-mess/https://abcrit.org/wp-content/uploads/2018/06/grayson-perry-in-front-of-his-summer-exhibition-photograph-neil-hallepa.jpgGrayson Perry in front of his Summer Exhibition. Photograph Neil HallEPAGrayson Perry in front of his Summer Exhibition. Photograph Neil Hall EPA 2018-06-17T10:25:02+00:00monthlyhttps://abcrit.org/2018/05/26/101-david-sweet-writes-on-o-g-d-and-flat-painting/https://abcrit.org/wp-content/uploads/2018/05/zl3w3v1xplscykd2yhrzncobt7nt7lsa9ccwlyijugqps4cfgxfmluew6ac6rhae.jpgzl3w3V1XplSCykd2yhRznCobt7nt7lSA9CcWLYijugQPS4cfGXFmLuew6aC6rHaEBatman logohttps://abcrit.org/wp-content/uploads/2018/05/nolandapproach.jpgnolandapproachKen Noland, ‘Approach’ 1966.https://abcrit.org/wp-content/uploads/2018/05/t07560_10.jpgComposition B (No.II) with Red 1935 by Piet Mondrian 1872-1944Piet Mondrian, ‘Composition B (no 11) with Red’, 1935https://abcrit.org/wp-content/uploads/2018/05/gamma-tau-1960.jpggamma-tau-1960Morris Louis, ‘Gamma Tau’, 1960https://abcrit.org/wp-content/uploads/2018/05/qbive-kck6yn_hxryd3n4qsb5dbrlhx4nk9uzll79_4.jpgqbivE-KcK6yn_hXryd3N4QSB5dBrLhx4Nk9UzlL79_44. Henri Matisse, ‘French Window at Collioure’ 1914https://abcrit.org/wp-content/uploads/2018/05/lamgods_open.jpgLamgods_openHubert and Jan van Eych, 'The Ghent Altarpiece', (central panel) 1432https://abcrit.org/wp-content/uploads/2018/05/ringwood-george-stubbs.jpgringwood-george-stubbsGeorge Stubbs, ‘Ringwood’, 17922018-06-09T19:23:55+00:00monthlyhttps://abcrit.org/2018/05/09/100-robin-greenwood-writes-on-katherine-gili-at-felix-and-spear-and-testing-12-at-empson-street/https://abcrit.org/wp-content/uploads/2018/05/dch9_1lxcaaakku.jpgDch9_1LXcAAAKKuInstallation view of "Testing 1>2" at Empson Street Studioshttps://abcrit.org/wp-content/uploads/2018/05/giliripoll1.jpggiliripollhttps://abcrit.org/wp-content/uploads/2018/05/giliripoll.jpggiliripoll"Ripoll", 2010-11, steel, H.160cmhttps://abcrit.org/wp-content/uploads/2018/05/meril.jpgMeril"Meryl", 2014, steel, zinc sprayed and patinated, H. 64x83x50cmhttps://abcrit.org/wp-content/uploads/2018/05/kyanite.jpgKyanite"Kyanite", 2017, steel, zinc sprayed and patinated, H. 63x84x58https://abcrit.org/wp-content/uploads/2018/05/escapade.jpgEscapade"Escapade", 2017-18, steel, waxed, H.81x100x65cmhttps://abcrit.org/wp-content/uploads/2018/05/dcvqhycxcaonpeu.jpgDcvQHyCXcAoNPeUInstallation of Katherine Gili show at Felix and Spear, "Kyanite" in the foreground2018-06-14T13:31:10+00:00monthlyhttps://abcrit.org/2018/04/29/99-pete-hoida-writes-on-graham-boyd-at-the-cut-halesworth/https://abcrit.org/wp-content/uploads/2018/04/slox1967.pngSlox1967"Slox", 1967, 122 x 183 cm, wooden rods, canvas and acrylichttps://abcrit.org/wp-content/uploads/2018/04/watercolour_colourstudyno2_aug72_37x50cm.jpgwatercolour_colourstudyno2_aug72_37x50cm"Colour Study No. 2", 1972, watercolour, 37x50cmhttps://abcrit.org/wp-content/uploads/2018/04/zimbabwe1988.pngZimbabwe1988"Zimbabwe", 1988https://abcrit.org/wp-content/uploads/2018/04/redbelow_2014_acryliconcanvas_113x142cm.jpgredbelow_2014_acryliconcanvas_113x142cm"Red Below", 2014, acrylic on canvas, 113x142cmhttps://abcrit.org/wp-content/uploads/2018/04/embersingrey_2015_acryliconcanvas_122x111cm.jpgembersingrey_2015_acryliconcanvas_122x111cm"Embers in Grey", 2015, acrylic on canvas, 122x111cmhttps://abcrit.org/wp-content/uploads/2018/04/picco_2016_91cmx122cm_acryliconcanvas-3283.jpgPICCO_2016_91CMX122CM_AcryliconCanvas-3283"Picco", 2016, 91 x 122 cm, acrylic on canvashttps://abcrit.org/wp-content/uploads/2018/04/rickyticky_2016_91cmx122cm_acryliconcanvas-3295.jpgRICKYTICKY_2016_91CMX122CM_AcryliconCanvas-3295"Rickyticky", 2016, 91 x 122 cm, acrylic on canvashttps://abcrit.org/wp-content/uploads/2018/04/division_2015_acryliconcanvas_173x215cm.jpgdivision_2015_acryliconcanvas_173x215cm"Division", 2015, acrylic on canvas, 173x215cmhttps://abcrit.org/wp-content/uploads/2018/04/dolce_acryliconcanvas_92cmx122cm_2017-6330.jpgDOLCE_AcryliconCanvas_92cmx122cm_2017-6330Dolce", 2018, 92x122cm, acrylic on canvashttps://abcrit.org/wp-content/uploads/2018/04/hector_acryliconcanvas_122cmx153cm_2017-63341.jpgHECTOR_AcryliconCanvas_122cmx153cm_2017-6334"Hector", 2017, 122x153cm, acrylic on canvas2018-05-04T11:30:07+00:00monthlyhttps://abcrit.org/2018/04/21/98-harry-hay-writes-on-the-cringe-and-australias-peculiar-relationship-to-abstract-art/https://abcrit.org/wp-content/uploads/2018/04/some-light.jpgsome-lightAnne Smart, "Some Light", 2017https://abcrit.org/wp-content/uploads/2018/04/p1140219ed2.jpgp1140219ed2John Pollard, "Over the Overman", 2017https://abcrit.org/wp-content/uploads/2018/04/10.jpg10John Pollard, "Wild and Tameless", 2017, acrylic on canvas, 120 x 40 cm. https://abcrit.org/wp-content/uploads/2018/04/9.jpg9Jiaxin Nong, "Mono No Aware", 2017, oil on canvas, 212 x 141 cm.https://abcrit.org/wp-content/uploads/2018/04/8.jpg8Merryn Lloyd, "Muscle Memory", 2017, encaustic on plywood, 45 x 30 cm.https://abcrit.org/wp-content/uploads/2018/04/7.jpg7Harry Hay, "What of the Trough?", 2018, oil on canvas, 152 x 152 cm.https://abcrit.org/wp-content/uploads/2018/04/6.jpg6Simon Gardam, "The Quickest Way to Get to the Future is to Wait", 2018, oil and synthetic dye on canvas, 60 x 50 cm. https://abcrit.org/wp-content/uploads/2018/04/5.jpg5Tom Dunn, "Mesopotamia Diptych #2", 2016, oil on canvas, both 40 x 50 cm. https://abcrit.org/wp-content/uploads/2018/04/4.jpg4Mary Barton, "And So it Begins", 2018, oil, charcoal and pastel on linen, 76 x 76 cm.https://abcrit.org/wp-content/uploads/2018/04/3.jpg3Jackson Pollock, "Blue Poles", 19522018-05-21T02:03:55+00:00monthlyhttps://abcrit.org/2018/01/27/94-noela-james-writes-on-pete-hoida-at-the-malthouse-stroud/https://abcrit.org/wp-content/uploads/2018/01/malthouse.jpgmalthousehttps://abcrit.org/wp-content/uploads/2018/01/ten.jpgteninstallation of 'Poet and Peasant', 178 x 335 cm., November 1991 https://abcrit.org/wp-content/uploads/2018/01/seven.jpgseven'Kittiwake', 35 x 40 cm., October 2007 https://abcrit.org/wp-content/uploads/2018/01/two.jpgtwo'High Voltage', 139 x 124 cm., November 2015 - October 2017 https://abcrit.org/wp-content/uploads/2018/01/six.jpgsix'Mrs Joyce', 35 x 45 cm November 2006 https://abcrit.org/wp-content/uploads/2018/01/three.jpgthree'Sleeping Bee', 145 x 336 cm February 1992 https://abcrit.org/wp-content/uploads/2018/01/four.jpgfour'Cobalt Patch', 91 x 328 cm October 1993 https://abcrit.org/wp-content/uploads/2018/01/eight.jpgeight'Cork', 64 x 269 cm 1992/93 https://abcrit.org/wp-content/uploads/2018/01/one.jpgone'Poet and Peasant', 178 x 335 cm., November 1991 2018-04-08T16:05:40+00:00monthlyhttps://abcrit.org/2018/03/31/97-robin-greenwood-writes-on-content-and-its-discontents/https://abcrit.org/wp-content/uploads/2018/03/la_mer_ea_lestaque17440_0.jpgla_mer_ea_lestaque17440_0Paul Cézanne,, "The Sea at L'Estaque", 1878https://abcrit.org/wp-content/uploads/2018/03/lestaque-view-of-the-gulf-of-marseille.jpgL'Estaque, View of the Gulf of MarseillePaul Cézanne,, "L'Estaque, View of the Gulf of Marseille", 1878-9https://abcrit.org/wp-content/uploads/2018/03/2-brutal-world-edit2.jpgOLYMPUS DIGITAL CAMERAJohn Pollard, "Brutal World", 2016https://abcrit.org/wp-content/uploads/2018/03/sobre_obra_big.jpg001 247Tintoretto, "Paradise", 1555https://abcrit.org/wp-content/uploads/2018/03/1280px-jacopo_robusti_called_tintoretto_-_susanna_and_the_elders_-_google_art_project.jpg1280px-Jacopo_Robusti,_called_Tintoretto_-_Susanna_and_the_Elders_-_Google_Art_ProjectJacopo Tintoretto, "Susanna and the Elders"https://abcrit.org/wp-content/uploads/2018/03/broiderie-landings-48inx48in1.jpgBroiderie Landings, 48inx48inAnne Smart, "Broiderie Landings", 2013https://abcrit.org/wp-content/uploads/2018/03/2006bd0892_jpg_l.jpg2006BD0892_jpg_lJohn Constable, "The Vale of Dedham", 1802 https://abcrit.org/wp-content/uploads/2018/03/41727.jpg41727John Constable, "The Vale of Dedham", 1828 https://abcrit.org/wp-content/uploads/2018/03/n01273_10.jpgFlatford Mill ('Scene on a Navigable River') 1816-7 by John Constable 1776-1837John Constable, "Flatford Mill, Scene on a Navigable River" 1816-7 https://abcrit.org/wp-content/uploads/2018/03/l-estaque-view-through-the-pines-18831.jpgl-estaque-view-through-the-pines-1883Paul Cézanne, "L’Estaque, View Through the Pines", 18832018-04-20T17:39:48+00:00monthlyhttps://abcrit.org/2018/02/19/96-alan-gouk-writes-on-key-paintings-of-the-20th-century-a-musee-imaginaire-part-2/https://abcrit.org/wp-content/uploads/2018/02/41-hans-hofmann-e28093-in-the-wake-of-the-hurricane-19601.jpg41. Hans Hofmann – In the Wake of the Hurricane (1960)Hans Hofmann, "In the Wake of the Hurricane", 1960https://abcrit.org/wp-content/uploads/2018/02/heron003_576_444.jpgheron003_576_444Installation at Camden Arts Centre, "Patrick Heron: Big Paintings", 1994https://abcrit.org/wp-content/uploads/2018/02/heron002_579_444.jpgheron002_579_444Installation at Camden Arts Centre, Patrick Heron, 1994https://abcrit.org/wp-content/uploads/2018/02/heronslide3-800x533.jpgheronslide3-800x533Heron In his studiohttps://abcrit.org/wp-content/uploads/2018/02/patrick-heron-pale-garden-painting-1984.jpgPatrick heron, pale garden painting 1984Patrick Heron, "Pale Garden Painting", 1984https://abcrit.org/wp-content/uploads/2018/02/red-garden-heron.jpgRed Garden HeronPatrick Heron, "Red Garden Painting, 19https://abcrit.org/wp-content/uploads/2018/02/big-purple-garden-painting-1983-1984.jpgBig Purple Garden Painting 1983-1984.Patrick Herom, "Big Purple Garden Painting", 1983-1984https://abcrit.org/wp-content/uploads/2018/02/77.jpeg77Alan Gouk, "Paysanne D'Or", 1981-82https://abcrit.org/wp-content/uploads/2018/02/cloches.jpgclochesAlan Gouk, "Cloches", 1970 (black and white photo)https://abcrit.org/wp-content/uploads/2018/02/105-alan-gouk-e28093-quercus-1981.jpg105. Alan Gouk – Quercus (1981)Alan Gouk, "Quercus", 19812018-05-29T10:23:32+00:00monthlyhttps://abcrit.org/2018/02/07/95-carl-kandutsch-writes-on-terms-of-criticism-for-contemporary-painting-a-note-on-david-salle-on-laura-owens/https://abcrit.org/wp-content/uploads/2018/02/owens-4.jpgowens 4Laura Owens, Untitled, 2014, Acrylic, oil, Flashe, silkscreen ink, Pantone ink, pastel, paper, and wood on linen, 138 x 104 incheshttps://abcrit.org/wp-content/uploads/2018/02/owens-3.jpgowens 3Laura Owens, Untitled, 2013, Acrylic, oil, Flashe, and wheels on linen, 108 x 84"https://abcrit.org/wp-content/uploads/2018/02/owens-2.jpgowens 2Laura Owens, Untitled, 2016, Acrylic, oil and charcoal on linen, 32 x 20 incheshttps://abcrit.org/wp-content/uploads/2018/02/owens-1.jpgowens 1Laura Owens, Untitled (2013), Oil, Flashe, charcoal and wheelbarrow wheel on linen, 108 x 84"2020-06-07T14:16:20+00:00monthlyhttps://abcrit.org/2018/01/20/93-geoff-hands-writes-on-h_a_r_d_p_a_i_n_t_i_n_g-at-pheonix-brighton/https://abcrit.org/wp-content/uploads/2018/01/h_a_r_d_p_a_i_n_t_i_n_g.jpgH_A_R_D_P_A_I_N_T_I_N_GH_A_R_D_P_A_I_N_T_I_N_G posterhttps://abcrit.org/wp-content/uploads/2018/01/028-john-bunker-king-lud-2016-46cmx52cm.jpg028 - John Bunker - King Lud-2016-46cmx52cmJohn Bunker, "King Lud", 2016, 46cmx52cm, mixed media collagehttps://abcrit.org/wp-content/uploads/2018/01/021-john-bunker-ram-raider-2014-280cmx240cm-mixed-media-assemblage.jpg021 - John Bunker Ram Raider 2014. 280cmX240cm. Mixed media assemblageJohn Bunker, "Ram Raider", 2014, 280x240cm, mixed mediahttps://abcrit.org/wp-content/uploads/2018/01/025-john-bunker-wall-flower-detail.jpg025 - John Bunker - Wall Flower detailJohn Bunker, "No.1 Wall Flower" detailhttps://abcrit.org/wp-content/uploads/2018/01/024-john-bunker-no-1-wall-flower-just-blood-and-shadow-2013-14-240cmx210cm-mixed-media.jpg024 - John Bunker - No.1-Wall-Flower-Just-Blood-and-Shadow.-2013-14.-240cmX210cm.-Mixed-mediaJohn Bunker, "No.1 Wall Flower" and "Just Blood and Shadow". 2013-14, 240cmX210cm, mixed-mediahttps://abcrit.org/wp-content/uploads/2018/01/019-johanna-melvin-pink-shed-2017.jpg019 - Johanna Melvin - Pink Shed 2017Johanna Melvin, "Pink Shed", 2017https://abcrit.org/wp-content/uploads/2018/01/020-johanna-melvin-towers-series-2017.jpg020 - Johanna Melvin - Towers series 2017Johanna Melvin, "Towers" series installation, 2017https://abcrit.org/wp-content/uploads/2018/01/014-stig-evans-blue-verditer-dulux-trieste.jpg014 - Stig Evans - Blue Verditer Dulux TriesteStig Evans, "Blue Verditer Dulux Trieste"https://abcrit.org/wp-content/uploads/2018/01/013-stig-evans-the-ravished-image-st-john-the-baptst.jpg013 - Stig Evans - The Ravished-image (St John The Baptst)Stig Evans, "The Ravished-image (St John The Baptst)"https://abcrit.org/wp-content/uploads/2018/01/012-stig-evans-the-ravished-image-apocolypse.jpg012 - Stig Evans - The Ravished image (Apocolypse)Stig Evans, "The Ravished image (Apocolypse)"2018-02-09T13:34:19+00:00monthlyhttps://abcrit.org/2018/01/02/92-tim-scott-writes-on-space-in-sculpture/https://abcrit.org/wp-content/uploads/2018/01/giacometti-the-palace-at-4-am-372x395.jpgGiacometti.-The-Palace-at-4-am-372x395Giacometti, "The Palace at 4am", 1932https://abcrit.org/wp-content/uploads/2018/01/anthony-caro-the-window-1966-1967-steel-painted-green-olive-215x320-5x390cm-photo-john-riddy-courtesy-barford-sculptures-limited.jpgAnthony-Caro-The-Window-1966-1967-Steel-painted-green-olive-215x320.5x390cm-Photo-John-Riddy-Courtesy-Barford-Sculptures-LimitedAnthony Caro, "The Window", 1966-7https://abcrit.org/wp-content/uploads/2018/01/1533_1968_cr-469x359.jpg1533_1968_CR-469x359David Smith, "Australia", 1951https://abcrit.org/wp-content/uploads/2018/01/640_1973_vw6_cccr.jpg640_1973_vw6_CCCRPicasso, "Guitar", 1912-14https://abcrit.org/wp-content/uploads/2018/01/statues_in_paris_k15_dsc22943_lrg.jpgstatues_in_paris_k15_DSC22943_lrgAuguste Rodin "The Meditation (with arms)", 1881-99https://abcrit.org/wp-content/uploads/2018/01/meditation-with-arms-auguste-rodin.jpgmeditation with arms auguste-rodin"The Meditation (with arms)"2019-09-03T10:18:41+00:00monthlyhttps://abcrit.org/2017/12/21/91-nick-moore-writes-on-francis-davison-at-the-redfern-gallery-london/https://abcrit.org/wp-content/uploads/2017/12/11-detail-h-23.jpgOLYMPUS DIGITAL CAMERA Detail, 'H-23'https://abcrit.org/wp-content/uploads/2017/12/10-c-98-82x57cm-1965-71.jpg10. C-98, 82x57cm, 1965-71'C-98', 1965-71, 82x57cm https://abcrit.org/wp-content/uploads/2017/12/9-g-609-horizontal-navy-117x110-1978-83.jpg9. G-609, Horizontal Navy, 117x110, 1978-83'G-609, Horizontal Navy', 1978-83, 117x110cm https://abcrit.org/wp-content/uploads/2017/12/8-d-185-84x94cm-1971.jpg8. D-185, 84x94cm, 1971'D-185', 1971, 84x94cmhttps://abcrit.org/wp-content/uploads/2017/12/7-hl-29-18x21cm-1983.jpg7. HL-29, 18x21cm, 1983'HL-29', 1983, 18x21cm,https://abcrit.org/wp-content/uploads/2017/12/6-installation-shot-d-36-1970-and-d-230-1971.jpgOLYMPUS DIGITAL CAMERAInstallation shot, 'D-36', 1970 and 'D-230', 1971https://abcrit.org/wp-content/uploads/2017/12/5-d-211-112x125cm-1972.jpg5. D-211, 112x125cm, 1972'D-211', 1972, 112x125cmhttps://abcrit.org/wp-content/uploads/2017/12/4-c-163-111x108cm-1965-71.jpg4. C-163, 111x108cm, 1965-71'C-163', 1965-71, 111x108cmhttps://abcrit.org/wp-content/uploads/2017/12/3-c-58-69x100cm-1965-71.jpg3. C-58, 69x100cm, 1965-71'C-58', 1965-71, 69x100cmhttps://abcrit.org/wp-content/uploads/2017/12/2-a-42-50x59cm-1952-3.jpg2. A-42, 50x59cm, 1952-3'A-42', 1952-3, 50x59cm 2017-12-21T20:58:42+00:00monthlyhttps://abcrit.org/2017/12/21/90-sam-cornish-writes-on-david-annesley-at-waddington-custot-london/https://abcrit.org/wp-content/uploads/2017/12/printb44280-2.jpgprintb44280-2untitled, 1969, painted aluminium, 223.5 x 210.2 x 61 cmhttps://abcrit.org/wp-content/uploads/2017/12/printy00218-0.jpgprinty00218-0untitled, 1969, painted aluminium, 223.5 x 210.2 x 61 cmhttps://abcrit.org/wp-content/uploads/2017/12/printy00232-1.jpgprinty00232-1untitled, 1969, painted aluminium, 210.8 x 200.6 x 61cm2017-12-21T20:28:43+00:00monthlyhttps://abcrit.org/2017/12/17/89-john-bunker-writes-on-gary-wragg-at-paisnel-gallery-london/https://abcrit.org/wp-content/uploads/2017/12/13-mantis-1976.jpgGary Wragg Paintings"Mantis", 1978https://abcrit.org/wp-content/uploads/2017/12/22-saltinbanque-1986.jpgGary Wragg Paintings"Saltimbanque", 1986https://abcrit.org/wp-content/uploads/2017/12/33-webzone-3-into-one-2006.jpgGary Wragg Paintings"Webzone x Three Into One", 2005-6https://abcrit.org/wp-content/uploads/2017/12/8-green-and-black-rectangle-1974.jpgGary Wragg Paintings"Green and Black Rectangle", 1974https://abcrit.org/wp-content/uploads/2017/12/14-carnival.jpgGary Wragg Paintings"Carnival", 1977-8https://abcrit.org/wp-content/uploads/2017/12/19-subis-entrance.jpgGary Wragg Paintings"Subi's Entrance", 1984https://abcrit.org/wp-content/uploads/2017/12/34-singing-blood-2006-2007.jpgGary Wragg Paintings"Singing Blood", 2006-7https://abcrit.org/wp-content/uploads/2017/12/img_0136.jpgIMG_0136"November Night Tress", 1966, oil on cotton duck, 151x135cm2017-12-19T15:40:00+00:00monthlyhttps://abcrit.org/2017/12/08/88-geoff-hands-writes-on-john-bunker-at-unit-3-london/https://abcrit.org/wp-content/uploads/2017/12/cannaba-2017-61cmx44cm-mixed-media-shaped-collageimg_0103.jpgCannaba. 2017. 61cmX44cm. Mixed media shaped collageIMG_0103"Cannaba". 2017. 61cmX44cm. Mixed media shaped collagehttps://abcrit.org/wp-content/uploads/2017/12/kalopsia-2017-84cmx85cm-mixed-media-shaped-collage-img_0098.jpgKalopsia. 2017. 84cmX85cm. Mixed media shaped collage. IMG_0098"Kalopsia". 2017. 84cmX85cm. Mixed media shaped collage.https://abcrit.org/wp-content/uploads/2017/12/obygc3b0-2017-60cmx61cm-mixed-media-shaped-collage-img_0102.jpgObygð. 2017. 60cmX61cm. Mixed media shaped collage. IMG_0102"Obygð". 2017. 60cmX61cm. Mixed media shaped collage.https://abcrit.org/wp-content/uploads/2017/12/tjc7abrn-2017-53cmx42cm-mixed-media-shaped-collage-img_0099.jpgTjǫrn. 2017. 53cmX42cm. Mixed media shaped collage .IMG_0099"Tjǫrn". 2017. 53cmX42cm. Mixed media shaped collagehttps://abcrit.org/wp-content/uploads/2017/12/polluxcastor-2016-17-96cmx94cm-mixed-media-collage-img_0109.jpgPollux&Castor. 2016-17. 96cmX94cm. Mixed media collage. IMG_0109"Pollux & Castor". 2016-17. 96cmX94cm. Mixed media collage.https://abcrit.org/wp-content/uploads/2017/12/coney-island-2017-58cmx87cm-mixed-media-shaped-collage-img_0104.jpgConey Island. 2017. 58cmX87cm. Mixed media shaped collage.IMG_0104"Coney Island". 2017. 58cmX87cm. Mixed media shaped collagehttps://abcrit.org/wp-content/uploads/2017/12/skadwaz-2017-58cmx72cm-mixed-media-shaped-collage-img_0105.jpgSkadwaz. 2017. 58cmX72cm. Mixed media shaped collage.IMG_0105"Skadwaz". 2017. 58cmX72cm. Mixed media shaped collagehttps://abcrit.org/wp-content/uploads/2017/12/tzila-2017-52cmx51cm-mixed-media-shaped-collage-img_0108.jpgTzila. 2017. 52cmX51cm. Mixed media shaped collage.IMG_0108"Tzila". 2017. 52cmX51cm. Mixed media shaped collagehttps://abcrit.org/wp-content/uploads/2017/12/wraysrumble-2017-60cmx53cm-mixed-media-shaped-collage-img_0101.jpgWraysrumble. 2017. 60cmX53cm. Mixed media shaped collage. IMG_0101"Wraysrumble". 2017. 60cmX53cm. Mixed media shaped collage2017-12-08T17:17:03+00:00monthlyhttps://abcrit.org/2017/11/28/87-richard-ward-writes-on-matisse-bonnard-at-the-stadel-museum-frankfurt/https://abcrit.org/wp-content/uploads/2017/11/family-in-the-garden-1901.jpgFamily in the Garden 1901Pierre Bonnard, "Family in the Garden", 1921https://abcrit.org/wp-content/uploads/2017/11/nude-at-a-window-1922.jpgNude at a Window 1922Pierre Bonnard, "Nude at a Window", 1922https://abcrit.org/wp-content/uploads/2017/11/odalisques-1928.jpgodalisques 1928Henri Matisse, "Odalisques", 1928https://abcrit.org/wp-content/uploads/2017/11/nude-on-a-yellow-sofa-1926.jpgNude on a Yellow Sofa 1926Henri Matisse, "Nude on a Yellow Sofa", 1926https://abcrit.org/wp-content/uploads/2017/11/large-reclining-nude-1935.jpglarge reclining nude 1935Henri Matisse, "Large Reclining Nude", 1935https://abcrit.org/wp-content/uploads/2017/11/bonnard-breakfast-by-the-radiator-1930-1024x839.jpgBonnard-Breakfast-by-the-Radiator-1930-1024x839Pierre Bonnard, "Breakfast by the Radiator"https://abcrit.org/wp-content/uploads/2017/11/the-bowl-of-milk-1919.jpgThe Bowl of Milk c.1919 by Pierre Bonnard 1867-1947Pierre Bonnard, "The Bowl of Milk", 1919 https://abcrit.org/wp-content/uploads/2017/11/after-the-shower-1914.jpegafter the shower 1914Pierre Bonnard, "After the Shower", 1914https://abcrit.org/wp-content/uploads/2017/11/open-window-etretat-1920.jpgopen-window-etretat-1920Henri Matisse, "Open Window at Etretat", 1920https://abcrit.org/wp-content/uploads/2017/11/asia-1946.jpgasia-1946Henri Matisse, "Asia", 19462017-12-01T14:37:07+00:00monthlyhttps://abcrit.org/2017/11/23/86-geoff-hands-writes-on-alan-gouk-at-felix-and-spear-london/https://abcrit.org/wp-content/uploads/2017/11/25-gouk-seedpod-incandescent-in-situ.jpg25 - Gouk - Seedpod & Incandescent in situ"Seedpod" & "Incandescent"https://abcrit.org/wp-content/uploads/2017/11/20-gouk-pomegranate-burst-keel-haul-in-situ.jpg20 - Gouk - Pomegranate Burst & Keel Haul in situ"Pomegranate Burst" & "Keel Haul"https://abcrit.org/wp-content/uploads/2017/11/12-gouk-bougainvillea-sitges-1989-90.jpg12 - Gouk - Bougainvillea-Sitges 1989-90"Bougainvillea-Sitges", 1989-90https://abcrit.org/wp-content/uploads/2017/11/1201805807_im2020.jpg1201805807_im2020"The Lamp"https://abcrit.org/wp-content/uploads/2017/11/05-gouk-quercus-from-side.jpg05 - Gouk - Quercus from side"Quercus" viewed from the sidehttps://abcrit.org/wp-content/uploads/2017/11/18-gouk-pigskin-pushover-in-situ.jpg18 - Gouk - Pigskin Pushover in situ"Pigskin Pushover"https://abcrit.org/wp-content/uploads/2017/11/10-gouk-in-the-wake-of-the-plough-nightjar-footprints-in-situ.jpg10 - Gouk - In The Wake of the Plough & Nightjar Footprints in situ"In The Wake of the Plough" & "Nightjar Footprints"https://abcrit.org/wp-content/uploads/2017/11/04-gouk-fs-1st-floor.jpg04 - Gouk - F&S 1st floorInterior ground floor view of Alan Gouk installationhttps://abcrit.org/wp-content/uploads/2017/11/02-gouk-fs-front-b.jpg02 - Gouk - F&S front bShop-window view of the Alan Gouk show at Felix and Spear2017-11-27T10:00:19+00:00monthlyhttps://abcrit.org/2017/11/19/85-nick-moore-writes-on-frank-bowling-at-hales-london/https://abcrit.org/wp-content/uploads/2017/11/frank-bowling-horsing-around-2016-152-6-x-94-cm.jpgFrank Bowling, Horsing around, 2016, 152.6 x 94 cm"Horsing Around", 2016, 152.6 x 94cmhttps://abcrit.org/wp-content/uploads/2017/11/frank-bowling-shadowbalding-2014-acrylic-on-canvas-277_5-x-186_6-cm.jpgfrank bowling shadowbalding 2014-acrylic-on-canvas-277_5-x-186_6-cm"Shadowbalding", 2014, acrylic on canvas 277x186cmhttps://abcrit.org/wp-content/uploads/2017/11/6-frank-bowling-collaboration-with-ms-damidge-2016-acrylic-on-canvas-295-x-184-cm.jpg6 frank bowling collaboration with ms damidge 2016-acrylic-on-canvas-295-x-184-cmCollaboration with Ms Damidge", 2016-acrylic-on-canvas-295-x-184-cmhttps://abcrit.org/wp-content/uploads/2017/11/frank-bowling-stuarts-predictions-2016-acrylic-on-canvas-147-5-x-271-5-cm.jpgFrank Bowling, Stuart's Predictions, 2016, acrylic on canvas, 147.5 x 271.5 cm"Stuart's Predictions", 2016, acrylic on canvas, 147.5 x 271.5 cmhttps://abcrit.org/wp-content/uploads/2017/11/frank-bowling-iona-miriams-christmas-visit-to-from-brighton-2017-acrylic-on-canvas-189-x-122-5-cm.jpgFrank Bowling, Iona Miriam's Christmas Visit To & From Brighton, 2017, acrylic on canvas, 189 x 122.5 cm"Iona Miriam's Christmas Visit To & From Brighton", 2017, acrylic on canvas, 189 x 122.5 cmhttps://abcrit.org/wp-content/uploads/2017/11/3-frank-bowling-little-bird-overhead-2016-acrylic-on-canvas-153x183_5.jpg3 frank bowling little bird overhead 2016-acrylic-on-canvas-153x183_5"Little Bird Overhead", 2016, acrylic on canvas, 153x183cmhttps://abcrit.org/wp-content/uploads/2017/11/frank-bowling-ashtons-swirl-i-2016-147-4-x185-7-cm.jpgFrank Bowling, Ashton's Swirl I, 2016, 147.4 x185.7 cm"Ashton's Swirl I", 2016, 147.4 x185.7 cmhttps://abcrit.org/wp-content/uploads/2017/11/1-frank-bowling-pouring-over-2-morrison-boys-2-maps-ii-2016-acrylic-on-canvas-306-x-184-cm.jpg1 frank bowling pouring over 2 morrison boys 2 maps ii 2016-acrylic-on-canvas-306-x-184-cm"Pouring over 2 Morrison boys 2 maps ii" 2016, acrylic on canvas, 306x184cm2017-11-20T11:58:18+00:00monthlyhttps://abcrit.org/2017/11/11/84-john-bunker-writes-on-sea-of-data-at-unit-3-london/https://abcrit.org/wp-content/uploads/2017/11/sea_of_data_03.jpgSea_of_Data_03 Ian Monroe 'Bureau' 2017, Mixed Media, Dimensions variablehttps://abcrit.org/wp-content/uploads/2017/11/sea_of_data_11.jpgSea_of_Data_11(left to right) Charley Peters ‘Fixed Time | Fluid Space’ 2017, Acrylic and Spray Paint on Aluminium, 50cm x 60cm x 2cm Simon Pike ‘Torrent’ 2017, Acrylic and Spray Paint on Panel, 80cm x 60cmhttps://abcrit.org/wp-content/uploads/2017/11/img_9897.jpgIMG_9897(left to right) Charley Peters ‘Fixed Time | Fluid Space’ 2017, Acrylic and Spray Paint on Aluminium, 50cm x 60cm x 2cm Simon Pike ‘Torrent’ 2017, Acrylic and Spray Paint on Panel, 80cm x 60cmhttps://abcrit.org/wp-content/uploads/2017/11/img_9896.jpgIMG_9896(left to right) Charley Peters "Structured Content [BLKWHTPNKYLLW]" 2017, Acrylic and Spray Paint on Canvas, 50cm x 40cm. and "Free Falling Through Time + Space" 2017, Acrylic and Spray Paint on Paper, 42cm x 54cm https://abcrit.org/wp-content/uploads/2017/11/img_9893.jpgIMG_9893Simon Pike ‘Breach’ 2017, Acrylic and Spray Paint on Panel, 80cm x 60cm x 3cmhttps://abcrit.org/wp-content/uploads/2017/11/img_9891.jpgIMG_9891Ian Monroe 'Dossier' 2017, Mixed Media, 42cm x 36cm x 5.5cmhttps://abcrit.org/wp-content/uploads/2017/11/sea_of_data_06.jpgSea_of_Data_06Installation, "Sea of Data"https://abcrit.org/wp-content/uploads/2017/11/sea_of_data_04.jpgSea_of_Data_04Installation, "Sea of Data"2017-11-17T12:23:03+00:00monthlyhttps://abcrit.org/2017/11/06/83-alan-gouk-and-robin-greenwood-write-on-cezanne-matisse-and-soutine/https://abcrit.org/wp-content/uploads/2017/11/yellow-odalisque-1937.jpgyellow odalisque 1937Henri Matisse, "Yellow Odalisque", 1937https://abcrit.org/wp-content/uploads/2017/11/safrano-roses-at-the-window-1925.jpgSafrano roses at the window 1925Henri Matisse, "Safrano Roses at the Window", 1925https://abcrit.org/wp-content/uploads/2017/11/hotense-fiquet-in-a-red-dress.jpghotense fiquet in a red dressPaul Cézanne, "Madame Cézanne in a REd Dress"https://abcrit.org/wp-content/uploads/2017/11/cc3a9zanne_paul_-_portrait_of_anthony_valabrc3a8gue_-_google_art_project.jpgCézanne,_Paul_-_Portrait_of_Anthony_Valabrègue_-_Google_Art_ProjectPaul Cézanne,, "Portrait of Antony Valabrègue", c.1871https://abcrit.org/wp-content/uploads/2017/11/chaim-soutine-cook-with-a-blue-apron-c-1925.jpg--chaim-soutine-cook with a blue-apron c. 1925Chaim Soutine, "Cook with a Blue Apron", c.1925https://abcrit.org/wp-content/uploads/2017/11/chac3afm-soutine-bellboy-around-1925-oil-on-canvas.jpgChaïm Soutine ), Bellboy, around 1925, oil on canvasChaim Soutine, "Bellboy", c. 1925https://abcrit.org/wp-content/uploads/2017/11/red-interior-still-life-on-a-blue-table-1947.jpgred-interior-still-life-on-a-blue-table-1947Henri Matisse, "Red Interior, Still Life on a Blue Table", 1947https://abcrit.org/wp-content/uploads/2017/11/odalisque-with-a-turkish-chair-1928.jpgodalisque-with-a-turkish-chair-1928Henri Matisse, "Odalisque with a Turkish Chair", 1926https://abcrit.org/wp-content/uploads/2017/11/the-gardener-vallier-1906.jpgThe gardener Vallier 1906Paul Cézanne, "The Gardener Vallier", 1899https://abcrit.org/wp-content/uploads/2017/11/portrait-of-ambroise-vollard-1899.jpgportrait-of-ambroise-vollard-1899Paul Cézanne, Portrait of Ambroise Vollard", 18992018-01-24T18:59:19+00:00monthlyhttps://abcrit.org/2017/10/26/82-robin-greenwood-writes-on-alexander-calder-and-jed-perls-new-biography/https://abcrit.org/wp-content/uploads/2017/10/kinfolk_web2016_calder_01-2-987x1024.jpgKinfolk_Web2016_Calder_01-2-987x1024Calder in his Roxburough studiohttps://abcrit.org/wp-content/uploads/2017/10/kinfolk_web2016_calder_02-2-1024x746.jpgKinfolk_Web2016_Calder_02-2-1024x746Installation photograph, Alexandre Calder: Volumes–Vecteurs–Densités / Dessins–Portraits, Galerie Percier, Paris, 1931 Courtesy of Calder Foundation, New York © 2016 Calder Foundation, New York Photo: Marc Vaux © Bibliothèque Kandinsky, Centre Georges Pompidou, Marc Vaux Collectionhttps://abcrit.org/wp-content/uploads/2017/10/caldertightrope1936lacweb.jpgCalderTightrope1936LACWEBAlexander Calder, "Tightrope", 1936https://abcrit.org/wp-content/uploads/2017/10/dnes-25wsaef13e.jpgDNEs-25WsAEf13E2017-12-08T13:24:35+00:00monthlyhttps://abcrit.org/2017/10/19/81-john-bunker-writes-on-jasper-johns-at-the-ra/https://abcrit.org/wp-content/uploads/2017/10/img_9497.jpgIMG_9497Wade Guytonhttps://abcrit.org/wp-content/uploads/2017/10/img_9496.jpgIMG_9496Jasper Johns, “Target”, 1961, encaustic and collage on canvas. 167.6 x 167.6 cm. The Art Institute of Chicago © Jasper Johns / VAGA, New York / DACS, London. Photo: © 2017. The Art Institute of Chicago / Art Resource, NY / Scala, Florence.https://abcrit.org/wp-content/uploads/2017/10/img_9493.jpgIMG_9493Jasper Johns, “Regrets”, 2013, oil on canvas. 127 x 182.9 cm. Collection of Marguerite Steed Hoffman © Jasper Johns / VAGA, New York / DACS, London; Photo: © Jerry L. Thompsonhttps://abcrit.org/wp-content/uploads/2017/10/img_9489.jpgIMG_9489Jasper Johns, “Between the Clock and the Bed”, 1981. oil on canvas. 182.9 x 320.7 cm. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photo: Jamie Stukenberg © The Wildenstein Plattner Institute, 2017.https://abcrit.org/wp-content/uploads/2017/10/img_9495.jpgIMG_9495Georges Braque, “Violin and Palette”, September 1, 1909, oil on canvas, 91.7 x 42.8 cmhttps://abcrit.org/wp-content/uploads/2017/10/img_9491.jpgIMG_9491Jacques de Gheyn (II), "Vanitas Still Life", 1603.https://abcrit.org/wp-content/uploads/2017/10/img_9492.jpgIMG_9492Jasper Johns, “Painting Bitten by a Man”, 1961, encaustic on canvas. 24.1 x 17.5 cm. The Museum of Modern Art, New York © Jasper Johns / VAGA, New York / DACS, London © 2017. Digital image, The Museum of Modern Art, New York/Scala, Florence.https://abcrit.org/wp-content/uploads/2017/10/img_9490.jpgIMG_9490Jasper Johns, “Painting with Two Balls”, 1960, encaustic and collage on canvas with objects (three panels). 165.1 x 137.5 cm. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photo: Jamie Stukenberg © The Wildenstein Plattner Institute, 2017.2017-10-22T12:25:42+00:00monthlyhttps://abcrit.org/2017/10/09/80-paul-behnke-writes-on-john-hoyland-at-pace-n-y/https://abcrit.org/wp-content/uploads/2017/10/62039_hoyland.jpg20.4.66, 1966John Hoyland, "20.4.66", 1966, acrylic on canvas, 229.5 cm x 304.8 cm. © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph by Colin Mills, courtesy of Pace Gallery https://abcrit.org/wp-content/uploads/2017/10/untitled_hoyland-copy.jpgUntitled_Hoyland copyJohn Hoyland, untitled, c. 1965, 61.43 x 182 cm, acrylic on canvas, © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph by Colin Mills, courtesy of Pace Gallery https://abcrit.org/wp-content/uploads/2017/10/62098_hoyland.jpg11.10.64, 1964John Hoyland, "11.10.64", 1966, acrylic on canvas, 198.1 cm x 335.3 cm. © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph by Colin Mills, courtesy of Pace Gallery https://abcrit.org/wp-content/uploads/2017/10/16-8-66_hoyland-copy.jpg16.8.66_Hoyland copyJohn Hoyland, "16.8.66", 1966, acrylic on canvas, © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph by Colin Mills, courtesy of Pace Gallery https://abcrit.org/wp-content/uploads/2017/10/67596_hoyland.jpg7.11.66, 1966John Hoyland, "7.11.66", 1966, acrylic on canvas, 213.4 cm x 304.8 cm. © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph by Colin Mills, courtesy of Pace Gallery 2017-10-16T09:18:06+00:00monthlyhttps://abcrit.org/2017/10/03/79-emyr-williams-writes-on-space-in-painting-and-sculpture/https://abcrit.org/wp-content/uploads/2017/10/0286w.jpg0286wPaul Cézanne, "The Garden at Les Lauves", 19062017-10-12T10:46:23+00:00monthlyhttps://abcrit.org/2017/09/10/78-tim-scott-writes-on-his-new-sculptures/https://abcrit.org/wp-content/uploads/2017/09/dscf1460.jpgdscf1460'Song for Echos IV', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/dscf1482.jpgdscf1482'Song for Echos IV', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/dscf1426.jpgdscf1426'Song for Echos III', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/dscf1442.jpgdscf1442'Song for Echos III', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/ts_bridge_of_echoes-i_cnv00007.jpgTS_Bridge_of_Echoes-I_CNV00007Tim Scott, 'Bridge of Echos I', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/dscf1494.jpgdscf1494Tim Scott, 'Song for Echos IV', 2017, plywoodhttps://abcrit.org/wp-content/uploads/2017/09/dscf1458.jpgdscf1458Tim Scott, 'Song for Echos III', 2017, plywood2017-10-27T20:34:30+00:00monthlyhttps://abcrit.org/2017/08/28/77-geoff-hands-writes-on-howard-hodgkin-at-the-hepworth-wakefield/https://abcrit.org/wp-content/uploads/2017/08/013-hh-room-3-wall-text.jpg013 - HH - Room 3 wall textWall texthttps://abcrit.org/wp-content/uploads/2017/08/007-hh-indian-veg-2013-14-on-wall.jpg007 - HH - Indian Veg 2013-14 on wall Installation of "Indian Veg", 2013-14https://abcrit.org/wp-content/uploads/2017/08/009-hh-mrs-sheth-on-the-terrace-1970-72.jpg009 - HH - Mrs Sheth on the Terrace 1970-72"Mrs Sheth on the Terrace", 1970-72https://abcrit.org/wp-content/uploads/2017/08/020-hh-now-2015-16.jpg020- HH - Now 2015-16"Now", 2015-16https://abcrit.org/wp-content/uploads/2017/08/017-hh-summer-rain-202-13.jpg017 - HH - Summer Rain 202-13"Summer Rain", 202-13https://abcrit.org/wp-content/uploads/2017/08/019-hh-tea-with-mrs-parikh-second-version-1974-7.jpg019 - HH - Tea with Mrs Parikh (second version) 1974-7"Tea with Mrs Parikh (second version)", 1974-7https://abcrit.org/wp-content/uploads/2017/08/005-hh-heat-2003.jpg005 - HH - Heat 2003"Heat", 2003https://abcrit.org/wp-content/uploads/2017/08/011-hh-over-to-you-2015-17-on-wall.jpg011 - HH - Over to you 2015-17 on wall"Over To You", 2015-17https://abcrit.org/wp-content/uploads/2017/08/hh-painting-india-indian-veg-2013-14.jpgHH - Painting India - Indian Veg 2013-14"Indian Veg", 2013-14, Picture By Darren O'Brien/Guzelian https://abcrit.org/wp-content/uploads/2017/08/018-hh-autumn-in-bombay-2010-14.jpg018 - HH - Autumn in Bombay 2010-14"Autumn in Bombay", 2010-14.2017-09-23T11:21:09+00:00monthlyhttps://abcrit.org/2017/08/17/76-nick-moore-writes-on-gillian-ayres-at-the-national-museum-cardiff/https://abcrit.org/wp-content/uploads/2017/08/9-gallery-4-l-to-r-muster-cwm-bran-unstil-centre-and-cwm.jpgGillian AyresGallery 4, l to r, "Muster", "Cwm Bran", "Unstil Centre" and "Cwm"https://abcrit.org/wp-content/uploads/2017/08/8-gallery-4-l-to-r-hampstead-mural-paintings-cumuli.jpgGillian AyresGallery 4, l to r,"Hampstead Mural paintings", "Cumuli"https://abcrit.org/wp-content/uploads/2017/08/7-untitled-oil-and-ripolin-on-board-305-x-160cm-1957-c2a9-courtesy-gillian-ayres-alan-cristea-gallery.jpg7 Untitled, oil and ripolin on board, 305 x 160cm, 1957 © courtesy Gillian Ayres & Alan Cristea GalleryUntitled, oil and ripolin on board, 305 x 160cm, 1957 © & courtesy Gillian Ayres & Alan Cristea Galleryhttps://abcrit.org/wp-content/uploads/2017/08/6-brood-oil-and-ripolin-on-canvas-214-x-315cm-1962-c2a9-courtesy-gillian-ayres-alan-cristea.jpg6 Brood, oil and ripolin on canvas, 214 x 315cm, 1962 © courtesy Gillian Ayres & Alan Cristea"Brood", oil and ripolin on canvas, 214 x 315cm, 1962, © & courtesy Gillian Ayres & Alan Cristeahttps://abcrit.org/wp-content/uploads/2017/08/5-sabrina-oil-on-canvas-245-x-153cm-1978-courtesy-gillian-ayres-alan-cri.jpg5 Sabrina, oil on canvas, 245 x 153cm, 1978 courtesy Gillian Ayres & Alan Cri"Sabrina", oil on canvas, 245 x 153cm, 1978, courtesy Gillian Ayres & Alan Cristeahttps://abcrit.org/wp-content/uploads/2017/08/4-installation-shot-gallery-3.jpgGillian AyresGallery 3 installationhttps://abcrit.org/wp-content/uploads/2017/08/3-gallery-2-l-to-r-farest-of-stars-the-bee-land-glade-aeolus.jpgGillian AyresGallery 2, l to r, "Farest of Stars", "The Bee Land Glade", "Aeolus"https://abcrit.org/wp-content/uploads/2017/08/2-installation-shot-from-gallery-2-l-to-r-a-belt-of-straw-and-ivy-leaves-cinnibar-sea-sea-the-shepherds-queen-ding-dong-merrily-on-high.jpgGillian AyresGallery 2, l to r, "A Belt of Straw and Ivy Leaves", "Cinnibar", "Sea Sea The Shepherd's Queen", "Ding Dong Merrily on High"https://abcrit.org/wp-content/uploads/2017/08/1-installation-shot-from-gallery-2-l-to-r-the-bee-loud-glade-aeolus-anthony-and-cleopatra-calypso-ace.jpgGillian AyresInstallation shot from gallery 2, l to r: "The Bee Loud Glade", "Aeolus", "Anthony and Cleopatra", "Calypso", "Ace"2017-08-26T15:13:18+00:00monthlyhttps://abcrit.org/2017/08/13/75-harry-hay-writes-on-simon-gardam-at-fort-delta-melbourne/https://abcrit.org/wp-content/uploads/2017/08/9-fluff.jpg9.Fluff"Fluff", oil and pastel on canvas, 56 x 46 cmhttps://abcrit.org/wp-content/uploads/2017/08/8-pamelas-letter.jpg8.Pamela's Letter"Pamela’s Letter", oil and pastel on canvas, 168 x 122 cmhttps://abcrit.org/wp-content/uploads/2017/08/7-national-acrobat.jpg7.National Acrobat"National Acrobat", oil and pastel on canvas, 168 x 122 cmhttps://abcrit.org/wp-content/uploads/2017/08/6-come-on-lets-go.jpg6.Come on Let's Go"Come on Let’s Go", oil and pastel on canvas, 56 x 46 cmhttps://abcrit.org/wp-content/uploads/2017/08/5-cortex.jpg5.Cortex"Cortex", 2017, oil on canvas, 152 x 112 cmhttps://abcrit.org/wp-content/uploads/2017/08/4-lwo.jpg4.LWO"LWO", 2017, oil and pastel on canvas, 56 x 46 cmhttps://abcrit.org/wp-content/uploads/2017/08/3-prelude.jpg3.Prelude"Prelude", 2017, oil and pastel on canvas, 152 x 112 cmhttps://abcrit.org/wp-content/uploads/2017/08/2-temple-master.jpg2.Temple Master"Temple Master", 2017, oil and pastel on canvas, 56 x 46 cmhttps://abcrit.org/wp-content/uploads/2017/08/1-installation-shot.jpg1.Installation ShotInstallation, Simon Gardam at Fort Delta, Melbourne, Australia2017-10-01T09:15:18+00:00monthlyhttps://abcrit.org/2017/08/06/74-alan-gouk-writes-on-key-paintings-of-the-20th-century-a-musee-imaginaire-part-1/https://abcrit.org/wp-content/uploads/2017/08/paul_cc3a9zanne_1888-90_madame_cc3a9zanne_hortense_fiquet_1850e280931922_in_a_red_dress_oil_on_canvas_116-5_x_89-5_cm_the_metropolitan_museum_of_art_new_york.jpgPaul_Cézanne,_1888-90,_Madame_Cézanne_(Hortense_Fiquet,_1850–1922)_in_a_Red_Dress,_oil_on_canvas,_116.5_x_89.5_cm,_The_Metropolitan_Museum_of_Art,_New_YorkPaul Cézanne, "Madame Cézanne in Red Dress" 1888, oil on canvas 116 89 cm The Metropolitan Museum of Art, New Yorkhttps://abcrit.org/wp-content/uploads/2017/08/madame-cezanne-in-a-yellow-chair-1.jpgmadame-cezanne-in-a-yellow-chair-1Paul Cézanne,"Madame Cézanne in a Yellow Chair", Metropolitan Museum NYhttps://abcrit.org/wp-content/uploads/2017/08/untitled3.jpgUntitled3Picasso, Matisse, Bonnard in the Musée Imaginairehttps://abcrit.org/wp-content/uploads/2017/08/untitled4.pngUntitled4Georges Braque, Atelierhttps://abcrit.org/wp-content/uploads/2017/08/braque-atelier-nos-iv-and-ix.pngBraque, Atelier Nos. IV and IX.Geoges Braque,https://abcrit.org/wp-content/uploads/2017/08/braque-interior-still-life-with-black-vase-1938-phillips-coll-washington.pngBraque, Interior Still Life with Black Vase, 1938 Phillips Coll. Washington.Georges Braque, "Interior Still Life with Black Vase", 1938, Phillips Coll. Washington.https://abcrit.org/wp-content/uploads/2017/08/braque-still-life-with-music-scrolls-1937.pngBraque Still Life with Music Scrolls, 1937Georges Braque, "Still Life with Music Scrolls", 1937https://abcrit.org/wp-content/uploads/2017/08/monet-the-water-lilies-detail-lc3b4c3a7c3b6orangerie-paris.jpgMonet, The Water Lilies (detail), LÔÇÖOrangerie, ParisClaude Monet, "Water Lilies", detail, Orangerie, Parishttps://abcrit.org/wp-content/uploads/2017/08/claude-monet-water-lilies-1917-19-honolulu-academy-of-art.jpgClaude Monet, Water Lilies, 1917-19 (Honolulu Academy of Art)Claude Monet, "Water Lilies", 1917-19, Honolulu Academy of Arthttps://abcrit.org/wp-content/uploads/2017/08/water-lilies-1917-19-portland-oregon-museum.jpgWater Lilies, 1917-19 Portland Oregon MuseumClaude Monet, "Water Lilies", 1917-19 Portland Oregon Museum2017-09-17T14:42:47+00:00monthlyhttps://abcrit.org/2017/07/19/73-geoff-hands-writes-on-terry-frost-a-book-of-ideas-at-belgrave-gallery-st-ives/https://abcrit.org/wp-content/uploads/2017/07/terry_frost-book-09_sm.jpgterry_frost-book-09_smTerry Frost; A Book of Ideashttps://abcrit.org/wp-content/uploads/2017/07/terry_frost_book-05_sm.jpgterry_frost_book-05_smTerry Frost; A Book of Ideashttps://abcrit.org/wp-content/uploads/2017/07/terryfrost_abookofideas_04_temp_page_turn.jpgterryfrost_abookofideas_04_temp_page_turnTerry Frost; A Book of Ideashttps://abcrit.org/wp-content/uploads/2017/07/003-frost1.jpg003 FrostTerry Frost installationhttps://abcrit.org/wp-content/uploads/2017/07/011-frost.jpg011 FrostTerry Frost installationhttps://abcrit.org/wp-content/uploads/2017/07/002-frost.jpg002 FrostTerry Frost installationhttps://abcrit.org/wp-content/uploads/2017/07/008-terry-frost-maquette-for-two-loves-for-tredavoe-page-104-105.jpg008 Terry Frost Maquette for Two Loves for Tredavoe Page 104 & 105"Maquette for Two Loves for Tredavoe", pages 104 & 105.https://abcrit.org/wp-content/uploads/2017/07/006-frost.jpg006 FrostTerry Frost installation2017-07-19T21:19:42+00:00monthlyhttps://abcrit.org/2017/07/06/72-jeremy-gilbert-rolfe-writes-on-nancy-haynes-at-regina-rex-new-york/https://abcrit.org/wp-content/uploads/2017/07/2237.jpg2237“Black milk of daybreak we drink it at evening we drink it at midday and morning we drink it at night… ,” 2016, oil on canvas, diptych, 21.5 x 53 incheshttps://abcrit.org/wp-content/uploads/2017/07/2242.jpg2242“this painting”, 2015, oil on linen, 21.5 x 26 incheshttps://abcrit.org/wp-content/uploads/2017/07/5-nancy-haynes-reaching-back-a-jpg-720x598.jpg5 Nancy-Haynes-reaching-back.-A-jpg-720x598“reaching back”, 2016, oil on linen, 21.5 x 26 incheshttps://abcrit.org/wp-content/uploads/2017/07/4-nh_mise-en-abyme-2015-copy-720x599.jpg4 NH_Mise-en-Abyme-2015-copy-720x599“mise en abyme” 2015, oil on linen, 21.5 x 26 incheshttps://abcrit.org/wp-content/uploads/2017/07/3-nh_painting-undressed-02-720x410.jpg3 NH_painting-undressed-02-720x410“the painting undressed” 2011, diptych, oil on linen, 18 x 40 incheshttps://abcrit.org/wp-content/uploads/2017/07/2-nancy-haynes-night-reading-720x594.jpg2 Nancy-Haynes-night-reading-720x594“night reading” 2015, oil on linen, 21.5 x 26 incheshttps://abcrit.org/wp-content/uploads/2017/07/1-nancy-haynes-black_milk-720x348.jpg1 Nancy-Haynes-black_milk-720x348“Black milk of daybreak we drink it at evening we drink it at midday and morning we drink it at night… ,” 2016, oil on canvas, diptych, 21.5 x 53 inches (all images courtesy Regina Rex)2017-09-17T21:07:14+00:00monthlyhttps://abcrit.org/2017/06/26/71-john-bunker-writes-on-richard-smith-work-of-five-decades-at-flowers-gallery-london/https://abcrit.org/wp-content/uploads/2017/06/double-box-2010-acrylic-on-canvas-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgDouble Box, 2010, Acrylic on canvas, _Richard Smith Foundation, courtesy Flowers Gallery London and New York"Double Box", 2010, Acrylic on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/richard-smith-red-label-1958-oil-on-board-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgRichard Smith, Red Label, 1958, Oil on board, _Richard Smith Foundation, courtesy Flowers Gallery London and New York"Red Labe"l, 1958, oil on board, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/round-flight-c-1985-acrylic-on-canvas-_richard-smith-foundation-courtesy-of-flowers-gallery-london-and-new-york.jpgRound Flight, c. 1985, Acrylic on canvas, _Richard Smith Foundation, courtesy of Flowers Gallery London and New York"Round Flight", c.1985,©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/madama-c-1980-acrylic-on-canvas-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgMadama, c. 1980, Acrylic on canvas, _Richard Smith Foundation, courtesy Flowers Gallery London and New York"Madama", c. 1980, acrylic on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/richard-smith-lee-i-1961-oil-on-canvas-c-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgRichard Smith, Lee I, 1961, Oil on Canvas, (c) _Richard Smith Foundation, courtesy Flowers Gallery London and New York"Lee" I, 1961, oil on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/maryland-1972-acrylic-on-canvas-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgMaryland, 1972, Acrylic on canvas, _Richard Smith Foundation, courtesy Flowers Gallery London and New York"Maryland", 1972, acrylic on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/red-valise-1995-acrylic-on-canvas-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgRed Valise, 1995, Acrylic on canvas, _Richard Smith Foundation, courtesy Flowers Gallery London and New YorkRed Valise, 1995, acrylic on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/untitled-2002-oil-on-canvas-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york.jpgUntitled, 2002, Oil on canvas, _Richard Smith Foundation, courtesy Flowers Gallery London and New Yorkuntitled, 2002, Oil on canvas, ©Richard Smith Foundation, Courtesy of Flowers Gallery, London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/installation-view-upper-gallery-richard-smith_work-of-five-decades_flowers-gallery-_richard-smith-foundation-courtesy-flowers-gallery-london-and-new-york-2.jpgInstallation View, upper gallery, Richard Smith_Work of Five Decades_Flowers Gallery _Richard Smith Foundation, courtesy Flowers Gallery London and New York (2)Installation View, upper gallery, Richard Smith_Work of Five Decades_Flowers Gallery _Richard Smith Foundation, courtesy Flowers Gallery London and New Yorkhttps://abcrit.org/wp-content/uploads/2017/06/matisseinstall019web2.jpgmatisseinstall019web2Henti Matosse, "The Snail" and "Memory of Oceana" at Tate Modern2017-07-01T14:43:58+00:00monthlyhttps://abcrit.org/2017/06/07/70-carl-kandutsch-writes-on-greenbergs-homemade-esthetics/https://abcrit.org/wp-content/uploads/2017/06/marcel-duchamp-roue-de-bicyslette-1913-israel-museum-jerusalem-israel.jpgMarcel Duchamp, Roue de bicyslette, 1913, Israel Museum, Jerusalem, IsraelMarcel Duchamp, "Roue de Bicyslette", 1913, Israel Museum, Jerusalem, Israelhttps://abcrit.org/wp-content/uploads/2017/06/pablo-picasso-mandoline-et-clarinette-1913-paris-musc3a9e-national-picasso-paris.jpgPablo Picasso, Mandoline et clarinette, 1913, Paris, musée national Picasso - ParisPablo Picasso, "Mandoline et Clarinette", 1913, Musée National Picasso, Paris2017-08-09T17:09:15+00:00monthlyhttps://abcrit.org/2017/06/04/69-paul-carey-kent-writes-on-ding-yi-at-timothy-taylor-london/https://abcrit.org/wp-content/uploads/2017/06/ding-detail-2.jpgding detail 2Detail from Ding Yi paintinghttps://abcrit.org/wp-content/uploads/2017/06/appearance-of-crosses-2016-10.jpgAppearance of Crosses 2016 (10)"Appearance of Crosses 2016-10", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studio. Click image for high-res.https://abcrit.org/wp-content/uploads/2017/06/9.jpg9"Appearance of Crosses 2016-9", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/8.jpg8"Appearance of Crosses 2016-8", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/2016-7.jpg2016-7"Appearance of Crosses 2016-7", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/2016-6.jpg2016-6"Appearance of Crosses 2016-6", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/2016-5.jpg2016-5"Appearance of Crosses 2016-5", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/2014-4.jpg2014-4"Appearance of Crosses 2016-4", 2016, mixed media on basswood, 240x240cm, Courtesy Timothy Taylor, Photo Ding Yi Studiohttps://abcrit.org/wp-content/uploads/2017/06/ding-yi-5_300dpi_web-2000x0.jpgding-yi-5_300dpi_web.2000x0Installation, Ding Yi at Timothy Taylor Gallery2017-06-05T12:48:18+00:00monthlyhttps://abcrit.org/2017/05/25/68-david-sweet-writes-on-kaleidoscope-colour-and-sequence-in-1960s-british-art-at-the-longside-gallery-and-touring/https://abcrit.org/wp-content/uploads/2017/05/6a0c79d1-fe54-4528-b77d-18c004772be4.jpg6a0c79d1-fe54-4528-b77d-18c004772be4Kaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.https://abcrit.org/wp-content/uploads/2017/05/8f513e34-9442-4f90-8903-101b17967102.jpg8f513e34-9442-4f90-8903-101b17967102Kaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.https://abcrit.org/wp-content/uploads/2017/05/197f0e8c-63fa-45d9-b264-5f31703bed05.jpg197f0e8c-63fa-45d9-b264-5f31703bed05Kaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.https://abcrit.org/wp-content/uploads/2017/05/455b6b02-392a-49cd-b375-f2f3f2ddeba9.jpg455b6b02-392a-49cd-b375-f2f3f2ddeba9Kaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.https://abcrit.org/wp-content/uploads/2017/05/a0806326-b74a-4939-90e2-ee3b1474d5cf.jpga0806326-b74a-4939-90e2-ee3b1474d5cfKaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.https://abcrit.org/wp-content/uploads/2017/05/e440c2a7-eb7c-4cbd-b378-643fd47dabfa.jpge440c2a7-eb7c-4cbd-b378-643fd47dabfaKaleidoscope: Colour and Sequence in 1960s British Art, installation view at Longside Gallery, Yorkshire Sculpture Park © artists and estates. Photo: Jonty Wilde.2017-06-08T19:06:49+00:00monthlyhttps://abcrit.org/2017/05/20/67-richard-ward-writes-on-howard-hodgkin-at-the-national-portrait-gallery-london/https://abcrit.org/wp-content/uploads/2017/05/2005-7-artist-and-model.jpg2005-7 Artist and Model"Artist and Model", 2005-07https://abcrit.org/wp-content/uploads/2017/05/pa319_chez_stamos.jpgPA319_Chez_Stamos"Chez Stamos", 19https://abcrit.org/wp-content/uploads/2017/05/pa321_going_for_a_walk_with_andrew.jpgPA321_Going_for_a_Walk_with_Andrew"Going for a Walk with Andrew", 19https://abcrit.org/wp-content/uploads/2017/05/pa88_mr_and_mrs_caulfield.jpgPA88_Mr_and_Mrs_Caulfield"Mr. & Mrs. Patrick Caulfield", 1967-70https://abcrit.org/wp-content/uploads/2017/05/pa6_interior_of_a_museum.jpgPA6_Interior_of_a_Museum"Interior of a Museum", 1956-59https://abcrit.org/wp-content/uploads/2017/05/pa214_portait_of_the_artist.jpgPA214_Portait_of_the_Artist"Portrait of the Artist", 1984-872017-05-20T15:45:35+00:00monthlyhttps://abcrit.org/2017/05/17/66-noela-james-writes-on-nick-moore-exhibition-materialshift-nailsworth/https://abcrit.org/wp-content/uploads/2017/05/p4260006.jpgOLYMPUS DIGITAL CAMERANick Moore installationhttps://abcrit.org/wp-content/uploads/2017/05/p4260005.jpgOLYMPUS DIGITAL CAMERANick Moore installationhttps://abcrit.org/wp-content/uploads/2017/05/4-discursive-acrylic-and-mixed-media-on-canvas-152x244cm-2017.jpg4 discursive - acrylic and mixed media on canvas, 152x244cm 2017"Discursive", 2017, acrylic and mixed media on canvas, 152x244cmhttps://abcrit.org/wp-content/uploads/2017/05/8-breathless-acrylic-and-mixed-media-on-canvas-1mx1m-2017.jpgOLYMPUS DIGITAL CAMERA"Breathless", 2017, acrylic and mixed media on canvas, 1mx1m https://abcrit.org/wp-content/uploads/2017/05/5-cryptic-acrylic-and-mixed-media-on-canvas-122x122cm-2017.jpg5 cryptic - acrylic and mixed media on canvas, 122x122cm 2017"Cryptic", 2017, acrylic and mixed media on canvas, 122x122cmhttps://abcrit.org/wp-content/uploads/2017/05/3-pungent-acrylic-and-mixed-media-on-canvas-122x92cm-2016.jpg3 pungent - acrylic and mixed media on canvas, 122x92cm 2016"Pungent", 2016, acrylic and mixed media on canvas, 122x92cmhttps://abcrit.org/wp-content/uploads/2017/05/2-expansive-acrylic-and-mixed-media-on-canvas-152x122cm-2017.jpg2 expansive - acrylic and mixed media on canvas, 152x122cm 2017"Expansive",2017, acrylic and mixed media on canvas, 152x122cm https://abcrit.org/wp-content/uploads/2017/05/1-certain-acrylic-and-mixed-media-on-canvas-152x122cm-2016.jpg1 certain - acrylic and mixed media on canvas 152x122cm 2016"Certain",acrylic and mixed media on canvas 152x122cm https://abcrit.org/wp-content/uploads/2017/05/p4260001.jpgOLYMPUS DIGITAL CAMERANick Moore installationhttps://abcrit.org/wp-content/uploads/2017/05/p4260002.jpgOLYMPUS DIGITAL CAMERANick Moore installation2017-05-21T16:34:08+00:00monthlyhttps://abcrit.org/2017/05/12/65-david-sweet-writes-on-losing-sight-of-stella/https://abcrit.org/wp-content/uploads/2017/05/jill-1959.jpgjill-1959Frank Stella, "Jill", 1959https://abcrit.org/wp-content/uploads/2017/05/cathedra_by_barnett_newman1.jpgCathedra_by_Barnett_Newman1Barnett Newman, "Cathedra", 1959https://abcrit.org/wp-content/uploads/2017/05/frank-stella-e2809cdie-fahne-hoche2809d-1959-enamel-paint-on-canvas.jpgfrank-stella-e2809cdie-fahne-hoche2809d-1959-enamel-paint-on-canvasFrank Stella, "Die Fahn hoche", 19592017-05-21T14:56:23+00:00monthlyhttps://abcrit.org/2017/05/09/64-geoff-hands-writes-on-unnatural-vibers-at-unit-3-project-space-asc-studios-london/https://abcrit.org/wp-content/uploads/2017/05/cid_cf09c374-3836-476e-8251-71b00085ad71.jpg!cid_CF09C374-3836-476E-8251-71B00085AD71Peter Lamb, 'A Slow Gaze Charged', 2017, digital print on synthetic canvas, 266 x192cm. https://abcrit.org/wp-content/uploads/2017/05/cid_cdfee469-1fbf-425f-824a-e2408ee1a67b.jpg!cid_CDFEE469-1FBF-425F-824A-E2408EE1A67BJohn Bunker,'Buster', 2016-2017, mixed media shaped collage, 74cmX76cm.https://abcrit.org/wp-content/uploads/2017/05/cid_bc633419-8c7c-4dd2-9a52-a25bd60dc791.jpg!cid_BC633419-8C7C-4DD2-9A52-A25BD60DC791Vicky Wright, 'Torment of the Metals', 2014, oil on panel, 97x77cm.https://abcrit.org/wp-content/uploads/2017/05/cid_3138aa07-42ea-47da-8dc6-35f8aff202d6.jpg!cid_3138AA07-42EA-47DA-8DC6-35F8AFF202D6Dominic Beattie, 'FS, 42', 2017, card, ply, collage and spray paint on board, 30X30cm; 'FS, 40', 2017, spray paint, ink, card on board, 30x30cm; 'FS, 02', 2017, spray paint, ink and collage on board, 30X30cm; 'FS, 44', 2017, spray paint, card and ink on board, 30X30cm.https://abcrit.org/wp-content/uploads/2017/05/cid_7afe6deb-09c1-40fd-bb48-764ba49fe1be.jpg!cid_7AFE6DEB-09C1-40FD-BB48-764BA49FE1BEMichael Stubbs, 'Solex Black Repeater', 2008-17, household paint, tinted floor varnish, cat 5 digital patch cables on mdf, 165x122cm.https://abcrit.org/wp-content/uploads/2017/05/cid_3ca32d32-9cc2-43ab-9387-b517edb8622a.jpg!cid_3CA32D32-9CC2-43AB-9387-B517EDB8622AJohn Bunker, 'Frenhofer', 2017, mixed media shaped collage, 73cmX61cm.https://abcrit.org/wp-content/uploads/2017/05/img_8600.jpgIMG_8600John Bunker,'Buster', 2016-2017; Vicky Wright, 'Torment of the Metals', 2014https://abcrit.org/wp-content/uploads/2017/05/fullsizerender.jpgFullSizeRenderMichael Stubbs, 'Solex Black Repeater', 2008-17; Dominic Beattie, 'FS, 42; 44; 02; 44’, 2017https://abcrit.org/wp-content/uploads/2017/05/cid_ed08e22a-2c51-44f9-8c09-1b9680c01782.jpg!cid_ED08E22A-2C51-44F9-8C09-1B9680C01782Peter Lamb, 'A Slow Gaze Charged', 2017; John Bunker, 'Frenhofer', 2017.2017-05-15T08:49:37+00:00monthlyhttps://abcrit.org/2017/05/06/63-len-green-writes-on-patrick-jones-no-pasaran-exeter/https://abcrit.org/wp-content/uploads/2017/05/dsc_0151-finished-72dpi-1.jpgDSC_0151 finished 72dpi-1https://abcrit.org/wp-content/uploads/2017/05/dsc_0076-ad-cr-72dpi.jpgDSC_0076 ad cr 72dpihttps://abcrit.org/wp-content/uploads/2017/05/dsc_0009-finished-72dpi.jpgDSC_0009 - finished 72dpihttps://abcrit.org/wp-content/uploads/2017/05/img_2824.jpgIMG_2824https://abcrit.org/wp-content/uploads/2017/05/img_2830.jpgIMG_2830Installation shothttps://abcrit.org/wp-content/uploads/2017/05/dsc_0138-finished-72dpi.jpgDSC_0138 - finished 72dpiInstallation shothttps://abcrit.org/wp-content/uploads/2017/05/img_2826.jpgIMG_2826Installation shothttps://abcrit.org/wp-content/uploads/2017/05/dsc_0022-ad-cr-72dpi.jpgDSC_0022 - ad cr 72dpiInstallation shothttps://abcrit.org/wp-content/uploads/2017/05/dsc_0055-finished-72dpi.jpgDSC_0055 finished 72dpiInstallation shothttps://abcrit.org/wp-content/uploads/2017/05/dsc_0050-finished-72dpi.jpgDSC_0050 - finished 72dpiInstallation shot2017-09-17T00:51:31+00:00monthlyhttps://abcrit.org/2017/05/01/62-ken-carpenter-writes-on-new-developments-in-montreal-painting-francoise-sullivan-paul-bureau-deborah-carruthers/https://abcrit.org/wp-content/uploads/2017/05/13-carruthers-2014-2016-morsaf-for-my-father-resting-rock.jpg13.Carruthers-2014-2016-Morsaf for my Father-Resting RockDeborah Carruthers, “Mortsaf for My Father: Resting Rock”, 2014-16, 60" x 96", acrylic on birch panels, photo Guy L'Heureux, collection of the artisthttps://abcrit.org/wp-content/uploads/2017/05/12-carrutthers-2014-mortsaf-for-my-father-balcony-rock.jpg12.Carrutthers-2014-Mortsaf for My Father- Balcony RockDeborah Carruthers, “Mortsaf for My Father: Balcony Rock”, 2014, 50" x 80", acrylic on birch panels, photo Guy L'Heureux, collection of the artist https://abcrit.org/wp-content/uploads/2017/05/11-bureau-2014-outofshapeblack_blue.jpg11.Bureau-2014-outOfShape(black_blue)Paul Bureau, “Out of Shape (black/blue)”, 2014, 66 x 104cm, collection of the artist: photo Guy L'Heureux https://abcrit.org/wp-content/uploads/2017/05/10-bureau-2014-outofshapey_b.jpg10.Bureau-2014-OutOfShape(y_b)Paul Bureau, "Out of Shape (yellow/black)", 2014, 76 x 66 cm, collection of the artist, photo: Guy L'Heureux https://abcrit.org/wp-content/uploads/2017/05/9-bureau-2008-newcutb.jpg9.Bureau-2008-NewCut(B)Paul Bureau, "New Cut (B)", 2008, oil on canvas, 273 x 183 cm, private collection, photo: Guy L'Heureux https://abcrit.org/wp-content/uploads/2017/05/8-sullivan-studio-onlyreds-aug28-2016.jpg8.Sullivan-Studio-OnlyReds-Aug28-2016Sullivan in her Montreal studio with some of her “Only Red” paintings, Aug. 28, 2016, photo: Ken Carpenter https://abcrit.org/wp-content/uploads/2017/05/7-sullivan-2016-redbloom.jpg7.Sullivan-2016-RedBloomFrançoise Sullivan, “Red Bloom”, 2016, acrylic on canvas, 152.5 x 305 cm, collection of the artist, photo: Ken Carpenter https://abcrit.org/wp-content/uploads/2017/05/6-sullivan-2015-proportio-3-tryptique-60x120.jpg6.Sullivan-2015-Proportio-3 (tryptique-60x120Françoise Sullivan, "Proportio-3", 2015, acrylic on canvas, 152.4 x 304.8 cm (60" x 120"), collection of the artist: photo Guy L'Heureux https://abcrit.org/wp-content/uploads/2017/05/5-sullivan-2010-rouges-no-3.jpg5.Sullivan-2010-Rouges no 35. Françoise Sullivan, “Rouges no. 3 (Reds No. 3)”, 2010, oil on canvas, 167.5 x 198 cm, collection of the artist: photo Ken Carpenter https://abcrit.org/wp-content/uploads/2017/05/4-sullivan-2005-ocean-no-2_dsc8077_photo_guy_lheureux.jpg4.Sullivan-2005-Ocean no. 2_DSC8077_Photo_Guy_LHeureuxFrançoise Sullivan, “Ocean no. 2”, 2005, acrylic on canvas, 122 x 122 cm, collection of the artist, photo: Guy L'Heureux 2017-05-14T13:06:20+00:00monthlyhttps://abcrit.org/2017/04/17/61-harry-hay-writes-on-brancaster-chronicles-at-the-heritage-gallery-greenwich/https://abcrit.org/wp-content/uploads/2017/04/p1140279ed1tw.jpgP1140279ed1twMark Skilton Anthony Smart, Harry Hay discuss Mark Skilton's 'Viper1.https://abcrit.org/wp-content/uploads/2017/04/p1140293ed1tw.jpgP1140293ed1twRichard Ward, Anthony Smart, John Pluthero, Robin Greenwood, Noela James Anne Smart looking at Kinchin by Alexandra Harleyhttps://abcrit.org/wp-content/uploads/2017/04/p1140285ed1tw.jpgP1140285ed1twNoela James, Richard Ward, Anthony Smart, john Bunker, Emyr Williams with Smart's untitled sculpture.https://abcrit.org/wp-content/uploads/2017/04/p1140289ed1tw.jpgP1140289ed1twAnthony Smart, Harry Hay, Noela James, John Bunker, Emyr Williams discussing 'Insignia' by Robin Greenwood, with 'Vibo' by Emyr Williams in the backgroundhttps://abcrit.org/wp-content/uploads/2017/04/john-pollard-over-the-overman-2017.jpgJohn Pollard, Over the Overman, 2017John Pollard, 'Over the Overman', 2017https://abcrit.org/wp-content/uploads/2017/04/alexandra-harley-kintinkiri-2016.jpgAlexandra Harley, Kintinkiri, 2016Alexandra Harley, 'Kintinkiri', 2016https://abcrit.org/wp-content/uploads/2017/04/anthony-smart-untitled-2017.jpgAnthony Smart, untitled, 2017Anthony Smart, untitled, 2017https://abcrit.org/wp-content/uploads/2017/04/mark.jpgmarkMark Skilton, 'Vivacious Viper', 2017https://abcrit.org/wp-content/uploads/2017/04/unspecified.jpgunspecifiedAnne Smart, 'Some Light', 2017https://abcrit.org/wp-content/uploads/2017/04/vibo.jpgvibo-Emyr Williams, 'Vibo', 20152017-04-29T19:14:58+00:00monthlyhttps://abcrit.org/2017/04/14/60-tim-scott-writes-on-recognition-and-abstract-sculpture/https://abcrit.org/wp-content/uploads/2017/04/dc79322e355c5b1dfcbdd18df8bf1f8f.jpgdc79322e355c5b1dfcbdd18df8bf1f8fHenri Matisse, "Head of Jeanette", 1911https://abcrit.org/wp-content/uploads/2017/04/eduardo-chillida-yunque-de-suec3b1o-x-fer-et-bois1962.jpgEduardo Chillida, Yunque de sueño X, fer et bois,(1962)Eduardo Chillida, "Dream Anvil X", 1962https://abcrit.org/wp-content/uploads/2017/04/songforadelexi-1998.jpgsongforadeleXI 1998Tim Scott, "Song foe Adele XI", 1998https://abcrit.org/wp-content/uploads/2017/04/head-of-jeanette-iii.jpgHead of Jeanette IIIHenri Matisse, "Head of Jeanette", 1911https://abcrit.org/wp-content/uploads/2017/04/sculpture-two1962.jpgSculpture-Two1962Anthony Caro, "Sculpture Two", 1962https://abcrit.org/wp-content/uploads/2017/04/julio-gonzalez-dancer-posing-as-a-daisy-1937.jpgJulio Gonzalez, Dancer Posing as a Daisy 1937Julio Gonzalez, 'Dancer Posing as a Daisy', 19372017-05-10T14:02:47+00:00monthlyhttps://abcrit.org/2017/03/31/59-emyr-williams-writes-on-alan-gouk-recent-paintings-at-hsoa/https://abcrit.org/wp-content/uploads/2017/03/gouk.jpggoukhttps://abcrit.org/wp-content/uploads/2017/03/unspecified11.jpgunspecified11"Theebaw's Queen", 2015, 36"x84", acrylic on canvashttps://abcrit.org/wp-content/uploads/2017/03/unspecified-10.jpgunspecified 10"Mandalay Reprised No. 8", 2015, 53"x95", acrylic on canvashttps://abcrit.org/wp-content/uploads/2017/03/baltimore.jpgbaltimoreBaltimore Oriole (Mandalay No. 17), 2016, 66"x100", acrylic on canvashttps://abcrit.org/wp-content/uploads/2017/03/unspecified3.jpgunspecified3"Mephistopheles (Mandalay No. 15)", 2016, 67"x118", acrylic on canvashttps://abcrit.org/wp-content/uploads/2017/03/mandalaysian.jpgmandalaysianMandalasian Orchid, 2016, 66"x100", acrylic on canvas2018-05-08T13:19:31+00:00monthlyhttps://abcrit.org/2017/03/29/58-geoff-hands-writes-on-testing-1212-at-asc-studios-london/https://abcrit.org/wp-content/uploads/2017/03/img_83261.jpgIMG_8326Nick Cash, 'Drumming Part IV. 9 mins 47 secs 2" @15ips' Sellotape and advertising material on primed board 60 x 60 cm.https://abcrit.org/wp-content/uploads/2017/03/img_8201.jpgIMG_8201Charley Peters, 'Hard Edge/Soft Focus' (2016), spray paint and acrylic on panel, 40cm x 40cm x 5cm.https://abcrit.org/wp-content/uploads/2017/03/simon-pike-untitled-2017.jpgSimon Pike - Untitled 2017Simon Pike, 'Untitled' 2017, acrylic on plywood panel, 40.6 x 50.7 x 5cm.https://abcrit.org/wp-content/uploads/2017/03/emyr-williams.jpgEmyr WilliamsEmyr Williams, "RATS" 2017 - acrylic on canvas: 71cm x 71cm.https://abcrit.org/wp-content/uploads/2017/03/karl-bielik-target.jpgKarl Bielik - TargetKarl Bielik, ‘Target’. 2016. Oil on board 40 x 30cm.https://abcrit.org/wp-content/uploads/2017/03/006-testing-stephen-buckeridge-2017.jpg006 - Testing - Stephen Buckeridge 2017Stephen Buckeridge, 'We have expanded our space and intensified our time!' 2017. Mixed media and pigments on flax mounted on panel 40 x 30 cm.https://abcrit.org/wp-content/uploads/2017/03/tony-smith-magnitude.jpgTony Smith - MagnitudeTony Smith, 'Magnitude'. 27cmX27cm. Oil, graphite and acrylic. Canvas on board.https://abcrit.org/wp-content/uploads/2017/03/testing-lisa-denyer-sands-2017.jpgTesting - Lisa Denyer - Sands 2017Lisa Denyer, 'Sands'. 2017 acrylic on panel 18x24cm.https://abcrit.org/wp-content/uploads/2017/03/testing-ec-brouhaha-2017.jpgTesting - EC - Brouhaha 2017EC, 'Brouhaha'. 2017. Oil, acrylic, household paint, household varnish, mixed media collage & oil on canvas mounted on board, 33 x 12.7cmhttps://abcrit.org/wp-content/uploads/2017/03/testing-john-bunker-umvelt-2017.jpgTesting - John Bunker - Umvelt 2017John Bunker, 'Umwelt'. 2017. 53cmX63cm. Mixed media shaped collage.2017-03-30T14:55:21+00:00monthlyhttps://abcrit.org/2017/03/25/57-robin-greenwood-writes-on-the-disconnect-of-meaning-in-public-sculpture/https://abcrit.org/wp-content/uploads/2017/03/habia-rubica-low-res-jpg.jpgHabia Rubica low res jpgRobin Greenwood, "Habia Rubica", 2016, steelhttps://abcrit.org/wp-content/uploads/2017/03/rubica-ornans2955.jpgrubica-ornans2955Robin Greenwood, "Habia-Rubica", 2017, steel and woodhttps://abcrit.org/wp-content/uploads/2017/03/2-rgphoto.jpg2 RGphotohttps://abcrit.org/wp-content/uploads/2017/03/25marpublic.jpg25MarpublicSolas Creative, "Origin"https://abcrit.org/wp-content/uploads/2017/03/10-rgphoto.jpg10 RGphotoHeather Phillips, “The End”https://abcrit.org/wp-content/uploads/2017/03/7-rgphoto-allora-calzadilla3.jpg7 RGphoto Allora & Calzadilla3Allora & Calzadilla, "Pipe Organ with ATM"https://abcrit.org/wp-content/uploads/2017/03/6-rgphoto-brian-griffiths-battenberg.jpg6 RGphoto brian-griffiths-battenbergBrian Griffiths, "Battenburg"https://abcrit.org/wp-content/uploads/2017/03/5-rgphoto.jpg5 RGphotohttps://abcrit.org/wp-content/uploads/2017/03/1-rgphoto.jpg1 RGphotoInstallation at the junction of Bermondsey Street and Tower Bridge Road, London SE12017-03-27T10:54:50+00:00monthlyhttps://abcrit.org/2017/03/20/56-david-sweet-writes-on-undivided-attention-getting-around-aboutery/https://abcrit.org/wp-content/uploads/2017/03/arts-wearing-101215-960x553.jpgARTS-Wearing-101215-960x553Gillian Wearing2017-04-01T13:27:07+00:00monthlyhttps://abcrit.org/2017/03/12/55-robin-greenwood-writes-on-victor-pasmore-at-pallant-house-gallery-chichester/https://abcrit.org/wp-content/uploads/2017/03/46-1-434-434-ffffff1.jpeg46.1.434.434.FFFFFFSt. John Wilson's Grantchester Road house, Cambridge.https://abcrit.org/wp-content/uploads/2017/03/relief.jpgreliefPasmore with relief, c. 1965https://abcrit.org/wp-content/uploads/2017/03/pasmore_apollo_pavillion_r190511_ba1.jpgpasmore_apollo_pavillion_r190511_ba1"The Apollo Pavillion", Peterleehttps://abcrit.org/wp-content/uploads/2017/03/39-pasmore-abstract-in-black-white-and-ochre-1958-british-council.jpg39. PASMORE, Abstract in Black, White and Ochre 1958 British Council“Abstract in Black, White and Ochre”, 1958, oil on board, British Council Collection, ©Estate of Victor Pasmorehttps://abcrit.org/wp-content/uploads/2017/03/38-pasmore-abstract-in-white-black-brown-and-lilac-british-council.jpg38. PASMORE, Abstract in White, Black, Brown and Lilac British Council“Abstract in White, Black Brown and Lilac”, 1957, relief construction, painted wood, British Council Collection, ©Estate of Victor Pasmorehttps://abcrit.org/wp-content/uploads/2017/03/30-pasmore-spiralmotifgreenvioletbluegold-tate-copy.jpgN06191“Spiral Motif in Green, Violet, Blue and Gold; the Coast of the Inland Sea”, 1950, oil on canvas, ©Tate Londonhttps://abcrit.org/wp-content/uploads/2017/03/25-pasmore-triangular-motif-ferens-hull-copy.jpg25. PASMORE, Triangular Motif Ferens Hull copy“Triangular Motif”, c.1949, oil on paper on canvas, Ferens Art Gallery, Hull; ©Estate of Victor Pasmore.https://abcrit.org/wp-content/uploads/2017/03/26-pasmore-the-gardens-of-hammersmith-no-2-tate-copy1.jpgT07033“The Gardens of Hammersmith No.2”, c.1949, oil on canvas, ©Tate Londonhttps://abcrit.org/wp-content/uploads/2017/03/pavilion-model.jpgPAVILION MODELVictor Pasmore, "Model for the Apollo Pavillion", Peterlee, 19672017-03-19T23:35:20+00:00monthlyhttps://abcrit.org/2017/03/07/54-john-bunker-writes-on-painting-structure-at-the-kennington-residency-london/https://abcrit.org/wp-content/uploads/2017/03/img_7994.jpgIMG_7994Les Richardson. Untitled. 2017. Acrylic on canvas. 160X130cm.https://abcrit.org/wp-content/uploads/2017/03/img_7996.jpgIMG_7996Sophia Starling. Cluster (Silver-Black) Vertical. 2016. Graphite and Acrylic on Canvas. 137X 85X85cm.https://abcrit.org/wp-content/uploads/2017/03/img_7991.jpgIMG_7991Sophia Starling. Stack (Marble). Marble dust and acrylic on linen. https://abcrit.org/wp-content/uploads/2017/03/img_7998.jpgIMG_7998Andrea Medjesi-Jones. Please Stand Up. 2016. Wooden poles, canvas strips, acrylic and canvas tape.https://abcrit.org/wp-content/uploads/2017/03/fullsizerender.jpgFullSizeRenderAndrea Medjesi-Jones, "Dispenser" 2016, oak support, canvas strip, fringing, acrylic and pigment.https://abcrit.org/wp-content/uploads/2017/03/img_7995.jpgIMG_7995Mali Morris, "Dark Ashbery", 2013, acrylic on board, 24X28cm.https://abcrit.org/wp-content/uploads/2017/03/img_8001.jpgIMG_8001Mali Morris, "Among Days.",1997, acrylic on canvas, 171x197cm.https://abcrit.org/wp-content/uploads/2017/03/img_7999.jpgIMG_7999James Campion. "Window Eleven", 2017, oil and copper leaf on canvas. 119X184cm; and "Window Twelve", 2017, oil and copper leaf on canvas, 119X92cm.https://abcrit.org/wp-content/uploads/2017/03/img_7993.jpgIMG_7993Daniel Sturgis "Passion and Distance". 2008, acrylic oncanvas. 163X214cm.https://abcrit.org/wp-content/uploads/2017/03/img_7992.jpgIMG_7992Sophia Starling. Stack (Marble). Marble dust and acrylic on linen. 190X170X15cm.2017-03-20T23:43:07+00:00monthlyhttps://abcrit.org/2017/02/26/53-matthew-dennis-writes-on-ian-mckeever-and-faith-and-doubt-in-painting/https://abcrit.org/wp-content/uploads/2017/02/9.jpg9Barnett Newman, ‘Onement VI’, 1953, oil on canvashttps://abcrit.org/wp-content/uploads/2017/02/8.jpeg8Ian McKeever, ‘Assumptio (Murmur)’, 1998-99, oil and acrylic on cotton-duckhttps://abcrit.org/wp-content/uploads/2017/02/7.jpg7Ian McKeever, ‘Aa II’, 1987-89, oil and acrylic on canvashttps://abcrit.org/wp-content/uploads/2017/02/6.jpg6Ian McKeever, ‘Hearing You Breathe II’, 1986, oil and photograph on canvashttps://abcrit.org/wp-content/uploads/2017/02/5.jpg5Ian McKeever, ‘Portrait of a Woman 5’, 2015, oil and acrylic on linenhttps://abcrit.org/wp-content/uploads/2017/02/4.jpg4Ian McKeever, ‘Eagduru 13’, 2013, oil, acrylic and photograph on canvas and woodhttps://abcrit.org/wp-content/uploads/2017/02/3.jpg3Ian McKeever, ‘Portrait of a Woman’, 2015, gouache on paperhttps://abcrit.org/wp-content/uploads/2017/02/2.jpg2Ian McKeever, ‘Hartgrove Painting No.4’, 1993, oil and acrylic on linenhttps://abcrit.org/wp-content/uploads/2017/02/1.jpg1Ian McKeever, ‘Portrait of a Woman 1’, 2014-15, oil and acrylic on linen2017-03-03T23:54:27+00:00monthlyhttps://abcrit.org/2017/02/26/52-geoff-hands-writes-on-ian-mckeever-against-architecture-at-matts-gallery/https://abcrit.org/wp-content/uploads/2017/02/mckeever-portrait-of-a-woman-201415.jpgmckeever-portrait-of-a-woman-201415Ian McKeever, "Portrait of a Woman".https://abcrit.org/wp-content/uploads/2017/02/against_architecture_matts_gallery_2017_01.jpgagainst_architecture_matts_gallery_2017_01Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/009-im-at-mg-2017.jpg009-im-at-mg-2017Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/006-im-at-mg-2017.jpg006-im-at-mg-2017Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/007-im-at-mg-2017.jpg007-im-at-mg-2017Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/008-im-at-mg-2017.jpg008-im-at-mg-2017Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/against_architecture_matts_gallery_2017.jpgagainst_architecture_matts_gallery_2017Ian McKeever, "Against Architecture" installation, Matt's Gallery, Londonhttps://abcrit.org/wp-content/uploads/2017/02/against_architecture_matts_gallery_2017_02.jpgagainst_architecture_matts_gallery_2017_02Ian McKeever, "Against Architecture" installation, Matt's Gallery, London2017-02-26T10:55:20+00:00monthlyhttps://abcrit.org/2017/02/18/51-alan-gouk-writes-on-the-shchukin-collection-at-fondation-louis-vuitton-paris/https://abcrit.org/wp-content/uploads/2017/02/c4auhisxaaiwflr.jpgc4auhisxaaiwflrPablo Picasso, "Woman with a Fan",https://abcrit.org/wp-content/uploads/2017/02/c4augvuxaaex-qi.jpgc4augvuxaaex-qiHenri Matisse “Interior Quai St. Michel, with Goldfish Bowl” 1914https://abcrit.org/wp-content/uploads/2017/02/p1100628ed1.jpgp1100628ed1The odd Russian or two in the last rooms of the Shchukin Collection; photo John Pollardhttps://abcrit.org/wp-content/uploads/2017/02/p1130147ed1.jpgp1130147ed1Cezanne, Picasso, Matisse at the Shchukin Collection, photo John Pollardhttps://abcrit.org/wp-content/uploads/2017/02/p1130155sm.jpgp1130155smMatisse at the Shchukin Collection, photo John Pollardhttps://abcrit.org/wp-content/uploads/2017/02/p1130148ed1sm.jpgp1130148ed1smMatisses at the Shchukin Collection; photo John Pollardhttps://abcrit.org/wp-content/uploads/2017/02/p1130159ed1.jpgp1130159ed1Gallery of Matisses at the Shchukin Collection, photo John Pollardhttps://abcrit.org/wp-content/uploads/2017/02/04shchukin1-master768-v4.jpg04shchukin1-master768-v42017-03-08T17:16:01+00:00monthlyhttps://abcrit.org/2017/02/11/50-structure-through-colour-a-film-on-pete-hoida-with-mel-gooding/2017-02-23T09:07:23+00:00monthlyhttps://abcrit.org/2017/01/22/49-ms-ellen-knee-writes-on-matissediebenkorn-rothko-copperwhite-imperfect-reverse/2017-04-29T02:03:27+00:00monthlyhttps://abcrit.org/2016/12/31/48-alan-gouk-writes-on-katherine-gili-sculpture/https://abcrit.org/wp-content/uploads/2016/12/smith-tower-eight-catalogue.jpgsmith-tower-eight-catalogueDavid Smith, "Tower 8", 1957, silver.https://abcrit.org/wp-content/uploads/2016/12/k-gili-towards-aspen-1984-h-82cm.jpgk-gili-towards-aspen-1984-h-82cm"Tpwards Aspen", 1984, steel, H.82cmhttps://abcrit.org/wp-content/uploads/2016/12/gili-working-on-ripoll.jpggili-working-on-ripollKatherine Gili working on "Ripoll", 2016https://abcrit.org/wp-content/uploads/2016/12/umbels-2016.jpgumbels-2016"Umbells", 2016, steel, H.30cmhttps://abcrit.org/wp-content/uploads/2016/12/smith-tower-eight-gallery-copy.jpgsmith-tower-eight-gallery-copyDavid Smith, "Tower 8", silver.https://abcrit.org/wp-content/uploads/2016/12/turnsole-2016.jpgturnsole-2016"Turnsole", 2016, steel, H.39cmhttps://abcrit.org/wp-content/uploads/2016/12/quicksap-2016.jpgquicksap-2016"Quicksap", 2016, steel, H.46cmhttps://abcrit.org/wp-content/uploads/2016/12/mulled-2014.jpgmulled-2014"Mulled", 2014, steel, H.45cmhttps://abcrit.org/wp-content/uploads/2016/12/scott_170.jpgscott_170Tim Scott, "Moment of Rhythm", 1989, steel, H.55cm. © Tim Scott, photo courtesy Galerie von Wentzel, ColognePotsdamhttps://abcrit.org/wp-content/uploads/2016/12/c2a9-tim-scott-photo-courtesy-galerie-von-wentzel-colognepotsdam.jpgtim-scott-photo-courtesy-galerie-von-wentzel-colognepotsdamTim Scott, "Feminine for Structure I", 1986, steel, H.41cm. © Tim Scott, photo courtesy Galerie von Wentzel, ColognePotsdam2017-03-28T12:08:03+00:00monthlyhttps://abcrit.org/2016/12/10/47-robin-greenwood-writes-on-robert-rauschenberg/https://abcrit.org/wp-content/uploads/2016/12/54-009.jpg54-009"Charlene", 1954https://abcrit.org/wp-content/uploads/2016/12/die-fahne-hoch-frank-stella-1959.jpgdie-fahne-hoch-frank-stella-1959Frank Stella, "Die Fahne Hoch!", 1959https://abcrit.org/wp-content/uploads/2016/12/hans_hofmanns_painting_the_gate_1959e2809360.jpghans_hofmanns_painting_the_gate_1959-60Hans Hofmann, "The Gate", 1959-60https://abcrit.org/wp-content/uploads/2016/12/patrick-heron-lemon-into-cadium-ochre-into-black-1959.jpgpatrick-heron-lemon-into-cadium-ochre-into-black-1959Patrick Heron, "Lemon into Cadmium, Ocre into Black, 1959https://abcrit.org/wp-content/uploads/2016/12/red-on-maroon-1959.jpgRed on Maroon 1959 by Mark Rothko 1903-1970Mark Rothko, "Red on Maroon", 1959https://abcrit.org/wp-content/uploads/2016/12/saraband-1959.jpgsaraband-1959Morris Louis, "Saraband", 1959https://abcrit.org/wp-content/uploads/2016/12/summerstorm-1959.jpgsummerstorm-1959Rauschenberg, "Summerstorm", 1959https://abcrit.org/wp-content/uploads/2016/12/hen-marten-from-drunk-brown-house-at-the-serpentine.jpghen-marten-from-drunk-brown-house-at-the-serpentineHelen Marten, from "Drunk Brown House" at the Serpentine Galleryhttps://abcrit.org/wp-content/uploads/2016/12/joan-mitchell-1979-salut-tom-corcoran.jpgjoan-mitchell-1979-salut-tom-corcoranJoan Mitchell, "Salut Tom", 1979https://abcrit.org/wp-content/uploads/2016/12/ace-19621.jpgace-1962"Ace", 19622016-12-26T17:02:49+00:00monthlyhttps://abcrit.org/2016/11/13/45-ms-ellen-knee-writes-on-twomblys-sculptures-strategies-for-painting-rauschenberg-imperfect-reverse-peter-hide-heribert-heindl-richard-ward/https://abcrit.org/wp-content/uploads/2016/11/twombly.jpgtwomblymore Twomblyshttps://abcrit.org/wp-content/uploads/2016/11/heribertkl.jpgheribertklHeribert Heindl, untitled, 2012https://abcrit.org/wp-content/uploads/2016/11/tablescape-steel-75h.jpgtablescape-steel-75hPeter Hide, "Tablescape", steel, 75"H.https://abcrit.org/wp-content/uploads/2016/11/charley-peters-plexus_rgb_2-0-2015-acrylic-on-panel.jpgcharley-peters-plexus_rgb_2-0-2015-acrylic-on-panelCharley Peters, "Plexus_rgb_2-0-2015, acrylic on canvashttps://abcrit.org/wp-content/uploads/2016/11/larry-poons-cousin-durrell-2005.jpglarry-poons-cousin-durrell-2005Larry Poons, "Cousin Durrell", 2005https://abcrit.org/wp-content/uploads/2016/11/victory-2005.jpgvictory-2005Cy Twombly, Victory, 20052017-01-08T02:11:24+00:00monthlyhttps://abcrit.org/2016/11/26/46-nick-moore-writes-on-frank-avray-wilson-at-whitford-fine-art-london/https://abcrit.org/wp-content/uploads/2016/11/10-nucleus-and-exaltation.jpgOLYMPUS DIGITAL CAMERA"Nucleus" and "Exaltation" installation shothttps://abcrit.org/wp-content/uploads/2016/11/9-exaltation-c1960-oil-on-board.jpg9-exaltation-c1960-oil-on-board"Exaltation", c.1960, oil on board, four panels, 122x92cm eachhttps://abcrit.org/wp-content/uploads/2016/11/8-oracle-1956-oil-on-board.jpgWFA 042"Oracle", 1956, oil on board, 122x91cmhttps://abcrit.org/wp-content/uploads/2016/11/7-energy-c1959-oil-on-canvas.jpg7-energy-c1959-oil-on-canvas"Energy" c.1959, oil on canvas, 183x183cmhttps://abcrit.org/wp-content/uploads/2016/11/6-meeting-1960-oil-on-canvas.jpgWFA 052"Meeting", 1960, oil on canvas, 101x66cmhttps://abcrit.org/wp-content/uploads/2016/11/5-myth-form-1958-oil-on-canvas.jpg5-myth-form-1958-oil-on-canvas"Myth Form", 1958, oil on canvas, 152x122cmhttps://abcrit.org/wp-content/uploads/2016/11/4-reactive-1959-oil-on-canvas.jpgWFA 011"Reactive", 1959, oil on canvas, 198x152cmhttps://abcrit.org/wp-content/uploads/2016/11/3-talisman-1954-oil-on-canvas.jpgWFA 062"Talisman", 1954, oil on canvas, 90x68cmhttps://abcrit.org/wp-content/uploads/2016/11/2-congugation-1953-oil-on-canvas.jpg2-congugation-1953-oil-on-canvas"Conjugation", 1953, oil on canvas, 40x104cmhttps://abcrit.org/wp-content/uploads/2016/11/1-installation-view.jpgOLYMPUS DIGITAL CAMERAFrank Avray Wilson installation at Whitford Fine Art2016-12-15T17:00:21+00:00monthlyhttps://abcrit.org/2016/10/18/44-nick-moore-writes-on-robert-motherwell-abstract-expressionism-at-the-bernard-jacobson-gallery/https://abcrit.org/wp-content/uploads/2016/10/the-studio1.jpgOLYMPUS DIGITAL CAMERARobert Motherwell, the Studio, 1987, acrylic and charcoal on canvas, 152.4 x 182.9 cms. Nick Moore's own imageshttps://abcrit.org/wp-content/uploads/2016/10/the-studio-detail.jpgOLYMPUS DIGITAL CAMERAdetailhttps://abcrit.org/wp-content/uploads/2016/10/robert-motherwell-the-studio-1987-acrylic-and-charcoal-on-canvas-152-4-x-182-9-cm-courtesy-bernard-jacobson-gallery.jpgrobert-motherwell-the-studio-1987-acrylic-and-charcoal-on-canvas-152-4-x-182-9-cm-courtesy-bernard-jacobson-galleryRobert Motherwell, the Studio, 1987, acrylic and charcoal on canvas, 152.4 x 182.9 cmshttps://abcrit.org/wp-content/uploads/2016/10/beside-the-sea.jpgbeside-the-seaRobert Motherwell, Beside the Sea No 3, 1962, oil on paper, 73.7 x 57.8cmshttps://abcrit.org/wp-content/uploads/2016/10/the-studio.jpgthe-studioRobert Motherwell, the Studio, 1987, acrylic and charcoal on canvas, 152.4 x 182.9 cmshttps://abcrit.org/wp-content/uploads/2016/10/view-no1.jpgview-no1Robert Motherwell, View No 1, 1958, Oil on canvas, 206 x 264.2cmshttps://abcrit.org/wp-content/uploads/2016/10/elegy-136.jpgelegy-136Robert Motherwell, Elegy for the Spanish Republic, No 163, 1979-82, acrylic and conte crayon on canvas, 59.1 x 74.3cms.https://abcrit.org/wp-content/uploads/2016/10/untitled-drawing.jpguntitled-drawingRobert Motherwell, Untitled, 1944, gouache and ink on paper, 44.5 x 59.7cmhttps://abcrit.org/wp-content/uploads/2016/10/installation-view1.jpgOLYMPUS DIGITAL CAMERARobert Motherwell, installation at Jacobson Galleryhttps://abcrit.org/wp-content/uploads/2016/10/installation-view.jpgOLYMPUS DIGITAL CAMERARobert Motherwell, installation at Jacobson Gallery2016-11-08T11:56:49+00:00monthlyhttps://abcrit.org/2016/10/16/43-alan-gouk-writes-on-abstract-expressionism-at-the-ra/https://abcrit.org/wp-content/uploads/2016/10/9850-009neg_lg_cr.jpg9850-009neg_lg_crDavid Smith, "Blackburn, Song of an Irish Blacksmith", 1950https://abcrit.org/wp-content/uploads/2016/10/mural.jpgmuralJackson Pollock, "Mural", 19432017-02-25T22:13:14+00:00monthlyhttps://abcrit.org/2016/10/10/42-robin-greenwood-writes-on-alternative-narratives-to-ab-ex-at-the-ra-plus-a-review-of-the-reviews/https://abcrit.org/wp-content/uploads/2016/10/installationshot10-lipton.jpginstallationshot10-liptonSeymour Liptonhttps://abcrit.org/wp-content/uploads/2016/10/collection-online-herbert-ferber-game-no-2-1950-1363827856_org.jpgcollection-online-herbert-ferber-game-no-2-1950-1363827856_orgHerbert Ferber https://abcrit.org/wp-content/uploads/2016/10/lassaw_spaceloom_xxix_view1_image_only0.jpglassaw_spaceloom_xxix_view1_image_only0Ibram Lassawhttps://abcrit.org/wp-content/uploads/2016/10/fa4b45841f9f105da5e36ad2472087cb.jpgfa4b45841f9f105da5e36ad2472087cbFrederick Kieslerhttps://abcrit.org/wp-content/uploads/2016/10/richard-stankiewicz-untitled-1958.jpgrichard-stankiewicz-untitled-1958Richard Stankiewiczhttps://abcrit.org/wp-content/uploads/2016/10/roszak_untitled_mr64_image_only0.jpgroszak_untitled_mr64_image_only0Theodore Roszakhttps://abcrit.org/wp-content/uploads/2016/10/w1siziisijiyotkynijdlfsiccisimnvbnzlcnqilcitcmvzaxpliduxmng1mtjcdtawm2uixv0.jpgw1siziisijiyotkynijdlfsiccisimnvbnzlcnqilcitcmvzaxpliduxmng1mtjcdtawm2uixv0Seymour Liptonhttps://abcrit.org/wp-content/uploads/2016/10/1152845.jpg1152845Hans Hofmann, "In Sober Ecstasy", 19652017-02-11T13:56:49+00:00monthlyhttps://abcrit.org/2016/09/29/41-john-bunker-writes-on-robert-motherwell-at-jacobson/https://abcrit.org/wp-content/uploads/2016/09/img_6757.jpgimg_6757Installation, Robert Motherwell at Bernard Jacobson Gallery, Londonhttps://abcrit.org/wp-content/uploads/2016/09/img_6756.jpgimg_6756Installation, Robert Motherwell at Bernard Jacobson Gallery, Londonhttps://abcrit.org/wp-content/uploads/2016/09/img_67601.jpgimg_6760Installation, Robert Motherwell at Bernard Jacobson Gallery, Londonhttps://abcrit.org/wp-content/uploads/2016/09/img_6759.jpgimg_6759“The Mexican Window”, 1974, acrylic and charcoal on canvas, 194.3cm x 243.8cmhttps://abcrit.org/wp-content/uploads/2016/09/img_6761.jpgimg_6761“California”, 1959, oil and charcoal on canvas, 177.2 x 227.3cmhttps://abcrit.org/wp-content/uploads/2016/09/img_6758.jpgimg_6758Pierrot's Hat, 1943, watercolour, gouache, pasted papers, pasted glass button and ink on paperboard, 50.2 x 35.9cmhttps://abcrit.org/wp-content/uploads/2016/09/img_6763.jpgBER_0413_ 009“Elegy to the Spanish Republic No. 130”, 1974-75, acrylic on canvas, 243.8 x 304.8cmhttps://abcrit.org/wp-content/uploads/2016/09/img_67621.jpgimg_6762"Black with No Way Out", 1983, lithograph, 38.1 x 96.5cmhttps://abcrit.org/wp-content/uploads/2016/09/img_6760.jpgimg_6760Installation, Robert Motherwell at Bernard Jacobson Gallery, London2016-11-21T21:38:39+00:00monthlyhttps://abcrit.org/2016/09/20/40-harry-hay-writes-on-philip-guston-henri-matisse-and-the-politics-of-the-idle/https://abcrit.org/wp-content/uploads/2016/09/pantheon-1973.jpgpantheon-1973Philip Guston, "Pantheon", 1973https://abcrit.org/wp-content/uploads/2016/09/red-studio-1911large.jpgred-studio-1911-jpglargeHenri Matiise, "The Red Studio", 1911https://abcrit.org/wp-content/uploads/2016/09/the-piano-lesson-1916large.jpgthe-piano-lesson-1916-jpglargeHenri Matisse, "The Piano Lesson", 1916https://abcrit.org/wp-content/uploads/2016/09/zone-1954.jpgzone-1954Philip Guston, "Zone", 1964https://abcrit.org/wp-content/uploads/2016/09/philip-guston-stranger-1964.jpgphilip-guston-stranger-1964Philip Guston, "Stranger", 19642017-01-29T04:55:10+00:00monthlyhttps://abcrit.org/2016/08/19/39-john-bunker-writes-in-anticipation-of-abstract-expressionism-at-the-ra/https://abcrit.org/wp-content/uploads/2016/08/img_6624.jpgIMG_6624Mark Rothko, “No. 4 (Yellow, Black, Orange on Yellow/ Untitled)”, 1953, oil on canvas, 269.2x127cm. Whitney Museum of American Art, New York. © 1998 Kate Rothko Prizel & Christopher Rothko ARS, NY and DACS, London.https://abcrit.org/wp-content/uploads/2016/08/img_6622.jpgIMG_6622Franz Kline, “Vawdavitch”, 1955, oil on canvas. 158.1x204.9cm. Collection Museum of Contemporary Art Chicago. Gift of Claire B. Zeisler 1976.39. Photo Museum of Contemporary Art Chicago. Photography: Joe Ziolkowski © ARS, NY and DACS, London 2015.https://abcrit.org/wp-content/uploads/2016/08/img_6626.jpgIMG_6626Willem de Kooning, “Pink Angels”, 1945, oil and charcoal on canvas, 132.1x101.6cm. Frederick R. Weisman Art Foundation, Los Angeles. © 2016 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York and DACS, London.https://abcrit.org/wp-content/uploads/2016/08/img_6623.jpgIMG_6623Clyfford Still, “PH-950”, 1950, oil on canvas, 233.7x177.8cm. Clyfford Still Museum, Denver © City and County of Denver / DACS 2016 Photo courtesy the Clyfford Still Museum, Denver, CO Photo: Courtesy of the Clyfford Still Museum, Denver, CO © City and County of Denver.https://abcrit.org/wp-content/uploads/2016/08/img_6627.jpgIMG_6627Lee Krasner, “The Eye is the First Circle”, 1960, oil on canvas, 235.6x487.4cm. Courtesy Robert Miller Gallery, New York. © ARS, NY and DACS, London 2016 Photo Private collection, courtesy Robert Miller Gallery, New York.https://abcrit.org/wp-content/uploads/2016/08/img_6638.jpgIMG_6638Gerhard Richter, “Cage 5”, 2006, oil on canvas, 300x300cmhttps://abcrit.org/wp-content/uploads/2016/08/img_6639.jpgIMG_6639John Hoyland, “Saffron Medusa”, 17.7.10, acrylic on cotton duck, 91x76cm2016-09-26T21:03:55+00:00monthlyhttps://abcrit.org/2016/07/26/38-charley-peters-writes-on-mary-heilmann-at-the-whitechapel-gallery/https://abcrit.org/wp-content/uploads/2016/07/heilmann_little-mondrian.jpgHeilmann_Little Mondrian“Little Mondrian”, 1985, acrylic and watercolour on canvas, 76.2x55.8cm, ©Mary Heilmann; Photo credit: Pat Hearn Gallery, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth https://abcrit.org/wp-content/uploads/2016/07/heilmann_music-of-the-spheres-c2abhauser-wirth.jpgHeilmann_Music of the Spheres --«Hauser & Wirth“Music of the Spheres”, 2001, Oil on canvas, 76.2x116.8cm, ©Mary Heilmann; Photo credit: Hauser & Wirth, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth https://abcrit.org/wp-content/uploads/2016/07/heilmann_the-thief-of-baghdad.jpgHeilmann_The Thief of Baghdad“The Thief of Baghdad”, 1983, oil on canvas, 152.4x106.68cm, ©Mary Heilmann; Photo credit: Pat Hearn Gallery, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth https://abcrit.org/wp-content/uploads/2016/07/heilmann_matisse-c2abmichael-klein.jpgHeilmann_Matisse --«Michael Klein“Matisse”, 1989, oil on canvas,137.1x137.1cm, ©Mary Heilmann; Photo credit: Michael Klein, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirthhttps://abcrit.org/wp-content/uploads/2016/07/heilmann_primalon-ballroom-c2aboren-slor.jpgHeilmann_Primalon Ballroom --«Oren Slor“Primalon Ballroom”, 2002, oil on canvas on wood,127x101.6cm, ©Mary Heilmann; Photo credit: Oren Slor, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth https://abcrit.org/wp-content/uploads/2016/07/heilmann_maricopa-highway.jpgHeilmann_Maricopa-Highway--“Maricopa Highway”, 2014, oil on canvas, 106.6x106.6x3.1cm, ©Mary Heilmann; Photo credit: Marie Catalano, Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth 2016-08-27T22:20:54+00:00monthlyhttps://abcrit.org/2016/07/17/37-tim-scott-writes-on-abcrit-caro-and-abstract-sculpture/https://abcrit.org/wp-content/uploads/2016/07/caro-with-his-sculpture-millbank-steps-2004.jpgCaro with his sculpture Millbank Steps 2004Caro with his sculpture "Millbank Steps", 2004https://abcrit.org/wp-content/uploads/2016/07/caro-cliff-song-1976.jpgCaro cliff song 1976Anthony Caro, "Cliff Song", 1976https://abcrit.org/wp-content/uploads/2016/07/caro-descent-from-the-cross.jpgcaro descent from the crossAnthony Caro, "Descent from the Cross", 1987-88https://abcrit.org/wp-content/uploads/2016/07/6a-the-deluge-1969.jpg6a. The Deluge 1969Anthony Caro, "The Deluge", 1969https://abcrit.org/wp-content/uploads/2016/07/1580_original-600x516.jpg1580_original-600x516Anthony Caro, "Month of May", 1963https://abcrit.org/wp-content/uploads/2016/07/icaro-sculture-seven-1961.jpgicaro-sculture-seven-1961Anthony Caro, "Sculpture Seven", 1961https://abcrit.org/wp-content/uploads/2016/07/pablo-picasso-guitare-en-tc3b4le-1912.jpgPablo Picasso, Guitare en tôle, 1912Pablo Picasso, "Guitare", 1912https://abcrit.org/wp-content/uploads/2016/07/madeleine-ii-1903.jpgMadeleine II (1903)Henri Matisse, "Madeleine II", 1903https://abcrit.org/wp-content/uploads/2016/07/crouching-woman.jpgCrouching womanAuguste Rodin, "Crouching Woman", c. 18912016-07-30T18:18:48+00:00monthlyhttps://abcrit.org/2016/06/19/36-tim-scott-and-robin-greenwood-discuss-abstract-sculpture/https://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-i_cnv00003.jpgTS_Bridge_of_Echoes-I_CNV00003https://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-i_cnv000151.jpgTS_Bridge_of_Echoes-I_CNV00015Tim Scott, "Bridge of Echoes IV", 2014, (View 4) laminated paper (for plywood)https://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-i_cnv00007.jpgTS_Bridge_of_Echoes-I_CNV00007Tim Scott, "Bridge of Echoes I", (View 3) 2014, laminated paper (for plywood)https://abcrit.org/wp-content/uploads/2016/06/img_1333-very-low-res.jpgIMG_1333.jpg very low resRobin Greenwood, "Las Brocciolas" (view 2), 2016, steelhttps://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-iv_cnv00173.jpgTS_Bridge_of_Echoes-IV_CNV00173Tim Scott, "Bridge of Echoes IV", 2014, laminated paper (for plywood)https://abcrit.org/wp-content/uploads/2016/06/img_1330-very-low-res.jpgIMG_1330.jpg very low resRobin Greenwood, "Las Brocciolas", 2016, steelhttps://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-iv_cnv00159.jpgTS_Bridge_of_Echoes-IV_CNV00159Tim Scott, "Bridge of Echoes IV", 2014, laminated paper (for plywood)https://abcrit.org/wp-content/uploads/2016/06/img_1279-very-low-res.jpgIMG_1279.jpg very low resRobin Greenwood, "Habia Rubica", 2016, steelhttps://abcrit.org/wp-content/uploads/2016/06/ts_bridge_of_echoes-iii_cnv00115.jpgTS_Bridge_of_Echoes-III_CNV00115Tim Scott, "Bridge of Echoes III", 2014, laminated paper (for plywood)https://abcrit.org/wp-content/uploads/2016/06/img_1286-very-low-res.jpgIMG_1286.jpg very low resRobin Greenwood, "Habia Rubica", 2016, steel2016-08-09T13:56:58+00:00monthlyhttps://abcrit.org/2016/06/10/35-david-sweet-writes-on-image-object-and-the-tradition-of-paintedness/https://abcrit.org/wp-content/uploads/2016/06/alexis_harding-slump-fear-2004.jpgalexis_harding Slump-Fear 2004Alexis Harding, "Slump/Fear, 2004https://abcrit.org/wp-content/uploads/2016/06/the-gardener-vallier-1906-paul-cc3a9zanne.jpgThe Gardener Vallier c.1906 by Paul C?zanne 1839-1906Paul Cézanne, "The Gardener Vallier", 1906, Tate https://abcrit.org/wp-content/uploads/2016/06/alaena-turner-technophobe-2013.jpgalaena Turner, Technophobe, 2013Alaena Turner, "Technophobe", 2013https://abcrit.org/wp-content/uploads/2016/06/alaena-turner-secret-action-painting-2016.jpgAlaena Turner, Secret Action Painting, 2016Alaena Turner, "Secret Action Painting", 2016https://abcrit.org/wp-content/uploads/2016/06/no-title-2013-john-wallbank.jpgno title 2013 John WallbankJohn Wallbank, "no title", 2013 https://abcrit.org/wp-content/uploads/2016/06/london-national-gallery-van-goghs-chair-1888.jpgLondon National Gallery Van Goghs Chair 1888Van Gogh, "Van Gogh's Chair", 1888, National Gallery, London https://abcrit.org/wp-content/uploads/2016/06/archive-robert-rauschenberg-1963.jpgArchive, Robert Rauschenberg, 1963Robert Rauschenberg, "Archive", 1963https://abcrit.org/wp-content/uploads/2016/06/robert-rauschenberg-collection-1954-55-sfmoma.jpgrobert rauschenberg collection 1954-55 SFMOMARobert Rauschenberg, "Collection", 1954-55, SFMOMA2016-06-11T18:16:17+00:00monthlyhttps://abcrit.org/2016/06/02/34-luke-elwes-writes-on-klaus-friedeberger-at-delahunty-fine-art-london/https://abcrit.org/wp-content/uploads/2016/06/untitled-stripped-paper-collage-1992-45x45cm.jpguntitled, stripped paper collage, 1992, 45x45cmuntitled, stripped paper collage, 1992, 45x45cmhttps://abcrit.org/wp-content/uploads/2016/06/untitled-1984-paper-drawing-collage-1997-21x21cm.jpguntitled, 1984, paper drawing collage, 1997, 21x21cmuntitled, 1984, paper drawing collage, 21x21cmhttps://abcrit.org/wp-content/uploads/2016/06/stripped-paper-collage-1997-35-6x38cm.jpgStripped Paper Collage, 1997, 35.6x38cmuntitled, stripped paper collage, 1997, 35.6x38cmhttps://abcrit.org/wp-content/uploads/2016/06/black-space-24-2015-oil-on-canvas-50x50cm.jpgBlack Space 24, 2015, oil on canvas, 50x50cm"Black Space 24", 2015, oil on canvas, 50x50cmhttps://abcrit.org/wp-content/uploads/2016/06/dark-still-life-with-copper.jpgDark Still Life with Copper"Dark Still Life with Copper", 2007-8, oil on canvas, 127x127cmhttps://abcrit.org/wp-content/uploads/2016/06/clump.jpgClump"Clump", 1997, oil on canvas, 127x127cmhttps://abcrit.org/wp-content/uploads/2016/06/black-space-21.jpgBlack Space 21"Black Space 21", 2014, oil on canvas, 73.7x73.7cm2016-06-07T09:51:28+00:00monthlyhttps://abcrit.org/2016/05/18/33-nick-moore-writes-on-basil-beattie-at-mima/https://abcrit.org/wp-content/uploads/2016/05/11-broken-promises-oil-and-wax-on-canvas-2015-213x198.jpg11 Broken Promises, oil and wax on canvas, 2015, 213x198"Broken Promises", oil and wax on canvas, 2015, 213x198mmhttps://abcrit.org/wp-content/uploads/2016/05/8-in-sight-oil-and-wax-on-canvas-2010-213x198.jpg8 In Sight, oil and wax on canvas, 2010, 213x198"In Sight", oil and wax on canvas, 2010, 213x198mmhttps://abcrit.org/wp-content/uploads/2016/05/10-that-irresistible-climb-ii-2012-far-from-somewhere-2014-and-ladder-2015.jpg10 That Irresistible Climb II, 2012; Far From Somewhere, 2014 and Ladder, 2015"That Irresistible Climb II", 2012; "Far From Somewhere", 2014; "Ladder", 2015https://abcrit.org/wp-content/uploads/2016/05/9-in-sight-detail.jpg9 In Sight, detail"In Sight", detailhttps://abcrit.org/wp-content/uploads/2016/05/7-all-ends-up-oil-and-wax-on-canvas-2004-275x244.jpg7 All Ends Up, oil and wax on canvas, 2004, 275x244"All Ends Up", oil and wax on canvas, 2004, 275x244mmhttps://abcrit.org/wp-content/uploads/2016/05/6-beyond-the-last-thought-2010-in-sight-2010-and-two-of-a-kind-1995.jpg6 Beyond the Last Thought, 2010; In Sight, 2010 and Two of a Kind, 1995"Beyond the Last Thought", 2010; "In Sight", 2010; "Two of a Kind", 1995https://abcrit.org/wp-content/uploads/2016/05/5-smallness-stirs-1987-and-legend-1986.jpg5 Smallness Stirs, 1987 and Legend, 1986"Smallness Stirs", 1987; "Legend", 1986https://abcrit.org/wp-content/uploads/2016/05/4-first-last-last-first-oil-and-wax-on-canvas1999-213x198.jpg4 First Last, Last First, oil and wax on canvas,1999, 213x198"First Last, Last First", oil and wax on canvas,1999, 213x198mmhttps://abcrit.org/wp-content/uploads/2016/05/3-hide-and-seek-oil-on-canvas-1999-213x183.jpg3 Hide and Seek, oil on canvas, 1999, 213x183"Hide and Seek", oil on canvas, 1999, 213x183mmhttps://abcrit.org/wp-content/uploads/2016/05/2-witness-iii-1990-detail.jpg2 Witness iii, 1990 detail"Witness III", 1990, detail2016-06-20T13:06:36+00:00monthlyhttps://abcrit.org/2016/05/09/31-robin-greenwood-writes-on-content-and-continuity/https://abcrit.org/wp-content/uploads/2016/05/la_balayeuse-pieter_janssens_elinga.jpgLa_Balayeuse-Pieter_Janssens_ElingaPieter Janssens Elinga, "La Balayeuse", 1668-16722016-05-27T11:25:36+00:00monthlyhttps://abcrit.org/2016/04/09/31-ken-carpenter-writes-on-three-new-york-shows-burri-pollock-stella/https://abcrit.org/wp-content/uploads/2016/04/82-2976_ph_web.jpg82.2976_ph_webFrank Stella, “Harran II”, 1967, Polymer and fluorescent polymer paint on canvas. 120 x 240 in. (304.8 x 609.6 cm). Solomon R. Guggenheim Museum, New York; gift, Mr. Irving Blum, 1982. (c) 2015 Frank Stella/Artists Rights Society (ARS), New York. https://abcrit.org/wp-content/uploads/2016/04/stella-blackstar-r.jpgStella-BlackStar-RInstallation view of Frank Stella: A Retrospective. From left to right: Frank Stella, Black Star, 2014 (E.2015.0042) and Wooden Star I, 2014 (E.2015.0043); Black Star, 2014 E.2015.0042) © 2015 Frank Stella / Artists Rights Society(ARS), New York . Photo: Ken Carpenter https://abcrit.org/wp-content/uploads/2016/04/stella1964-marrakech-r.jpgStella1964-Marrakech-RFrank Stella, “Marrakech”, 1964. Fluorescent alkyd on canvas. 77 x 77 x 2 7/8 in. (195.6 x 195.6 x 7.6 cm). The Metropolitan Museum of Art, New York; gift of Mr. and Mrs. Robert C. Scull, 1971 (1971.5). (c) 2015 Frank Stella/Artists Rights Society (ARS), New York. https://abcrit.org/wp-content/uploads/2016/04/stella-2001-c_atal-hu_yu_k-level-vi-b-shrine-vi-b-10-r.jpgStella-2001-C_atal Hu_yu_k (Level VI B) Shrine VI B.10-RFran Stella, “Catal Hüyük (Level VI B) Shrine VI B.10”, 2001, cast aluminum and aluminum pipe Photo: Ken Carpenter https://abcrit.org/wp-content/uploads/2016/04/stella-1965-empress-of-india-r.jpgStella-1965-Empress of India-RFrank Stella, "Empress of India", 1965, Metallic powder in polymer emulsion on canvas. 77 x 224 in. (195.6 x 569 cm). The Museum of Modern Art, New York; gift of S. I. Newhouse, Jr. © 2015 Frank Stella/Artists Rights Society (ARS), New York. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. https://abcrit.org/wp-content/uploads/2016/04/stella-redjang-r.jpgStella-Redjang-RFrank Stella, “Redjang”, 2009. Fiberglass with stainless steel tubing. 155 x 212 x 64 in. (393.7 x 538.5 x 162.6 cm). Private collection. (c) 2015 Frank Stella/Artists Rights Society (ARS), New York. Photo Ken Carpenter https://abcrit.org/wp-content/uploads/2016/04/pollock-1944-45ca-untitled-state2_3.jpg1180.1969Jackson Pollock, Untitled (4), state II of III c.1944-45 Engraving and drypoint plate: 14 15/16 x 17 5/8" (38 x 44.8 cm); sheet: 18 3/4 x 24 13/16" (47.7 x 63 cm) Edition: unique trial proof of state II before the 1967 posthumous edition of 50 . Publisher: unpublished Printer: the artist at Atelier 17, New York Workshop Printer: Stanley William Hayter, British, 1901-1988 Gift of Lee Krasner Pollock, MOMA https://abcrit.org/wp-content/uploads/2016/04/pollock-1950-onenumber31-r.jpg7.1968Jackson Pollock, “One: Number 31, 1950”, Oil and enamel paint on canvas 8' 10" x 17' 5 5/8" (269.5 x 530.8 cm) Sidney and Harriet Janis Collection Fund (by exchange), MOMA https://abcrit.org/wp-content/uploads/2016/04/pollock-1936-37ca-landscapewithsteer-r.jpg1186.1969Jackson Pollock, “Landscape with Steer”, c. 1936-37 Lithograph with airbrushed lacquer additions Publisher: unpublished Printer: unknown composition: 13 13/16 x 18 9/16" (35.1 x 47.1 cm); sheet: 16 1/8 x 23 3/8" (41 x 59.3 cm) Edition: approx. 2-3 (one with airbrushed enamel additions [this ex.]). Gift of Lee Krasner Pollock https://abcrit.org/wp-content/uploads/2016/04/pollock-1951ca-untitled.jpg153.1978Jackson Pollock, untitled. c. 1951. Ink and colored ink on Japanese paper, 24 3/8 x 34 3/8" (62.1 x 87.3 cm). The Museum of Modern Art, New York.The Joan and Lester Avnet Collection, 1978.  © 2016 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York 2016-07-10T20:15:45+00:00monthlyhttps://abcrit.org/2016/03/27/30-geoff-hands-writes-on-the-paintings-of-katrina-blannin-at-jessica-carlisle/https://abcrit.org/wp-content/uploads/2016/03/piero-madonna-del-parto.jpgPiero - madonna del partoPiero della Francesca, ‘Madonna del Parto’ (after 1457), detached fresco, Museo della Madonna del Parto, Monterchi, Tuscany.https://abcrit.org/wp-content/uploads/2016/03/04-katrina-blannin-annodam-jessica-carlisle.jpg04 - Katrina Blannin - Annodam - Jessica CarlisleKatrina Blannin installation at Jessica Carlislehttps://abcrit.org/wp-content/uploads/2016/03/05-katrina-blannin-annodam-jessica-carlisle.jpg05 - Katrina Blannin - Annodam - Jessica CarlisleKatrina Blannin installation at Jessica Carlislehttps://abcrit.org/wp-content/uploads/2016/03/08-katrina-blannin-annodam-jessica-carlisle.jpg08 - Katrina Blannin - Annodam - Jessica CarlisleKatrina Blannin installation at Jessica Carlislehttps://abcrit.org/wp-content/uploads/2016/03/blue-madonna.jpgBlue MadonnaKatrina Blannin, ‘Blue Madonna’, 2016, acrylic on flax, 30x30cm.https://abcrit.org/wp-content/uploads/2016/03/01-katrina-blannin-annodam-jessica-carlisle.jpg01 - Katrina Blannin - Annodam - Jessica CarlisleKatrina Blannin installation at Jessica Carlisle2016-04-10T20:23:21+00:00monthlyhttps://abcrit.org/2016/03/08/29-geoff-hands-writes-on-shows-by-john-bunker-and-john-hoyland/https://abcrit.org/wp-content/uploads/2016/03/geist-2015-55cmx50cm-mixed-media-shaped-collage.jpgGeist 2015. 55cmX50cm. Mixed media shaped collageJohn Bunker, "Geist" 2015. 55cmX50cm, mixed media shaped collage.https://abcrit.org/wp-content/uploads/2016/03/king-lud-2016-46cmx52cm-mixed-media-shaped-collage.jpgKing Lud. 2016. 46cmX52cm. Mixed media shaped collage.John Bunker, "King Lud" 2016. 46cmX52cm, mixed media shaped collage.https://abcrit.org/wp-content/uploads/2016/03/invriko-2015-mixed-media-shaped-collage-52cmx60cm.jpgInvriko. 2015. Mixed media shaped collage. 52cmX60cmInvriko. 2015. Mixed media shaped collage. 52cmX60cmhttps://abcrit.org/wp-content/uploads/2016/03/john-hoyland_28-2-71-c2ae-the-john-hoyland-estate-photo-prudence-cuming-associates.jpgJohn Hoyland_28.2.71 -® The John Hoyland Estate, Photo Prudence Cuming AssociatesJohn Hoyland, 28.2.71, ® The John Hoyland Estate, Photo Prudence Cuming Associateshttps://abcrit.org/wp-content/uploads/2016/03/gallery-5-into-6-c2ae-victor-mara-ltd-photo-by-prudence-cuming-associates.jpgGallery 5 into 6 -® Victor Mara Ltd, Photo by Prudence Cuming AssociatesJohn Hoyland installation, Gallery 5 into 6 -® Victor Mara Ltd, Photo by Prudence Cuming Associateshttps://abcrit.org/wp-content/uploads/2016/03/old-roan-2015-70cmx85cm-mixed-media-shaped-collage.jpg'Old Roan'. 2015. 70cmX85cm. Mixed media shaped collage.John Bunker, 'Old Roan', 2015. 70cmx85cm, mixed media shaped collage.2016-05-03T08:08:12+00:00monthlyhttps://abcrit.org/2016/02/20/28-david-sweet-writes-on-goyas-people-and-the-modernist-audience/https://abcrit.org/wp-content/uploads/2016/02/jose-duaso-y-latre-1824.jpgJose Duaso y Latre 1824"Jose Duaso y Latre", 1824https://abcrit.org/wp-content/uploads/2016/02/maria-teresa-de-vallabriga-y-rozas-1783.jpgMaria Teresa de Vallabriga y Rozas 1783"Maria Teresa de Vallabriga y Rozas", 1783https://abcrit.org/wp-content/uploads/2016/02/portrait-of-doc3b1a-antonia-zc3a1rate-c-1805.jpegPortrait of Doña Antonia Zárate c.1805"Portrait of Doña Antonia Zárate", c.1805https://abcrit.org/wp-content/uploads/2016/02/marc3ada-antonia-gonzaga-marquesa-viuda-de-villafranca-1795.jpgMaría Antonia Gonzaga, marquesa viuda de Villafranca 1795María Antonia "Gonzaga, Marquesa Viuda de Villafranca", 1795https://abcrit.org/wp-content/uploads/2016/02/goya-manuel-osorio-manrique-de-zuniga-1788.jpgGoya Manuel Osorio Manrique de Zuniga (1788)Goya, Manuel Osorio Manrique de Zuniga, 1788.2016-03-23T20:32:52+00:00monthlyhttps://abcrit.org/2016/02/07/27-alan-gouk-writes-on-matisses-baroness-gourgaud/https://abcrit.org/wp-content/uploads/2016/02/george-braque-studio-with-black-vase-1938-the-kreeger-museum-washington.jpgGeorge Braque Studio with Black Vase, 1938. (The Kreeger Museum, WashingtonGeorge Braque, "Studio with Black Vase", 1938, The Kreeger Museum, Washingtonhttps://abcrit.org/wp-content/uploads/2016/02/matisse-woman-with-a-hat-1905-san-francisco-museum-of-modern-art.jpgMatisse-Woman-with-a-Hat 1905 San Francisco Museum of modern ArtHenri Matisse, "Woman with a Hat", 1905, San Francisco Museum of Modern Arthttps://abcrit.org/wp-content/uploads/2016/02/john-frederick-lewis-life-in-the-haren-v-a-18581.jpgJohn Frederick Lewis Life in the Haren V & A 1858John Frederick Lewis, "Life in the Harem", 1858.https://abcrit.org/wp-content/uploads/2016/02/john-frederick-lewis-hhareem-life-constantinople-1857.jpgJohn Frederick Lewis Hhareem Life, Constantinople 1857John Frederick Lewis, "Hhareem Life, Constantinople ",1857.https://abcrit.org/wp-content/uploads/2016/02/italian-woman-jewish-algerian-woman-camille-corot-1870.jpgitalian-woman-jewish-algerian-woman camille corot 1870Camille Corot, "Jewish-Algerian Woman", 1870.https://abcrit.org/wp-content/uploads/2016/02/portrait-of-madame-marcotte-de-sainte-marie-1826-jean-auguste-ingres.jpgportrait-of-madame-marcotte-de-sainte-marie-1826 Jean auguste ingresIngres, "Portrait of Madame Marcotte de Sainte-Marie", 1826https://abcrit.org/wp-content/uploads/2016/02/vermeer_-_girl_with_a_red_hat-1665-66-national-gallery-of-art-washington.jpgVermeer_-_Girl_with_a_Red_Hat 1665-66 national gallery of art washingtonVermeer, "Girl with a Red Hat", 1665-66, National Gallery of Art, Washington.https://abcrit.org/wp-content/uploads/2016/02/pierre-auguste_renoir_-_odalisque-1870-national-gallery-of-art-washington.jpgPierre-Auguste_Renoir_-_Odalisque 1870 national gallery of art washingtonPierre-Auguste Renoir, "Odalisque", 1870, National Gallery of Art, Washington.https://abcrit.org/wp-content/uploads/2016/02/the-black-table-1919-private-collection.jpgthe-black-table-1919 private collectionHenri Matisse, "The Black Table", 1919, private collection.https://abcrit.org/wp-content/uploads/2016/02/woman-in-turban-lorette-1917-baltimore-museum-of-art.jpgwoman-in-turban-lorette-1917 Baltimore Museum of Art,Henti Matisse, "Woman in a Turban", 1917, Baltimore Museum of Art.2016-02-23T16:50:46+00:00monthlyhttps://abcrit.org/2016/01/22/26-john-bunker-writes-on-hoyland-at-newport-street-another-perspective/https://abcrit.org/wp-content/uploads/2016/01/john-hoyland-18-4-79-longspeak-c2a9-the-john-hoyland-estate-photo-prudence-cuming-associates-4-79.jpgJohn Hoyland, 18.4.79 Longspeak. © The John Hoyland Estate; Photo Prudence Cuming Associates 4.79John Hoyland, 18.4.79 "Longspeak".https://abcrit.org/wp-content/uploads/2016/01/large.jpglargeRichard Smith, untitled, 1971https://abcrit.org/wp-content/uploads/2016/01/img_5316.jpgBaby is Three 1960 by Robyn Denny born 1930Robyn Denny, Baby is Three,1960. https://abcrit.org/wp-content/uploads/2016/01/gallery-2-kioyar-ltd-photo-by-prudence-cuming-associates.jpeggallery-2-kioyar-ltd-photo-by-prudence-cuming-associatesInstallation, John Hoyland at Newport Streethttps://abcrit.org/wp-content/uploads/2016/01/dhc-7369-12-6-66-mr.jpegdhc-7369-12-6-66-mrJohn Hoyland, 12.6.66.2016-03-13T13:46:09+00:00monthlyhttps://abcrit.org/2016/01/09/25-carl-kandutsch-writes-on-kenneth-nolands-discovery/https://abcrit.org/wp-content/uploads/2016/01/newbeetle.jpgNewbeetleCharles Ray, "The New Beetle"https://abcrit.org/wp-content/uploads/2016/01/hinoki.jpgHinokiCharles Ray, "Hinoki", 2007, © 2007 Charles Ray. Courtesy Regen Projects, Los Angeles.https://abcrit.org/wp-content/uploads/2016/01/ce5b6a6fee3121c253bfefaf7d33a627.jpgce5b6a6fee3121c253bfefaf7d33a627Kenneth Noland, "Spring Cool", 1962, acrylic resin on canvas 96 x 96 inches, courtesy Harry N. Abrams, Inc., New York, N.Y.https://abcrit.org/wp-content/uploads/2016/01/trans-shift-1964.jpgTrans Shift 1964Kenneth Noland, "Trans Shift", 1964, acrylic resin on canvas, 100 x 113.5 inches (254 x 288.3 cm), Art Estate of Kenneth Noland/Licensed by VAGA, New York, N.Y.https://abcrit.org/wp-content/uploads/2016/01/1980-00882.jpg1980-00882Kenneth Noland, "That", 1958-59, acrylic resin on canvas, 81.75 x 81.75 inches. © 1997 Kenneth Noland, licensed by VAGA, New York, N.Y.2016-01-16T15:23:00+00:00monthlyhttps://abcrit.org/2016/01/01/24-jeremy-gilbert-rolfe-writes-on-marginalized-but-not-demystified/https://abcrit.org/wp-content/uploads/2015/12/charline-von-heyl-alastor-2008-acrylic-on-linen-82-x-78-x-1-5-inches.jpgcharline von heyl Alastor 2008 Acrylic on linen 82 x 78 x 1.5 inchesCharline von Heyl, "Alastor", 2008, acrylic on linenhttps://abcrit.org/wp-content/uploads/2015/12/frank-stella-e2809cdie-fahne-hoche2809d-1959-enamel-paint-on-canvas.jpgFrank Stella “Die Fahne Hoch!” 1959 Enamel paint on canvasFrank Stella, “Die Fahne Hoch!”, 1959, enamel paint on canvas2016-02-14T18:28:39+00:00monthlyhttps://abcrit.org/2015/08/31/15-ken-carpenter-writes-a-letter-from-new-york/https://abcrit.org/wp-content/uploads/2015/08/256489084535b2963b18a7bf6e7d32be.jpeg256489084535b2963b18a7bf6e7d32beAntoni Tàpies, ‘Cross on Brown’, 1960, mixed media on canvas, 76 1/2 x 67 inches.https://abcrit.org/wp-content/uploads/2015/08/fontana-fine-di-dio-4abcrit.jpgFontana-Fine di dio-4abcritLucio Fontana, ‘Concetto Spaziale, La fine di Dio’, 1963, oil on canvas 69.3 x 48 in. 176 x 121.9 cm. https://abcrit.org/wp-content/uploads/2015/08/burri-nero-plastica-4abcrit.jpgBurri-nero plastica-4abcritALBERTO BURRI (1915-1995) Alberto Burri, ‘Nero Plastica’, 1965, burned plastic on canvas 41 x 31 inches https://abcrit.org/wp-content/uploads/2015/08/hantai-peinture-ca1964.jpgHantai, SimonSimon Hantaï, ‘Peinture’, c. 1964, oil on canvas, 88 x 85 inches, private collection, © Archives Simon Hantaïhttps://abcrit.org/wp-content/uploads/2015/08/hantai-meunm1968_green0.jpgSimon Hantaï " Meun "- 1968 -Huile sur toile - 255 x 225 cmCollection particuliéreCat.94Simon Hantaï, ‘Meun’, 1968, oil on canvas, 100 3/8 x 88 5/8 inches, © Archives Simon Hantaï, photo: Laurent Lecathttps://abcrit.org/wp-content/uploads/2015/08/untitled_c__1952_web0.jpgUntitled_c__1952_web0Alexander Calder, untitled, c. 1952, sheet metal, brass, wire, and paint, 13 3/8 x 11 x 6 1/4 inches (34 x 27.9 x 15.9 cm); © 2015 Calder Foundation, New York / Artists Rights Society (ARS), New York; Photo: Tom Powel Imaging, Inc. Courtesy: Dominique Lévy Gallery, New York and London https://abcrit.org/wp-content/uploads/2015/08/twombly-untitledbronze1.jpgTwombly-UntitledBronzeCy Twombly, untitled, 2004-2009, bronze, 49 1/8 x 12 1/8 x 11 5/8 inches, © Cy Twombly Foundation. Collection Cy Twombly Foundation. Photography by Mike Bruce. Courtesy Gagosian Gallery.https://abcrit.org/wp-content/uploads/2015/08/twombly-blooming-2001-2008.jpgTwombly-Blooming-2001-2008Cy Twombly, ‘Blooming’, 2001-2008, acrylic, wax crayon on ten wooden panels 98 3/8 x 196 7/8 inches, © Cy Twombly Foundation. Private Collection. Photography by Mike Bruce. Courtesy Gagosian Gallery. https://abcrit.org/wp-content/uploads/2015/08/dzubas-4abcrit-2.jpgDzubas-4abcrit-#2Fred Dzubas,’ Nebel’, magna on canvas, 1971, 78.5 x 195" The two painters standing next to it are Ben Woolfitt and Sandy Van Iderstine. Photo Ken Carpenter. https://abcrit.org/wp-content/uploads/2015/08/okeeffe-4abcrit.jpg91.90Georgia O'Keeffe, ‘Music, Pink and Blue, No. 2’, 1918, oil on canvas, 35 x 29 15/16in, Whitney Museum of American Art, New York, gift of Emily Fisher Landau, in honor of Tom Armstrong 91.90 ©2014 Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York 2016-01-02T21:49:27+00:00monthlyhttps://abcrit.org/2015/12/20/23-robin-greenwood-writes-on-flatness-at-pace-and-plastic-space/https://abcrit.org/wp-content/uploads/2015/12/supper-at-emmaus-about-1555-by-paolo-veronese.jpgSupper at Emmaus, about 1555, by Paolo VeroneseVeronese, Supper at Emmaushttps://abcrit.org/wp-content/uploads/2015/12/titian-supper-at-emmaus-1533-34.jpgTitian Supper at Emmaus 1533-34Titian, Supper at Emmaushttps://abcrit.org/wp-content/uploads/2015/12/the-last-supper-jacopo-tintoretto.jpgThe Last Supper - Jacopo TintorettoTintoretto, Last Supper.https://abcrit.org/wp-content/uploads/2015/12/durer-nativity-paumgartner-altarpiece-central-panel-1504.jpgDURER-NATIVITY-PAUMGARTNER-ALTARPIECE,-CENTRAL-PANEL-,1504,Albrecht Durer, Paumgartner Alterpiece central panel. https://abcrit.org/wp-content/uploads/2015/12/triptych-of-jan-destrompes.jpgtriptych of jan desTrompesGerard David, Triptych of Jan des Trompeshttps://abcrit.org/wp-content/uploads/2015/12/annunciation-weyden.jpgAnnunciation weydenRogier van der Weydenhttps://abcrit.org/wp-content/uploads/2015/12/st_john2-quentin-massys.jpgst_john2 quentin Massys Quentin Massyshttps://abcrit.org/wp-content/uploads/2015/12/pace-3.jpgpace 3Installation shot at Pace London, works by Hoyland. The work on the left perhaps the best thing in the show.https://abcrit.org/wp-content/uploads/2015/12/pace-gallery.jpgpace galleryInstallation shot at Pace London, works by Hoyland and Carohttps://abcrit.org/wp-content/uploads/2015/12/pace-2.jpgpace 2Installation shot at Pace London, works by Caro and Noland.2016-02-20T16:34:57+00:00monthlyhttps://abcrit.org/2015/12/04/22-alan-gouk-writes-a-critique-of-t-j-clarks-farewell-to-an-idea/https://abcrit.org/wp-content/uploads/2015/12/4789535748_b4bfc83320.jpg4789535748_b4bfc83320Claude Monet, "Le Bassin aux Nymphéas"https://abcrit.org/wp-content/uploads/2015/12/9243_1693528.jpg9243_1693528Willem de Kooning, untitled XI, 1975https://abcrit.org/wp-content/uploads/2015/12/1120730107_large-image_370_485_no_2_blue_red_and_green_yellow_red_blue_on_blue_1953_lg.jpg1120730107_large-image_370_485_no_2_blue_red_and_green_yellow_red_blue_on_blue_1953_lgMark Rothko, "No 2 Blue Red and Green Yellow Red Blue on Blue", 1953.https://abcrit.org/wp-content/uploads/2015/12/number-1.jpgnumber-1Jackson Pollock, "No.1, 1948"https://abcrit.org/wp-content/uploads/2015/12/one-number31.jpg7.1968Jackson Pollock. "One", Number 31, 1950https://abcrit.org/wp-content/uploads/2015/12/w13-barnett_newman_the_stations_of_the_cross-lema_sabachthani.jpgw13-barnett_newman_the_stations_of_the_cross-lema_sabachthaniBarnett Newman, "Stations of the Cross".https://abcrit.org/wp-content/uploads/2015/11/number-61.jpgnumber-61Mark Rothko, "No.61, Rust and Blue", 1953https://abcrit.org/wp-content/uploads/2015/11/lucifer.jpgluciferJackson Pollock, "Lucifer", 1947.https://abcrit.org/wp-content/uploads/2015/11/dance-of-the-veils-1907.jpgdance-of-the-veils-1907Pablo Picasso, "Dance of the Veils", 1907https://abcrit.org/wp-content/uploads/2015/11/titian-diana-and-actaeon-ng6611-fm.jpgtitian-diana-and-actaeon-NG6611-fmTitian, "Diana and Actaeon", 1556-9.2016-01-03T03:45:21+00:00monthlyhttps://abcrit.org/2015/11/17/21-geoff-hands-writes-on-dennis-loesch/https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_clouds-over-liverpool_2015_lo10.jpegDennis Loesch_Clouds Over Liverpool_2015_lo10Dennis Loesch, "Clouds Over Liverpool", photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_the-new-snail_2015_lo9.jpegDennis Loesch_Merge Visible_The New Snail_2015_lo9Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_lime-window_2015_lo6.jpegDennis Loesch_Merge Visible_Lime Window_2015_lo6Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_din_2015_lo2.jpegDennis Loesch_Merge Visible_DIN_2015_lo2Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_instal_lo31.jpegDennis Loesch_Merge Visible_Instal_lo31Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_instal_lo16.jpegDennis Loesch_Merge Visible_Instal_lo16Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_instal_lo19.jpegDennis Loesch_Merge Visible_Instal_lo19Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.https://abcrit.org/wp-content/uploads/2015/11/dennis-loesch_merge-visible_instal_lo24.jpegDennis Loesch_Merge Visible_Instal_lo24Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.2016-01-08T16:36:07+00:00monthlyhttps://abcrit.org/2015/11/04/20-jeremy-gilbert-rolfe-interviews-todd-cronan/https://abcrit.org/wp-content/uploads/2015/11/matisse-studio-under-the-eaves-c-1903.jpgMatisse Studio under the eaves c.1903Henri Matisse, 'Studio Under the Eaves', c.19032015-12-27T14:21:23+00:00monthlyhttps://abcrit.org/2015/10/30/19-emyr-williams-writes-on-john-hoyland-at-newport-street-gallery/https://abcrit.org/wp-content/uploads/2015/10/cobalt-glide-10-11-80-photo-emyr-williams.jpgCobalt Glide 10.11.80 photo Emyr Williams'Cobalt Glide 10.11.80', photo Emyr Williamshttps://abcrit.org/wp-content/uploads/2015/10/23-7-67-photo-emyr-williams.jpg23.7.67 photo Emyr Williams23.7.67 photo Emyr Williamshttps://abcrit.org/wp-content/uploads/2015/10/john-hoyland-scando-c2a9c2a0the-john-hoyland-estate-courtesy-murderme-collection.jpgJohn Hoyland Scando © The John Hoyland Estate Courtesy Murderme CollectionJohn Hoyland, 'Scando 2.10.80', © The John Hoyland Estate, Courtesy Murderme Collection.https://abcrit.org/wp-content/uploads/2015/10/john-hoyland_28-2-71-c2a9-the-john-hoyland-estate-photo-prudence-cuming-associates.jpgJohn Hoyland_28.2.71 © The John Hoyland Estate, Photo Prudence Cuming AssociatesJohn Hoyland, '28.2.71', © The John Hoyland Estate, Photo Prudence Cuming Associates.https://abcrit.org/wp-content/uploads/2015/10/john-hoyland_advance-town-29-3-80-c2a9-the-john-hoyland-estate-photo-prudence-cuming-associates.jpgJohn Hoyland_Advance Town 29.3.80 © The John Hoyland Estate, Photo Prudence Cuming AssociatesJohn Hoyland, 'Advance Town 29.3.80', © The John Hoyland Estate, Photo Prudence Cuming Associateshttps://abcrit.org/wp-content/uploads/2015/10/john-hoyland-9-11-68-c2a9c2a0the-john-hoyland-estate-courtesy-murderme-collection.jpgJohn Hoyland 9.11.68 © The John Hoyland Estate Courtesy Murderme CollectionJohn Hoyland, 9.11.68, © The John Hoyland Estate, Courtesy Murderme Collectionhttps://abcrit.org/wp-content/uploads/2015/10/hoyland-view1.jpghoyland viewInstallation of John Hoyland paintings, Gallery 1, Newport Street Gallery2015-11-01T21:37:52+00:00monthlyhttps://abcrit.org/2015/09/26/17-carl-kandutsch-writes-on-caro-fried-and-deep-body-blue/https://abcrit.org/wp-content/uploads/2015/09/bleu_profond_1967-0d9e0.jpgBleu_profond_1967-0d9e0Anthony Caro, Deep Body Blue, 1966. Steel painted dark blue, 48 ½ x 101 x 124 inches. Private collection, Harpswell. Courtesy Annely Juda Fine Arts. Photo: John Goldblatt.2015-11-04T17:37:34+00:00monthlyhttps://abcrit.org/2015/10/17/18-david-sweet-writes-on-palaces-pollock-and-pixar/https://abcrit.org/wp-content/uploads/2015/10/890px-las_meninas_by_diego_velc3a1zquez_from_prado_in_google_earth.jpg890px-Las_Meninas,_by_Diego_Velázquez,_from_Prado_in_Google_EarthDiego Velázquez, "Las Meninas"https://abcrit.org/wp-content/uploads/2015/10/cdn-indiewire-com.jpgcdn.indiewire.comScene from the Pixar movie "Inside Out".https://abcrit.org/wp-content/uploads/2015/10/number-7-out-of-the-web-1949.jpgnumber-7-out-of-the-web-1949Jackson Pollock, "Out of the Web", 19492015-12-08T21:36:54+00:00monthlyhttps://abcrit.org/2015/09/19/16-carl-kandutsch-writes-on-caro-fried-and-prairie/https://abcrit.org/wp-content/uploads/2015/09/100-anthony-caro-prairie-1967-550x375.jpg100.-Anthony-Caro-Prairie-1967-550x375Anthony Caro, "Prairie", painted steel, 1967, Copyright Barford Sculptureshttps://abcrit.org/wp-content/uploads/2015/09/lh_koons_poodle_1991.jpglh_koons_poodle_1991Jeff Koons, "Poodle", 1991 https://abcrit.org/wp-content/uploads/2015/09/praire.jpgPraireAnthony Caro, "Prairie", painted steel, 1967https://abcrit.org/wp-content/uploads/2015/09/caro01.jpgCaro01Anthony Caro, "Table Piece LXXXII", painted steel, 1969 https://abcrit.org/wp-content/uploads/2015/09/air-1971.jpgAir 1971Anthony Caro, "Air", painted steel, 1971https://abcrit.org/wp-content/uploads/2015/09/titan.jpgtitanAnthony Caro, "Titan", painted steel, 1964https://abcrit.org/wp-content/uploads/2015/09/99_-anthony-caro-prairie-1967.jpg99_-Anthony-Caro-Prairie-1967Anthony Caro, "Prairie", painted steel, 19672016-02-01T21:25:14+00:00monthlyhttps://abcrit.org/2015/07/30/12-geoff-hands-writes-on-bridget-riley-at-dlwp/https://abcrit.org/wp-content/uploads/2015/07/mail-google-com-5.jpgmail.google.com 5Bridget Riley, The Curve Paintings 1961-2014 installation at DLWP. © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, Londonhttps://abcrit.org/wp-content/uploads/2015/07/mail-google-com-4.jpgmail.google.com 4Bridget Riley, The Curve Paintings 1961-2014 installation at DLWP. © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, Londonhttps://abcrit.org/wp-content/uploads/2015/07/bridget-riley-the-curve-paintings-1961-2014__installa-ights-reserved-courtesy-karsten-schubert-london.jpgBridget Riley, The Curve Paintings 1961-2014__installa ... ights reserved, courtesy Karsten Schubert, London.jpgBridget Riley, The Curve Paintings 1961-2014 installation at DLWP. © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, Londonhttps://abcrit.org/wp-content/uploads/2015/07/mail-google-com-3.jpgmail.google.com 3Bridget Riley, The Curve Paintings 1961-2014 installation at DLWP. © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, Londonhttps://abcrit.org/wp-content/uploads/2015/07/mail-google-com-2.jpgmail.google.com 2Bridget Riley, The Curve Paintings 1961-2014 installation at DLWP. © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, London2015-08-20T10:25:37+00:00monthlyhttps://abcrit.org/2015/08/19/14-robin-greenwood-writes-on-contemporaneity-william-gearstockwell-depothans-hofmann/https://abcrit.org/wp-content/uploads/2015/08/smart.jpgsmartAnthony Smart, 'Tamarind 5', 1977, steelhttps://abcrit.org/wp-content/uploads/2015/08/gouk.jpgGoukAlan Gouk, 'Sea Horse Tenacity 1', 1973-4, acrylic on cotton duckhttps://abcrit.org/wp-content/uploads/2015/08/william-gear-broken-yellow1967-copyright-the-artists-estate-scottish-national-gallery-of-modern-art.jpgWilliam Gear, Broken Yellow,1967. Copyright the Artist's Estate. Scottish National Gallery of Modern ArtWilliam Gear, 'Broken Yellow',1967. Copyright the Artist's Estate. Scottish National Gallery of Modern Arthttps://abcrit.org/wp-content/uploads/2015/08/william-gear-tree1947-copyright-the-artists-estate-photographer-antonia-reeve-image-city-art-centre-edinburgh.jpgTree_1800x1200.tifWilliam Gear, 'Tree',1947. Copyright the Artist's Estate. Photographer Antonia Reeve. Image City Art Centre, Edinburghhttps://abcrit.org/wp-content/uploads/2015/08/gear-composition-1949.jpgComposition 1949 by William Gear 1915-1997William Gear, 'Composition', 1949, Purchased 1991 http://www.tate.org.uk/art/work/T05850https://abcrit.org/wp-content/uploads/2015/08/william-gear-autumn-landscape-1950-copyright-the-artists-estate-image-courtesy-of-tyne-wear-archives-museums-laing-art-gallery.jpgPicture 003William Gear, 'Autumn Landscape', 1950. Copyright the Artist's Estate. Image courtesy of Tyne & Wear Archives & Museums, Laing Art Galleryhttps://abcrit.org/wp-content/uploads/2015/08/untitled-110.jpgUntitled-110John Foster, 'Three Cornered', 1975, steel, painted2019-08-25T10:33:16+00:00monthlyhttps://abcrit.org/2015/08/07/13-john-bunker-writes-on-jackson-pollock-at-tate-liverpool/https://abcrit.org/wp-content/uploads/2015/08/dsc4148-25cm.jpgDSC4148 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek https://abcrit.org/wp-content/uploads/2015/08/dsc4115-25cm.jpgDSC4115 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek https://abcrit.org/wp-content/uploads/2015/08/dsc4153-25cm.jpgDSC4153 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek https://abcrit.org/wp-content/uploads/2015/08/dsc4128-25cm.jpgDSC4128 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek https://abcrit.org/wp-content/uploads/2015/08/dsc4113-25cm.jpgDSC4113 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek https://abcrit.org/wp-content/uploads/2015/08/jackson-pollock-portrait-and-a-dream-1953.jpgJackson Pollock - Portrait and a Dream 1953Jackson Pollock, 1912-1956 Portrait and a Dream 1953 Oil and enamel on canvas Overall: 58 1/2 x 134 3/4 in. Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © Pollock-Krasner Foundation/Artists Rights Society (ARS), New York https://abcrit.org/wp-content/uploads/2015/08/jackson-pollock-number-7-1952.jpgJackson Pollock, Number 7 1952Number 7. 1952. Enamel and oil on canvas, H. 53-1/8, W. 40 inches (134.8 x 101.6 cm.). Purchase, Emilio Azcarraga Gift, in honor of William S. Lieberman, 1987 (1987.92).https://abcrit.org/wp-content/uploads/2015/08/jackson-pollock-number-14-1951.jpgJackson Pollock, Number 14 1951Jackson Pollock 1912-1956 'Number 14', 1951, Oil paint on canvas support: 1465 x 2695 mm frame: 1493 x 2721 x 63 mm © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://abcrit.org/wp-content/uploads/2015/08/dsc4118-25cm.jpgDSC4118 25cm'Jackson Pollock: Blind Spots', on display at Tate Liverpool, © Tate Liverpool, Roger Sinek 2019-08-24T10:39:55+00:00monthlyhttps://abcrit.org/2015/07/25/11-craig-staff-writes-on-real-painting/https://abcrit.org/wp-content/uploads/2015/07/fground-deb-covell_nowt-to-summat_2014_bground_simon-callery_wiltshire-modulor-ii_2010.jpgFground Deb Covell_Nowt to Summat_2014_bground_Simon Callery_Wiltshire Modulor II_2010foreground: Deb Covell, "Nowt to Summat", 2014; background: Simon Callery, "Wiltshire Modulator", 2010https://abcrit.org/wp-content/uploads/2015/07/jo-mcgoniga_yellow-yellow_-2015square.jpgJo McGoniga_Yellow Yellow_ 2015[square]Jo McGonigal, "Yellow Yellow", 2015https://abcrit.org/wp-content/uploads/2015/07/finbar-ward_untitled_2014.jpgFinbar Ward_Untitled_2014Finbar Ward, untitled, 2014https://abcrit.org/wp-content/uploads/2015/07/img_5440.jpgIMG_5440Angela de la Cruz, "Compressed 1", 2010https://abcrit.org/wp-content/uploads/2015/07/finbar-ward-untitled-2014.jpgFinbar Ward, untitled, 2014Finbar Ward, untitled, 2014https://abcrit.org/wp-content/uploads/2015/07/foreground-deb-covell-nowt-to-summat-2014-background-simon-callery-wiltshire-modulator-2010.jpgforeground Deb Covell, Nowt to Summat ,2014; background Simon Callery, Wiltshire Modulator, 2010foreground: Deb Covell, "Nowt to Summat", 2014; background: Simon Callery, "Wiltshire Modulator", 2010https://abcrit.org/wp-content/uploads/2015/07/jo-mcgoniga-yellow-yellow-2015.jpgJo McGoniga, Yellow Yellow, 2015Jo McGoniga, "Yellow Yellow", 2015https://abcrit.org/wp-content/uploads/2015/07/angela-de-la-cruz-compressed-1-white-2010.jpgAngela de la Cruz, Compressed 1 (White), 2010.Angela de la Cruz, "Compressed 1", 20102015-09-04T15:46:46+00:00monthlyhttps://abcrit.org/2015/07/16/10-charley-peters-writes-on-agnes-martin/https://abcrit.org/wp-content/uploads/2015/07/agmartin.jpgagmartinHappy Holiday, 1999, Tate/National Galleries of Scotlandhttps://abcrit.org/wp-content/uploads/2015/07/untitled_1977_private_collection_1.jpguntitled_1977_private_collection_1untitled, 1977, watercolour and graphite on paper, private collection, photo coutesy Pace Galleryhttps://abcrit.org/wp-content/uploads/2015/07/untitled_3_1974_1.jpguntitled_3_1974_1untitled #3, 1974, Des Moines Art Centre, Iowa, USAhttps://abcrit.org/wp-content/uploads/2015/07/on_a_clear_day_1973_1.jpgon_a_clear_day_1973_1On a Clear Day, 1973, Parasol Press Ltd.2015-09-29T12:13:10+00:00monthlyhttps://abcrit.org/2015/06/15/9-andy-parkinson-writes-on-sonia-delaunay/https://abcrit.org/wp-content/uploads/2015/06/x52218-syncopatedrhythm.jpgx52218-syncopatedrhythmSonia Delaunay, "Syncopated Rhythm", also-called "The Black Snake", 1967, Musée des Beaux-Arts, Nantes, France. © Pracusa 2014083https://abcrit.org/wp-content/uploads/2015/06/electricprisms1913_0.jpgelectricprisms1913_0Sonia Delaunay, "Electric Prisms", 1913, Davis Museum at Wellesley College, Wellesley, MA, Gift of Mr. Theodore Racoosin. © Pracusa 2014083 https://abcrit.org/wp-content/uploads/2015/06/x52220-simultaneousdresses.jpgx52220-simultaneousdressesSonia Delaunay, "Simultaneous Dresses (The three women)", 1925, Museo Thyssen-Bornemisza, Madrid © Pracusa 2014083 https://abcrit.org/wp-content/uploads/2015/06/x52217-yellownude.jpgx52217-yellownudeSonia Delaunay, "Yellow Nude", 1908, Musée des Beaux-Arts de Nantes, Nantes, © Pracusa 20140832015-07-22T11:28:09+00:00monthlyhttps://abcrit.org/2015/05/03/8-david-sweet-writes-on-1966-and-the-new-pictorial-economy/https://abcrit.org/wp-content/uploads/2015/05/porte-fenetre_a_collioure_1914-2.jpgPorte-Fenetre_a_Collioure_1914 2Hernri Matisse, "French Window at Collioure". 1914https://abcrit.org/wp-content/uploads/2015/05/woman-in-profile.jpgwoman in profileRichard Diebenkorn, Woman in Profile, 1958, Oil on canvas, 68” X 59”. Image, with artist’s signature, from Dunn International catalogue, 1963. 2015-06-10T07:00:04+00:00monthlyhttps://abcrit.org/2015/04/08/7-ken-carpenter-writes-on-jack-bush-and-jock-macdonald/https://abcrit.org/wp-content/uploads/2015/04/2-macdonald-1938-rain-ngc1.jpg2-Macdonald-1938-Rain-NGCJock Macdonald, “Rain”, 1938, oil on canvas, 56.2 x 46.2 cm, National Gallery of Canada https://abcrit.org/wp-content/uploads/2015/04/7-macdonald-1960-faroffdrums-ngc1.jpg7-Macdonald-1960-FarOffDrums-NGCJock Macdonald, Far Off Drums, 1960, oil and Lucite 44 on canvas, National Gallery of Canada.https://abcrit.org/wp-content/uploads/2015/04/bush-1977-chopsticks.jpgBush-1977-ChopsticksJack Bush, “Chopsticks”, 1977, acrylic on canvas, 140.3 × 415.9 cm (55.25 × 163.75 in.), Private collection, © Estate of Jack Bush / SODRAC (2014), Photo: Michael Cullen, TPG Digital Art Serviceshttps://abcrit.org/wp-content/uploads/2015/04/bush-1974-ex-on-spring-green.jpgBush-1974-Ex on Spring GreenJack Bush, "Ex on Spring Green", 1974https://abcrit.org/wp-content/uploads/2015/04/bush-1968-big-a.jpgBush-1968-Big AJack Bush, “Big A”, November 1968, acrylic on canvas, 228.6 × 144.7 cm (90 × 57 in.), National Gallery of Canada, © Estate of Jack Bush / SODRAC (2014), Photo © NGChttps://abcrit.org/wp-content/uploads/2015/04/bush-1966-tall-spread.jpgBush-1966-Tall SpreadJack Bush, “Tall Spread”, June 1966, acrylic on canvas, 271.7 × 152.4 cm (107 × 60 in.), National Gallery of Canada, Ottawa, © Estate of Jack Bush / SODRAC (2014), Photo © NGChttps://abcrit.org/wp-content/uploads/2015/04/bush-1961-bonnet.jpgBush-1961-BonnetJack Bush, “Bonnet”, 21–22 May 1961, oil on canvas, 246.3 x 209.2 cm (97 x 82.38 in.); Private Collection; © Estate of Jack Bush / SODRAC (2014); Photo: Michael Cullen,TPG Digital Art Serviceshttps://abcrit.org/wp-content/uploads/2015/04/bush-1948-downsweep.jpgBush-1948-DownsweepJack Bush, “ Down Sweep”, 29 – 30 June 1958, oil on canvas, 190.5 x 243.2 cm (75 x 95.75 in.), Collection of Vanac Development Corp., Vancouver, © Estate of Jack Bush / SODRAC (2014), Photo: Michael Cullen, TPG Digital Art Serviceshttps://abcrit.org/wp-content/uploads/2015/04/bush-1947-yesterday.jpgBush-1947-YesterdayJack Bush, “Yesterday”, 1947, oil on Masonite, white lead ground, 121.9 x 91.4 cm (48 x 36 in.), Jack Bush Heritage Corporation, © Estate of Jack Bush / SODRAC (2014), Photo: Michael Cullen,TPG Digital Art Serviceshttps://abcrit.org/wp-content/uploads/2015/04/macdonald-1958-lament.jpg_DSC3067.tifJock Macdonald, “Lament”, 1958, oil and Lucite 44 on canvas, 137.2 x 129 cm, Royal Bank of Canada, photo Cheryl O'Brien2015-10-16T00:05:24+00:00monthlyhttps://abcrit.org/2015/03/15/6-robin-greenwood-writes-on-richard-diebenkorn-and-the-hollowing-out-of-painting/https://abcrit.org/wp-content/uploads/2015/03/interior-at-nice-woman-seated-with-a-book-1919.jpginterior at Nice, woman seated with a book 1919Henri Matisse, Interior at Nice, Woman Seated with a Book, 1919https://abcrit.org/wp-content/uploads/2015/03/interior-with-view-of-buildings-1962.jpginterior-with-view-of-buildings-1962.Interior with View of Buildings, 1962https://abcrit.org/wp-content/uploads/2015/03/berkeley-no-57-1955.jpgberkeley-no-57 1955Berkely #57, 1955https://abcrit.org/wp-content/uploads/2015/03/ocean-park-43-1971.jpgOcean Park #43, 1971Ocean Park #43, 19712017-05-16T09:02:58+00:00monthlyhttps://abcrit.org/2015/03/01/5-monochromeduochrome-thoughts-on-colour-materiality-and-dependency-part-1-organised-by-katrina-blannin/https://abcrit.org/wp-content/uploads/2015/03/kazimir-malevich-black-and-white-sumprematist-composition-1915.jpgKazimir-Malevich-Black-and-White-Sumprematist-Composition-1915...Kazimir Malevich, Black and White, Suprematist Composition, 1915, oil on canvas https://abcrit.org/wp-content/uploads/2015/03/vermeer-a-lady-at-the-virginals-with-a-gentleman-the-music-lesson-1662-1665-oil-on-canvas-73-3-x-64-5-cm-buckingham-palace-royal-collection-london-uk.jpgJohannes VERMEER - la lecon de musiqueJohannes Vermeer, The Music Lesson, 1662-65, oil on canvas 2016-02-11T13:41:28+00:00monthlyhttps://abcrit.org/2015/02/01/4-charley-peter-writes-on-adventures-of-the-black-square/https://abcrit.org/wp-content/uploads/2015/02/peter-halley-auto-zone-1992.jpgPeter Halley, Auto Zone, 1992Peter Halley, 'Auto Zone', 1992https://abcrit.org/wp-content/uploads/2015/02/helio-oiticica-metaesquema-464-1958.jpgWHI_041114_ 001Helio Oiticica, 'Metaesquema 464', 1958https://abcrit.org/wp-content/uploads/2015/02/piet-mondrian-composition-with-yellow-blue-and-red-1937-42.jpgComposition with Yellow, Blue and RedPiet Mondrian, 'Composition with Yellow, Blue and Red', 1937-42https://abcrit.org/wp-content/uploads/2015/02/el-lissitzky-1o-kestnermappe-proun-proun-1st-kestner-portfolio-published-1923.jpgEl Lissitzky, 1o Kestnermappe Proun [Proun. 1st Kestner Portfolio], Published 1923El Lissitzky, '1o Kestnermappe Proun [Proun. 1st Kestner Portfolio]', Published 1923https://abcrit.org/wp-content/uploads/2015/02/lyubov-popova-painterly-architectonic-1916.jpgLyubov Popova, Painterly Architectonic, 1916Lyubov Popova, 'Painterly Architectonic', 1916https://abcrit.org/wp-content/uploads/2015/02/kazimir-malevich-black-quadrilateral-c-1915-greek-state-museum-of-contemporary-art-costakis-collection-thessaloniki.jpgKazimir Malevich, Black Quadrilateral, c. 1915 Greek State Museum of Contemporary Art - Costakis Collection, ThessalonikiKazimir Malevich, 'Black Quadrilateral', c. 1915. Greek State Museum of Contemporary Art - Costakis Collection, Thessaloniki2015-03-22T13:57:56+00:00monthlyhttps://abcrit.org/2015/01/01/emyr-williams-homage-limitations/https://abcrit.org/wp-content/uploads/2015/01/noland-flare-1990.jpgNoland - Flare 1990Kenneth Noland, 'Flare', 1990https://abcrit.org/wp-content/uploads/2015/01/olitski-with-love-and-disregard-susy-and-the-elders-2002.jpgOlitski - With Love and Disregard- Susy and the Elders 2002Jules Olitski, 'With Love and Disregard - Susy and the Elders', 2002https://abcrit.org/wp-content/uploads/2015/01/susanna-and-the-elders.jpgsusanna-and-the-eldersTintoretto, 'Susanna and the Elders' 1555https://abcrit.org/wp-content/uploads/2015/01/olitski-house-of-shem-1990.jpgOlitski - House of Shem 1990Jules Olitski, 'House of Shem', 1990https://abcrit.org/wp-content/uploads/2015/01/noland-homage-to-matisse-1991.jpgNoland - Homage to Matisse 1991Kenneth Noland, 'Homage to Matisse', 1991https://abcrit.org/wp-content/uploads/2015/01/matisse-the-piano-lesson-1916.jpgMatisse the-piano-lesson-1916Henri Matisse, 'The Piano Lesson', 1916https://abcrit.org/wp-content/uploads/2015/01/large.jpglargeHelen Frankenthaler, 'For E.M.', 1981https://abcrit.org/wp-content/uploads/2015/01/helen-frankenthaler-for-em.jpgHelen Frankenthaler for EMHelen Frankenthaler, 'For E.M.', 1981https://abcrit.org/wp-content/uploads/2015/01/mantegna.jpgMantegnaAndrea Mantegna, 'The Agony in the Garden', c. 1458https://abcrit.org/wp-content/uploads/2015/01/frankenthaler-mountains-and-sea-1962.jpgFrankenthaler mountains-and-sea-1962Helen Frankenthaler, 'Mountains and Sea', 19622015-02-16T13:36:47+00:00monthlyhttps://abcrit.org/2014/11/30/2-paul-behnke-writes-on-pat-passlof/https://abcrit.org/wp-content/uploads/2014/11/13_install6.jpg13_install6installation at Elizabeth Harris Galleryhttps://abcrit.org/wp-content/uploads/2014/11/12_install5.jpg12_install5installation at Elizabeth Harris Galleryhttps://abcrit.org/wp-content/uploads/2014/11/11_install3.jpg11_install3installation at Elizabeth Harris Galleryhttps://abcrit.org/wp-content/uploads/2014/11/10_install1.jpg10_install1installation at Elizabeth Harris Galleryhttps://abcrit.org/wp-content/uploads/2014/11/9_untitled_2011.jpg9_untitled_2011untitled, 2011, oil on linen, 60 x 48 incheshttps://abcrit.org/wp-content/uploads/2014/11/8_stove.jpg8_stove‘Stove’, 1959, oil on linen, 77 x 69 incheshttps://abcrit.org/wp-content/uploads/2014/11/7_lookout.jpg7_lookout‘Lookout’, 1959, oil on linen, 69 x 69 incheshttps://abcrit.org/wp-content/uploads/2014/11/6_promenade_for_a_bachelor.jpg6_promenade_for_a_bachelor‘Promenade for a Bachelor’, 1958, oil on linen, 68 x 68 incheshttps://abcrit.org/wp-content/uploads/2014/11/5_panoras.jpg5_panoras‘Panoras’, 1954, oil on linen, 44 x 37 incheshttps://abcrit.org/wp-content/uploads/2014/11/4_sutbury_2.jpg4_sutbury_2‘Sutbury 2’, 1957, oil on linen, 28 x 34 inches2015-01-13T18:40:25+00:00monthlyhttps://abcrit.org/2014/10/24/1-john-bunker-writes-on-richard-tuttle/https://abcrit.org/wp-content/uploads/2014/10/3-richard-tuttle-section-vii-extension-o-2007.jpg3. Richard Tuttle, Section VII, Extension O, 2007'Section VII, Extension O', 2007, ©Richard Tuttlehttps://abcrit.org/wp-content/uploads/2014/10/wg-g8-richard-tuttle-i-dont-know-the-weave-of-textile-language-installation-view-2014-photo-credit-stephen-white-3.jpgWG g8 Richard Tuttle, I Dont Know . The Weave of Textile Language, installation view 2014. Photo credit Stephen White (3)Richard Tuttle, I Dont Know. The Weave of Textile Language installation view 2014. Photo credit Stephen White https://abcrit.org/wp-content/uploads/2014/10/13-richard-tuttle-purple-octagonal-1967.jpg13. Richard Tuttle, Purple Octagonal, 1967Purple Octagonal, 1967, ©Richard Tuttlehttps://abcrit.org/wp-content/uploads/2014/10/wg-g9-richard-tuttle-i-dont-know-the-weave-of-textile-language-installation-view-2014-photo-credit-stephen-white-2.jpgWG g9 Richard Tuttle, I Dont Know . The Weave of Textile Language, installation view 2014. Photo credit Stephen White (2)Richard Tuttle, I Don't Know. The Weave of Textile Language installation view 2014. Photo credit Stephen White https://abcrit.org/wp-content/uploads/2014/10/wg-g8-richard-tuttle-i-dont-know-the-weave-of-textile-language-installation-view-2014-photo-credit-stephen-white-1.jpgWG g8 Richard Tuttle, I Dont Know . The Weave of Textile Language, installation view 2014. Photo credit Stephen White (1)Richard Tuttle, I Don't Know. The Weave of Textile Language installation view 2014. Photo credit Stephen White https://abcrit.org/wp-content/uploads/2014/10/wg-g1-richard-tuttle-i-dont-know-the-weave-of-textile-language-installation-view-2014-photo-credit-stephen-white-1.jpgWG g1 Richard Tuttle, I Dont Know . The Weave of Textile Language, installation view 2014. Photo credit Stephen White (1)Richard Tuttle, I Dont Know . The Weave of Textile Language, installation view 2014. Photo credit Stephen Whitehttps://abcrit.org/wp-content/uploads/2014/10/i-don_t-know-the-weave-of-textile-language-at-tate-modern-2014.jpg'I Don’t Know. The Weave of Textile Language', at Tate Modern 2014'I Don’t Know. The Weave of Textile Language', at Tate Modern 2014https://abcrit.org/wp-content/uploads/2014/10/systems-vi-2011-mixed-materials-c2a9richard-tuttle.jpg12. Richard Tuttle, Systems, VI, 2011.jpg'Systems VI', 2011. Mixed materials. ©Richard Tuttlehttps://abcrit.org/wp-content/uploads/2014/10/walking-on-air-c10-2009-cotton-with-rit-dyes-grommets-thread-c2a9richard-tuttle.jpg'Walking on Air, C10', 2009. Cotton with Rit dyes, grommets, thread. ©Richard Tuttle'Walking on Air, C10', 2009. Cotton with Rit dyes, grommets, thread. ©Richard Tuttlehttps://abcrit.org/wp-content/uploads/2014/10/walking-on-air-c3-2009-cotton-with-rit-dyes-grommets-thread-c2a9richard-tuttle.jpg'Walking on Air, C3', 2009. Cotton with Rit dyes, grommets, thread. ©Richard Tuttle'Walking on Air, C3', 2009. Cotton with Rit dyes, grommets, thread. ©Richard Tuttle2015-02-02T08:36:01+00:00monthlyhttps://abcrit.orgdaily1.02023-09-02T15:51:28+00:00