Dennis Loesch

#21. Geoff Hands writes on Dennis Loesch

Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.

Dennis Loesch, installation at PM/AM Gallery, photo Erik Saeter Joergensen.

Merge Visible: New Digital Paintings by Dennis Loesch was at PM/AM Gallery, London, 24th September – 26th October 2015

“Are you still looking for a Cézanne?”

Despite the variety of media and means available for artists to make their mark upon the world, or add another object to it, painting will not go away. In recent weeks, for the London-centric art viewer-visitor, ‘must see’ lists would surely have included the extremely painterly and mightily abstract, John Hoyland: Power Stations Paintings 1964-1982 (Newport Street Gallery) and the supreme and breathtaking Frank Auerbach (Tate Britain) exhibitions; and of course Frieze and Frieze Masters in Regent’s Park. Just before the recent spate of shows, the Sonia Delaunay and Agnes Martin exhibits at Tate Modern, in contrasting ways, would have revived (if needed) a battery re-charging of the potentials, and achievements, of abstract painting. With such major events filling the diary of necessary distractions (especially from the daily routines of studio practice, if you are an artist) smaller shows, or venues less well known, can be overlooked.

So, at the start of four days of consecutive gallery visiting, culminating at Frieze Masters, I headed for the mid-show breakfast event of Merge Visible: New Digital Paintings by Dennis Loesch at the PM/AM gallery, a newly renovated space located on the Old Marylebone Road, where the artist would be present. This venture, to introduce mostly German based artists to the UK, has been set up by Patrick Barstow (London) and Lee Colwill (Berlin), handily coinciding with many critics and collectors being in town for the Frieze events.

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