Rarely does a criticism/review/comment on one’s work give one food for thought which goes to the heart of one’s aims, concerns and intentions, let alone results in the actual piece(s).
The contribution to the Abcrit debate (Discussion on Abstract Sculpture, 27th June), from Tony Smart, achieved exactly this for me in relation to the sculpture series “Bridge of Echoes’ (I) as illustrated then. As a result of Tony’s remarks I was obliged to think much more clearly about the relationship of material (choice of) to the resulting building (of the piece) and its visual and physical effect (though this is always a prime concern for sculptors). In this case I had previously experimented with the use of sheet card, both in itself and mixed with plywood. It became clear (from Tony) that the compacted, dense, movemented relationships of the cut, folded stacked and glued pieces or shards of the material made a particular visual and spatial/physical impression, quite different to that which had previously resulted in steel or other materials that I had used. This ‘impression’, that Tony termed “pressure”, delighted me; I realised it was giving me something of extreme interest in terms of contributing to the sculpture’s total wholeness in and of space; avoiding what he so aptly called: “…a gentlemanly dialogue between space and material…”