Lockdown has allowed a period of concentrated activity. There is no end result, like exhibiting. It’s just to see where the language of Abstract Painting takes me. I give myself a lot of leeway, as I’m working in an extremely concentrated fashion. I drive up the same lane, past Walter Raleigh’s house every day. I drive slowly and take everything in, looking at the colour, light and shade /a la Cezanne. Then I get to my farm studio and close the door. I stretch up a canvas quite beautifully. I have been a carpenter in NY. Then I stretch a heavy weight canvas over the frame, which has an inch and a half edge. The 5ft by 7ft canvasses are the ones featured here, and I make each one afresh, beautifully stretched anew each time. Then I really try not to plan too much. Improvisation is the key, but inevitably I make a few notes. I then have the weight of paint on the surface. I’m aware of staining technique from Louis and Frankenthaler. I enjoy that, but realise its limitations. Changes or additions can be great or awful, according to choices made. However I’m free to paint out what I don’t like, in a varied way. I’m always varying the surface which I find crucial to a visually exciting picture.