Stig Evans

#122. Geoff Hands writes on “HARDPAINTINGX2”

HARDPAINTINGX2 at Phoenix Art Space, Brighton

An exhibition in two parts featuring work by:

Part 1: Richard Bell, Katrina Blannin, John Carter, Catherine Ferguson, Della Gooden, Richard Graville, Morrissey & Hancock, Tess Jaray, Jo McGonigal, Lars Wolter and Jessie Yates

Part 2: Rana Begum, Ian Boutell, Philip Cole, Biggs & Collings, Deb Covell, Stig Evans, Jane Harris, Mali Morris, Jost Münster, Patrick O’Donnell, Carol Robertson and Daniel Sturgis

Richard Bell, ‘Equivalences (2 part painting)’, 2019, each 59.5x42cm

Deb Covell, ‘Fit’, 2017, 27x9x11cm and ‘Blue Pleat, 2018, H24xW15xD3.5cm

Hardpainting as a concept appears to be difficult to pin down. The best advice would be to engage in primary research and visit the exhibitions and see for yourself. Or, if that is not an option, make a note of the exhibitor’s names and search out their works at other venues. For secondary research, trawl through your catalogues and bookshelves and visit the artists’ websites. As you form some notion of what Hardpainting is, there’s one important proviso: exclude the figurative. And a recommendation: be a little speculative and maintain a spirit of deliberate inexactitude. Also, pluralism is good (it’s certainly contemporary), for Hardpainting is not to be placed into a theoretical straight jacket. At least not yet.

(more…)

#93. Geoff Hands writes on H_A_R_D_P_A_I_N_T_I_N_G at Phoenix Brighton

Hardpainting at Phoenix Brighton – poster and exterior

H-A-R-D-P-A-I-N-T-I-N-G at Phoenix Brighton, 13 January to 11 February 2018.

https://www.phoenixbrighton.org

Spaces available to show contemporary art in Brighton are limited, but Phoenix Brighton is undergoing a public engagement transformation that will be further re-calibrated with a refurbished gallery space in 2019. The last significant painting shows here were ‘32 Paintings’ (2013) and ‘20 Painters’ (2014) that showcased a broad range of styles and interests from Sussex based artists and were co-curated by Patrick O’Donnell (with Nicholas Pace and June Frickleton, respectively). During the second exhibition a public discussion event took place with Peter Ashton Jones, co-founder of Turps Banana magazine and art historian Peter Seddon. A lingering memory of that evening was of a rather polite assembly of listeners who did not rise to the bait (if that was the intention) of having the range of work on display described as “Home Counties” painting (aka provincial?). Nevertheless, hopes for an ongoing debate about contemporary art (not just painting) were kindled by this initiative, and rightly so, for the gallery space, with or without a forum, is the most appropriate public arena for a meaningful debate to take place.

(more…)