Solas Creative

#57. Robin Greenwood writes on the Disconnect of Meaning in Public Sculpture

Installation at the junction of Bermondsey Street and Tower Bridge Road, London SE1

The following is an extended version of a short talk given at the Royal College of Art on 23rd March 2017 on the occasion of the “What’s That Thing?” Awards, organised by @elliswoodman of the Architecture Foundation and @igortoronyi of the Spectator, with the winner announced by Stephen Bayley.

The Difference Between How a Thing Looks and What It Means.

I moved to Bermondsey Street, South London, about 22 years ago, when it was pretty much of a white working-class enclave and commercial area. These days it is a hipster hangout and restaurant destination, so it was a surprise when a couple of years ago this decidedly unhip installation appeared on a newly-laid bit of pavement at the junction of Bermondsey Street and Tower Bridge Road. Not being much of a fan of public sculpture, being as how it has such an appalling track record, I tried for a while to ignore it. I thought too that it would make a good candidate for Igor’s “What’s That Thing?” Awards; and it annoyed me. Why and what was this horrid thing at the end of my road, ruining the streetscape?

But it is in fact a war memorial, and you can’t say much against, or deny a place to, a war memorial, even if the execution is execrable – as in my opinion, this is.

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